An enraged man abducts his estranged wife and child, holes upin a secluded mountain cabin, threatening to kill them both. Aright wing survivalist amasses a cache of weapons and resists callsto surrender. A drug trafficker barricades himself and his familyin a railroad car, and begins shooting. A cult leader in Waco,Texas faces the FBI in an armed stand-off that leaves many dead ina fiery blaze. A sniper, claiming to be God, terrorizes the DCmetropolitan area. For most of us, these are events we hear abouton the news. For Gary Noesner, head of the FBI’s groundbreakingCrisis Negotiation Unit, it was just another day on the job. In Stalling for Time, Noesner takes readers on a heart-poundingtour through many of the most famous hostage crises of the pastthirty years. Specially trained in non-violent confrontation andcommunication techniques, Noesner’s unit successfully defused manypotentially volatile standoffs, but perhaps their most hard-wonvictory was earning the recognition and respect of the

SS Kommandant Rudolph Hss (19001947) was history's greatest mass murderer, personally supervising the extermination of approximately two million people, mostly Jews, at the death camp in Auschwitz, Poland. Death Dealer is a new, unexpurgated translation of Hsss autobiography, written before, during, and after his trial. This edition includes rare photos, the minutes of the Wannsee Conference (where the Final Solution was decided and coordinated), original diagrams of the camps, a detailed chronology of important events at Auschwitz-Birkenau, Hss's final letters to his family, and a new foreword by Auschwitz survivor Primo Levi. Death Dealer stands as one of the most importantand chillingdocuments of the Holocaust.

This comprehensive, original portrait of the life and work ofone of America's greatest poets--set in the social, cultural, andpolitical context of his time--considers the full range of writingsby and about Whitman, including his early poems and stories, hisconversations, letters, journals, newspaper writings, and daybooks. of photos.

As a singer and songwriter, Gram Parsons stood at the nexus ofcountless musical crossroads, and he sold his soul to the devil atevery one. His intimates and collaborators included Keith Richards,William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn,and Clarence White. Parsons led the Byrds to create the seminalcountry rock masterpiece Sweetheart of the Rodeo, helped to guidethe Rolling Stones beyond the blues in their appreciation ofAmerican roots music, and found his musical soul mate in EmmylouHarris. Parsons’ solo albums, GP and Grievous Angel, are nowrecognized as visionary masterpieces of the transcendentaljambalaya of rock, soul, country, gospel, and blues Parsons named“Cosmic American Music.” Parsons had everything–looks, charisma,money, style, the best drugs, the most heartbreaking voice–andthrew it all away with both hands, dying of a drug and alcoholoverdose at age twenty-six. In this beautifully written, raucous, meticulously researchedbiography, David N. Meyer gi

Einstein believed in humanity, in a peaceful world of mutualhelpfulness, and in the high mission of science. Intended as a pleafor these beliefs, this book, like no other provides a complete keyto the understanding of this distinguished man's personality.

Clint Eastwood is not only a man. He is a namelessvigilante, a vengeful detective, a bare-knuckle boxer, a SecretService agent, and countless other definitive screen archetypes nowembedded in our shared pop-culture consciousness. However youdefine him, Clint Eastwood has a powerful and extremelyrecognizable image that exists as something beyond the narrativesof his films. Clint Eastwood ICON presents an unprecedented collection offilm art surrounding the legendary actor. This comprehensive trovegathers together poster art, lobby cards, studio ads, and esotericfilm memorabilia from around the world. From his early roles as thenameless gunslinger in Sergio Leone’s Spaghetti Westerns, to thevigilante films of the 1970s and 1980s, through his directorialroles and latest releases, Clint Eastwood ICON captures thepowerful presence and quiet intensity that turned Eastwood into thedefinitive American hero.

Now in paperback: the third volume of John Richardson’smagisterial Life of Picasso. Here is Picasso at the height of his powers in Rome and Naples,producing the sets and costumes with Cocteau for Diaghilev’sBallets Russes, and visiting Pompei where the antique statuary fuelhis obsession with classicism; in Paris, creating some of his mostimportant sculpture and painting as part of a group that includedBraque, Apollinaire, Miró, and Breton; spending summers in theSouth of France in the company of Gerald and Sara Murphy,Hemingway, and Fitzgerald. These are the years of his marriage tothe Russian ballerina Olga Khokhlova—the mother of his onlylegitimate child, Paulo—and of his passionate affair withMarie-Thérèse Walter, who was, as well, his model and muse. A groundbreaking contribution to our understanding of one of thegreatest artists of the twentieth century.

In this extraordinary memoir, Nobel Prizewinning author GnterGrass remembers his early life, from his boyhood in a crampedtwo-room apartment in Danzig through the late 1950s, when The TinDrum was published. During the Second World War, Grass volunteeredfor the submarine corps at the age of fifteen but was rejected; twoyears later, in 1944, he was instead drafted into the Waffen-SS.Taken prisoner by American forces as he was recovering fromshrapnel wounds, he spent the final weeks of the war in an AmericanPOW camp. After the war, Grass resolved to become an artist andmoved with his first wife to Paris, where he began to write thenovel that would make him famous. Full of the bravado of youth, therubble of postwar Germany, the thrill of wild love affairs, and theexhilaration of Paris in the early fifties, Peeling the Onionwhichcaused great controversy when it was published in GermanyrevealsGrass at his most intimate.

In a book that is both biography and the most exciting form ofhistory, here are eighteen years in the life of a man, AlbertEinstein, and a city, Berlin, that were in many ways the definingyears of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern sciencetraveled to Zurich. Their mission: to offer the most prestigiousposition in the very center of European scientific life to a manwho had just six years before been a mere patent clerk. AlbertEinstein accepted, arriving in Berlin in March 1914 to take up hisnew post. In December 1932 he left Berlin forever. “Take a goodlook,” he said to his wife as they walked away from their house.“You will never see it again.” In between, Einstein’s Berlin years capture in microcosm theodyssey of the twentieth century. It is a century that opens withextravagant hopes--and climaxes in unparalleled calamity. These aretumultuous times, seen through the life of one man who is at oncewitness to and architect of his day--and

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—