米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个能
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三分天下归一晋n一部司马家族创业史nn司马师去世前，将大将军之职传位司马昭，在父兄创立的基业上，司马昭在魏国独揽朝纲。n魏帝曹髦见威权日去，意欲讨伐权臣，事情泄漏后，太子舍人成济在贾充的授意下将曹髦刺死。n司马昭闻讯后将成济斩首谢罪，又用太后的名义，以不敬太后、自寻死路的罪名将曹髦的皇帝名位废掉。n曹魏实权落入司马昭手中。n
Cecil Beaton was one of the great twentieth-centurytastemakers. A photographer, artist, writer and designer for morethan fifty years, he was at the center of the worlds of fashion,society, theater and film. The Unexpurgated Beaton bringstogether for the first time the never-before-published diaries from1970 to 1980 and, unlike the six slim volumes of diaries publishedduring his lifetime, these have been left uniquely unedited. Hugo Vickers, the executor of Beaton’s estate and the author ofhis acclaimed biography, has added extensive and fascinating notesthat are as lively as the diary entries themselves. As one Londonreviewer wrote, “Vickers’ waspish footnotes are the salt on theside of the dish.” Beaton treated his other published diaries likehis photographs, endlessly retouching them, but, for this volume,Vickers went back to the original manu*s to find the unediteddiaries. Here is the photographer for British and American Vogue, designer of the sets and costumes for the play a
