From the author of the best-selling biography Woody Allen—themost informative, revealing, and entertaining conversations fromhis thirty-six years of interviewing the great comedian andfilmmaker. For more than three decades, Woody Allen has been talkingregularly and candidly with Eric Lax, and has given him singularand unfettered access to his film sets, his editing room, and histhoughts and observations. In discussions that begin in 1971 andcontinue into 2007, Allen discusses every facet of moviemakingthrough the prism of his own films and the work of directors headmires. In doing so, he reveals an artist’s development over thecourse of his career to date, from joke writer to standup comedianto world-acclaimed filmmaker. Woody talks about the seeds of his ideas and the writing of hisscreenplays; about casting and acting, shooting and directing,editing and scoring. He tells how he reworks screenplays even whilefilming them. He describes the problems he has had casting Ameri

Originally published in six volumes, Sandburgs Abraham Lincolnwas called the greatest historical biography of our generation.Sandburg distilled this work into one volume that became thedefinitive life of Lincoln. Index; photographs.

When twentysomething reporter Miranda Kennedy leaves herjob in New York City and travels to India with no employmentprospects, she longs to immerse herself in the turmoil andexcitement of a rapidly developing country. What she quickly learnsin Delhi about renting an apartment as a single woman—it’s next toimpossible—and the proper way for women in India to ridescooters—perched sideways—are early signs that life here is lessWesternized than she’d counted on. Living in Delhi for more than five years, and finding acity pulsing with possibility and hope, Kennedy experiencesfriendships, love affairs, and losses that open a window onto theopaque world of Indian politics and culture—and alter her ownattitudes about everything from food and clothes to marriage andfamily. Along the way, Kennedy is drawn into the lives of severalIndian women, including her charismatic friend Geeta—aself-described “modern girl” who attempts to squeeze herself intothe traditional role of wife and mother; R

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—