From the author of the best-selling biography Woody Allen—themost informative, revealing, and entertaining conversations fromhis thirty-six years of interviewing the great comedian andfilmmaker. For more than three decades, Woody Allen has been talkingregularly and candidly with Eric Lax, and has given him singularand unfettered access to his film sets, his editing room, and histhoughts and observations. In discussions that begin in 1971 andcontinue into 2007, Allen discusses every facet of moviemakingthrough the prism of his own films and the work of directors headmires. In doing so, he reveals an artist’s development over thecourse of his career to date, from joke writer to standup comedianto world-acclaimed filmmaker. Woody talks about the seeds of his ideas and the writing of hisscreenplays; about casting and acting, shooting and directing,editing and scoring. He tells how he reworks screenplays even whilefilming them. He describes the problems he has had casting Ameri

He was a brilliant teller of tales, one of the most widelyread authors of the twentieth century, and at one time the mostfamous writer in the world, yet W. Somerset Maugham’s own truestory has never been fully told. At last, the fascinating truth isrevealed in a landmark biography by the award-winning writer SelinaHastings. Granted unprecedented access to Maugham’s personalcorrespondence and to newly uncovered interviews with his onlychild, Hastings portrays the secret loves, betrayals, integrity,and passion that inspired Maugham to create such classics as TheRazor’s Edge and Of Human Bondage. Hastings vividly presents Maugham’s lonely childhood spentwith unloving relatives after the death of his parents, a traumathat resulted in shyness, a stammer, and for the rest of his lifean urgent need for physical tenderness. Here, too, are his adulttriumphs on the stage and page, works that allowed him a glitteringsocial life in which he befriended and sometimes fell out with suchluminaries as Do

One of America’s finest historians shows us how Bob Dylan, oneof the country’s greatest and most enduring artists, stillsurprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov??ered themusic of Bob Dylan as a young teenager; almost half a centurylater, he revisits Dylan’s work with the skills of an eminentAmerican historian as well as the passion of a fan. Drawn in partfrom Wilentz’s essays as “historian in residence” of Dylan’sofficial website, Bob Dylan in America is a unique blend of fact,interpretation, and affinity—a book that, much like its subject,shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this bookfollows Dylan as he continues to develop a body of musical andliterary work unique in our cultural history. Wilentz’s approachplaces Dylan’s music in the context of its time, including theearly influences of Popular Front ideology and Beat aesthetics, andoffers a larger critica

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—

The first dual biography of two of the world’s most remarkablewomen—Elizabeth I of England and Mary Queen of Scots—by one ofBritain’s “best biographers” ( The Sunday Times ). In a rich and riveting narrative, Jane Dunn reveals theextraordinary rivalry between the regal cousins. It is the story oftwo queens ruling on one island, each with a claim to the throne ofEngland, each embodying dramatically opposing qualities ofcharacter, ideals of womanliness (and views of sexuality) anddivinely ordained kingship. As regnant queens in an overwhelmingly masculine world, they weredeplored for their femaleness, compared unfavorably with each otherand courted by the same men. By placing their dynamic andever-changing relationship at the center of the book, Dunnilluminates their differences. Elizabeth, inheriting a weak,divided country coveted by all the Catholic monarchs of Europe, isrevolutionary in her insistence on ruling alone and inspired in heruse of celibacy as a political tool—yet also possessed of

The extraordinary story of Andrew Jackson—the colorful,dynamic, and forceful president who ushered in the Age of Democracyand set a still young America on its path to greatness—told by thebestselling author of The First American. The most famous American of his time, Andrew Jackson is a seminalfigure in American history. The first “common man” to rise to thepresidency, Jackson embodied the spirit and the vision of theemerging American nation; the term “Jacksonian democracy” isembedded in our national lexicon. With the sweep, passion, and attention to detail that made TheFirst American a Pulitzer Prize finalist and a national bestseller,historian H.W. Brands shapes a historical narrative that’s asfast-paced and compelling as the best fiction. He follows AndrewJackson from his days as rebellious youth, risking execution tofree the Carolinas of the British during the Revolutionary War, tohis years as a young lawyer and congressman from the newly settledfrontier state of Tennessee