Clint Eastwood is not only a man. He is a namelessvigilante, a vengeful detective, a bare-knuckle boxer, a SecretService agent, and countless other definitive screen archetypes nowembedded in our shared pop-culture consciousness. However youdefine him, Clint Eastwood has a powerful and extremelyrecognizable image that exists as something beyond the narrativesof his films. Clint Eastwood ICON presents an unprecedented collection offilm art surrounding the legendary actor. This comprehensive trovegathers together poster art, lobby cards, studio ads, and esotericfilm memorabilia from around the world. From his early roles as thenameless gunslinger in Sergio Leone’s Spaghetti Westerns, to thevigilante films of the 1970s and 1980s, through his directorialroles and latest releases, Clint Eastwood ICON captures thepowerful presence and quiet intensity that turned Eastwood into thedefinitive American hero.

In Listening to Whales, Alexandra Morton shares spellbindingstories about her career in whale and dolphin research and what shehas learned from and about these magnificent mammals. In the late1970s, while working at Marineland in California, Alexandrapioneered the recording of orca sounds by dropping a hydrophoneinto the tank of two killer whales. She recorded the variedlanguage of mating, childbirth, and even grief after the birth of astillborn calf. At the same time she made the startling observationthat the whales were inventing wonderful synchronized movements, abehavior that was soon recognized as a defining characteristic oforca society. In 1984, Alexandra moved to a remote bay in British Columbia tocontinue her research with wild orcas. Her recordings of the whaleshave led her to a deeper understanding of the mystery of whaleecholocation, the vocal communication that enables the mammals tofind their way in the dark sea. A fascinating study of the profoundcommunion between humans and whales

In a book that is both biography and the most exciting form ofhistory, here are eighteen years in the life of a man, AlbertEinstein, and a city, Berlin, that were in many ways the definingyears of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern sciencetraveled to Zurich. Their mission: to offer the most prestigiousposition in the very center of European scientific life to a manwho had just six years before been a mere patent clerk. AlbertEinstein accepted, arriving in Berlin in March 1914 to take up hisnew post. In December 1932 he left Berlin forever. “Take a goodlook,” he said to his wife as they walked away from their house.“You will never see it again.” In between, Einstein’s Berlin years capture in microcosm theodyssey of the twentieth century. It is a century that opens withextravagant hopes--and climaxes in unparalleled calamity. These aretumultuous times, seen through the life of one man who is at oncewitness to and architect of his day--and

Here is the enlightening memoir of the industrialist as famousfor his philanthropy as for his fortune.

Helen Keller' striumph over her blindness and deafness hasbecome one of the most inspiring stories of our time. Here, in abook first published when she was young woman, is Helen Keller'sown story- complex, poignant, and filled with love.

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—

When the first Superman movie came out I was frequently asked'What is a hero?' I remember the glib response I repeated somany times. My answer was that a hero is someone who commitsa courageous action without considering the consequences--a soldierwho crawls out of a foxhole to drag an injured buddy tosafety. And I also meant individuals who are slightly largerthan life: Houdini and Lindbergh, John Wayne, JFK, and JoeDiMaggio. Now my definition is completely different. Ithink a hero is an ordinary individual who finds strength topersevere and endure in spite of overwhelming obstacles: afifteen-year-old boy who landed on his head while wrestling withhis brother, leaving him barely able to swallow or speak; TravisRoy, paralyzed in the first thirty seconds of a hockey game in hisfreshman year at college. These are real heroes, and so arethe families and friends who have stood by them." The whole world held its breath when Christopher Reeve struggledfor life on Memorial Day, 1995. On the

In this extraordinary memoir, Nobel Prizewinning author GnterGrass remembers his early life, from his boyhood in a crampedtwo-room apartment in Danzig through the late 1950s, when The TinDrum was published. During the Second World War, Grass volunteeredfor the submarine corps at the age of fifteen but was rejected; twoyears later, in 1944, he was instead drafted into the Waffen-SS.Taken prisoner by American forces as he was recovering fromshrapnel wounds, he spent the final weeks of the war in an AmericanPOW camp. After the war, Grass resolved to become an artist andmoved with his first wife to Paris, where he began to write thenovel that would make him famous. Full of the bravado of youth, therubble of postwar Germany, the thrill of wild love affairs, and theexhilaration of Paris in the early fifties, Peeling the Onionwhichcaused great controversy when it was published in GermanyrevealsGrass at his most intimate.

In his acclaimed book Lincoln's Virtues , William LeeMiller explored Abraham Lincoln's intellectual and moraldevelopment. Now he completes his "ethical biography," showing howthe amiable and inexperienced backcountry politician wastransformed by constitutional alchemy into an oath-bound head ofstate. Faced with a radical moral contradiction left by thenation's Founders, Lincoln struggled to find a balance between theuniversal ideals of Equality and Liberty and the monstrousinjustice of human slavery. With wit and penetrating sensitivity, Miller brings together thegreat themes that have become Lincoln's legacy—preserving theUnited States of America while ending the odious institution thatcorrupted the nation's meaning—and illuminates his remarkablepresidential combination: indomitable resolve and suprememagnanimity.

Charles I waged civil wars that cost one in ten Englishmentheir lives. But in 1649 Parliament was hard put to find a lawyerwith the skill and daring to prosecute a king who claimed to beabove the law. In the end, they chose the radical lawyer JohnCooke, whose Puritan conscience, political vision, and love ofcivil liberties gave him the courage to bring the king to trial. Asa result, Charles I was beheaded, but eleven years later Cookehimself was arrested, tried, and executed at the hands of CharlesII. Geoffrey Robertson, a renowned human rights lawyer, provides avivid new reading of the tumultuous Civil War years, exposinglong-hidden truths: that the king was guilty, that his executionwas necessary to establish the sovereignty of Parliament, that theregicide trials were rigged and their victims should be seen asnational heroes. Cooke’s trial of Charles I, the first trial of ahead of state for waging war on his own people, became a forerunnerof the trials of Augusto Pinochet, Slobodan Milosevic

Plutarch's Lives, written at the beginning of the secondcentury A.D., is a brilliant social history of the ancient world byone of the greatest biographers and moralists of all time. In whatis by far his most famous and influential work, Plutarch revealsthe character and personality of his subjects and how they ledultimately to tragedy or victory. Richly anecdotal and full ofdetail, Volume I contains profiles and comparisons of Romulus andTheseus, Numa and Lycurgus, Fabius and Pericles, and many morepowerful figures of ancient Greece and Rome. The present translation, originally published in 1683 inconjunction with a life of Plutarch by John Dryden, was revised in1864 by the poet and scholar Arthur Hugh Clough, whose notes andpreface are also included in this edition.

This major study of the composer's life and work follows thecourse of Bach's career in rich detail - from his humble beginningsas an organ tuner and self-taught musician, to his role asKapellmeister and cantor of St. Thomas' Church in Leipzig. Itexplores Bach's relations with the German aristocracy, the Churchand contemporary theological debates, his perfectionism, and hisrole as the devoted head of a large family. The author alsocarefully analyses Bach's innovations in harmony and counterpoint,placing them in the context of European musical and socialhistory.