《中国美术院校教材：潘思同水彩画直观教材选》所介绍的是潘思同20世纪五、六十年代在浙江美术学院水彩画教学中使用的部分直观教材。所谓直观教材就是上课时的图示和示范作品。由于上课的教学时间有限，不可能在课堂里做大量示范，所以在每堂课上课之前，作为备课，潘思同都要针对一、二个问题，画一些直观教材，上面配备必要的文字说明，一方面为了节省时间，另一方面也为了取得视觉效果。在直观教材中，有些图本身就是独立的作品，因此，下课后学生常常争先恐后地拿去观摩、临摹。对这些直观教材，学生反应很好，有些青年教师也常借去作为参考。当时许多同行建议让这些教材印刷出版，但由于当时彩色印刷费用高昂，会大大提高书价，而且印刷质量也大有问题，如果采用黑白图版则大大削弱教材的直观效果，因而始终未能出版面世1993年，“

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In this compelling book, Robert Coles, the celebrated Harvardprofessor and Pulitzer Prize–winning author, turns his attention topopular music legend Bruce Springsteen, and to the powerful impactSpringsteen’s work has had both on the lives of his audience and onthis country’s literary tradition. Coles places Springsteen in thepantheon of American artists—Walt Whitman, William Carlos Williams,Dorothea Lange, and Walker Percy, among others—who understood andwere inspired by their “traveling companions in time,” the ordinarypeople of their eras. With wisdom and a unique personal perspective, Coles exploresSpringsteen’s words as contemporary American poetry, and offersfirsthand accounts of how people interact with them: A truckerlistens to “Blinded by the Light” during long, lonely nights andreminisces about his mother; a schoolteacher is astonished when ausually silent student offers a comparison between “Nebraska” andConrad’s Heart of Darkness; a policeman responds to “Am

数千年的农耕时代，在看似单调的百姓生活里，深藏着博大沉雄的文化因子。构成了绵延不断的历史信息链，无所不包地传递着中华民族心理的密码，编织出中侉民族所特有的审美追求和伟大的创造精神，至今仍闪烁着璀璨的光华，为当代文化提供着无尽的营养、彰明的昭示和有益的启迪。??????本书着眼于儿童成长的认知规律，在浩瀚的民间美术领域中，根据学科特点，选取了部分“中国民间吉祥纹样”作为美术教育资源之一，从中发掘出一些可被转换成具有现代审美价值和创造意味的美术教育形式，力求以丰富的文化知识内涵发儿童在“读图时代”中的感悟能力，使他们自幼在本民族特质文化的熏陶中，以文化自尊的态度去面对扑逆迷离的信息社会。此书的出版，无疑是对美术课程改革的一次突破性探索，为构建具有中国民族特色的少儿教育带来了许多有益的启

A basic primer for anyone without musical training who wishesto learn to read musical scores when singing or taking up aninstrument, this accessible and complete book covers classical,popular, jazz, and folk music. Well-known pieces are accompanied bya muscial dictionary, a note directory, and a guide to musicalsigns.

数千年的农耕时代，在看似单调的百姓生活里，深藏着博大沉雄的文化因子。构成了绵延不断的历史信息链，无所不包地传递着中华民族心理的密码，编织出中侉民族所特有的审美追求和伟大的创造精神，至今仍闪烁着璀璨的光华，为当代文化提供着无尽的营养、彰明的昭示和有益的启迪。??????本书着眼于儿童成长的认知规律，在浩瀚的民间美术领域中，根据学科特点，选取了部分“中国民间吉祥纹样”作为美术教育资源之一，从中发掘出一些可被转换成具有现代审美价值和创造意味的美术教育形式，力求以丰富的文化知识内涵发儿童在“读图时代”中的感悟能力，使他们自幼在本民族特质文化的熏陶中，以文化自尊的态度去面对扑逆迷离的信息社会。此书的出版，无疑是对美术课程改革的一次突破性探索，为构建具有中国民族特色的少儿教育带来了许多有益的启

With Peter Jackson's Acadamy Award-winning epic motion picture trilogy drawing to a spectacular and triumphant close, Gary Russell's detailed research takes us back into the world of Middle-earth, to relive all the visual drama and excitement of The Return of the King. The Art of The Return of the King illustrates the creative development of the film from sketch to special effect and features 600 images, most appearing nowhere else. This fully authorized book includes pencil sketches by Alan Lee and John Howe, costume designes by Ngila Dickson, magnificent full-color paintings by Jeremy Bennett, and prop designs, concepts, sculptures and digital artwork from Weta Workshop and Weta Digital. From Minas Tirith to Mount Doom, from the Army of the Dead to Shelob the monstrous spider, all the spectacular landscapes, characters and creatures are covered in stunning detail, including concepts that did not make it into the final film. To accompany this wealth of imagery, detailed and informative commentari

Hirshenson and Jenkins got their start casting for Francis Ford Coppola's Zoetrope Studios. When the studio went bust, they opened their own office, the Casting Company, and their book reminisces about the many films they've cast, including Harry Potter and A Beautiful Mind; the actors they've discovered, such as Tom Cruise, Leonardo DiCaprio and Scarlett Johansson; and some of the A-list directors, like Ron Howard and Steven Spielberg, who hired them. Given the authors' credentials (they have been casting partners since 1981), consider the advice they offer blue-chip. They cover everything from how to handle a call-back to telling actors to send head shots "that actually look like you." Most important, never take anything personally. A great audition doesn't always translate into a role: there are many factors that determine the final decision, such as chemistry, preference and competition. These veteran insiders have a passion for casting major motion pictures, and they use meetings with famous people to il

Before his untimely death in 1982, Lester Bangs was inarguablythe most influential critic of rock and roll. Writing inhyper-intelligent Benzedrine prose that calls to mind Jack Kerouacand Hunter S. Thompson, he eschewed all conventional thinking as hediscussed everything from Black Sabbath being the first trulyCatholic band to Anne Murray’s smoldering sexuality. In Mainlines,Blood Feasts, Bad Taste fellow rock critic John Morthland hascompiled a companion volume to Psychotic Reactions and CarburetorDung, the first, now classic collection of Bangs’s work. Here areexcerpts from an autobiographical piece Bangs wrote as a teenager,travel essays, and, of course, the music pieces, essays, andcriticism covering everything from titans like Miles Davis, LouReed, and the Rolling Stones to esoteric musicians like Brian Enoand Captain Beefheart. Singularly entertaining, this book is anabsolute must for anyone interested in the history of rock.

PAUL C?ZANNE (1839-1906) is an important figure in the progressof modern European painting. In his dedicated concern with form andstructure, he stands apart from the mainstream of Impressionistpainting, extending its range into a new art of visualanalysis. Cézanne, sensitive and shy, shunned the Parisian café society ofhis fellow artists, preferring to live and work alone in his nativeProvence which provided the inspiration for so many of hispaintings. Less immediately appealing to a wider audience than, forexample, Monet and Degas, Cézanne is nonetheless of immenseimportance through the influence he exerted on so many of theartists who followed him, such as Picasso and Matisse. Blessed with financial independence through the efforts of hisbanker father, he fortunately enjoyed a freedom to pursue his artwithout the demands of making a living felt by so many of hisfellow artists.

Back on the job after an involuntary leave of absence, LAPDhomicide detective Harry Bosch is ready for a challenge. But hisfirst case is a little more than he bargained for. It starts with the body of a Hollywood producer in the trunk of aRolls-Royce, shot twice in the head at close range - what lookslike "trunk music," a Mafia hit. But the LAPD's organized crimeunit is curiously uninterested, and when Harry follows a trail ofgambling debts to Las Vegas, the case suddenly becomes more complex- and much more personal. A rekindled romance with an old girlfriend opens new perspectiveson the murder, and he begins to glimpse a shocking triangle ofcorruption and collusion. Yanked off the case, Harry himself issoon the one being investigated. But only a bullet can stop Harrywhen he's searching for the truth . . .

The Editors of |LIFE America's favorite picture magazine,published a complete retrospective, organized chronologically andfilled with more than 150 photographs.

Villanueva was born in London, he grew up and was educated inParis at the Ecole des Beaux Arts and was acquainted with thecontemporary artists of the Parisian Avant-garde. In 1929 hefounded his own architectural office in Caracas, where he designedand realised many large buildings including the university campusin Caracas which consists of approximately 100 buildings; thelecture theatre with its curved white ceiling from which largecolored tiles from Calder are suspended is particularly remarkable.In addition he designed the Olympic stadium and housing estates.Villanueva's architecture combines the radical style of Modernismwith a dynamic and personal use of color and form. Concrete is muchin evidence in his work and he lays great value on allowing thestructural elements to become visible in expressive forms. Incooperation with Tanais Ediciones, Princeton Architectural Pressand Logos Art.

Rem Koolhaas (Rotterdam,1944)studied architecture at the AA in London--where he went on tobecome a lecturer--and at the IAUS in New York, during PeterEisenman's time there. Koolhaas has always been connected with thetheory of architecture, as lecturer at the innovative AA, as aspeaker, and with his published work: Delirious New York, aretrospective manifesto for Manhattan (1978) and the recent S, M,L, XL (1995). In 1972 Koolhaas set up the OMA (Office forMetropolitan Architecture), whose name clearly expresses theplanning intentions of the team, comprising Koolhaas, Elia and ZoeZenghelis, and Madelon Vriessendorp.

Pennington tells a terrific story of the rise and fallofornamental vegetable gardening between the seventeenth andnineteenth centuries, andits comeback in the twentieth. The allureof her book is in its seamless lamination ofscholarship and lucidnarrative. The cast of supporting characters is made up ofbothfamiliar figures (Thomas Jefferson, Alexander Pope, etc.) andobscure heroes of horticul-ture and landscape architecture.Captivating and inspiring, this book will appeal to anyonewho evertried to grow something and eat it."Dean MacCannell, author of TheTourist

《中国美术院校教材：潘思同水彩画直观教材选》所介绍的是潘思同20世纪五、六十年代在浙江美术学院水彩画教学中使用的部分直观教材。所谓直观教材就是上课时的图示和示范作品。由于上课的教学时间有限，不可能在课堂里做大量示范，所以在每堂课上课之前，作为备课，潘思同都要针对一、二个问题，画一些直观教材，上面配备必要的文字说明，一方面为了节省时间，另一方面也为了取得视觉效果。在直观教材中，有些图本身就是独立的作品，因此，下课后学生常常争先恐后地拿去观摩、临摹。对这些直观教材，学生反应很好，有些青年教师也常借去作为参考。当时许多同行建议让这些教材印刷出版，但由于当时彩色印刷费用高昂，会大大提高书价，而且印刷质量也大有问题，如果采用黑白图版则大大削弱教材的直观效果，因而始终未能出版面世1993年，“

Assembled from exhaustive interviews, We Got the Neutron Bombtells the authentically gritty stories of bands like the Runaways,the Germs, X, the Screamers, Black Flag, and the Circle--theirrise, their fall, and their undeniable influence on the rock 'n'roll of today.

Clubs by their definition offer 'exclusivity': to be a member ofa club you have to meet the selected criteria, whatever that mightbe. The image of a club becomes the key to how its members identifywith it - be it the relaxed wholesome logos of health clubs; or thesleek aerodynamic images found in business-class airline lounges.This issue of AD sets out to examine how architects and interiordesigners effectively use the physical spaces of clubs to enforceimages of exclusivity and collective belonging. Traditionalgentlemen's clubs are looked at alongside a new generation ofsports, media, commercial and night clubs that are springing upacross the world. It also features interviews with Nigel Coates andDavid Adjaye.

British embroiderer Blackburn has taught creative embroideryfor many years and especially enjoys working with beginningstudents of the art. This book distills the content of her classesand is an ideal textbook for the aspiring embroiderer workingalone. Beginning with a chapter on simple stitches, she moves to"pure embroidery," which she defines as "the execution of neatstitching for the sake of the stitch, without the interruption ofadded fabrics or other techniques." Successive chapters coverJacobean embroidery (crewel work), cut work, shadow work, quilting,texture and manipulation, design and presentation, design sources,and free-machine embroidery. Especially interesting are thechapters on painting fabric and on using gardens as inspiration fordesigning original pieces. Ideas for learning projects abound andare illustrated most effectively in full-color photographs. Highlyrecommended for large public library and academic textilecollections. Copyright 2000 Reed Business Information, Inc.