In 1958, the first edition of Robert Frank's TheAmericans was published in Paris. Les Américains contained Frank's 83 photographs in the same sequence as allsubsequent editions, with the image on the right hand page, butjuxtaposed with historical texts about American society andpolitics, gathered by Alain Bosquet. The following year, in thefirst American edition, the French texts were removed and anintroduction by Jack Kerouac was added. Over the subsequent 50years, The Americans has been republished in many editions,in numerous languages, with a variety of cover designs, and even ina range of sizes. It is the most famous photography book everpublished, and it changed the face of the medium forever. Robert Frank discussed with his publisher,Gerhard Steidl, the idea of producing a new edition using modernscanning and the finest tritone printing. The starting point was tobring original prints from New York to G?ttingen, Germany, whereSteidl is based. In July 2007, Frank visited G?ttingen. A new forma

Antonio Stradivari (1644—1737) was a perfectionist whosesingle-minded pursuit of excellence changed the world of music. Inthe course of his long career in the northern Italian city ofCremona, he created more than a thousand stringed instruments;approximately six hundred survive, their quality unequalled by anysubsequent violin-maker. In this fascinating book, Toby Fabertraces the rich, multilayered stories of six of these peerlesscreations–five violins and a cello–and the one towering artist whobrought them into being. Blending history, biography, meticulousdetective work, and an abiding passion for music, Faber takes usfrom the salons of Vienna to the concert halls of New York, andfrom the breakthroughs of Beethoven’s last quartets to the firstphonographic recordings. This magnificent narrative invites us toshare the life, the intrigue, and the incomparable beauty of theworld’s most marvelous stringed instruments.

In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio

A spotlight on French landscape painters of the first half of the 20th century which is a true hymn to nature Eight French painters born after 1870 are brought together for the first time in an exhibition that highlights their mutual affinities and charts their respective influences and evolutions. Aside from Gaston Balande (1880-1971), who is well known for his art deco wall murals designed for transatlantic ships, and Paul Deltombe (1878-1971), who benefited from a retrospective exhibition in 1970, the work of the other painters collected here has remained uncelebrated for far too long. The present exhibition and its catalogue aim to repair this oversight, as well as to reignite the study of this generation of French painters who, without turning their back on the avant-gardists, concentrated primarily on the traditional genre of landscape, and to a lesser degree on still-lifes. The 80 works of art, mainly painted between the wars, are at the crossroads of the many influences of this creative period,

Few artists have created as much controversy or survived itwith greater fame than Edouard Manet. In his day, the avant-gardewas not only a challenge to the traditions of art, but it was alsoa gunshot fired at society as a whole. With his painting Olympia(1869), Manet was to become, to quote Degas, as famous asGaribaldi. Yet how the urbane and diffident son of a bourgeoisfamily became the father of both Realism and Impressionism is acomplex and fascinating story that has too often been reduced totextbook clichés. As Manet has become recognized as a touchstonefor historical change but also for interpretations of how thatchange came about, his individual story has become all the morerelevant to the study of art history. Moreover, far from being anartists to shrink behind his work, one of Manets mostcharacteristic practices was to leave an indelible trace of his ownpersonal identity within his paintings, as illustrated throughoutthe volume by eminent scholar James H. Rubin. This lavishlyillustrated volume

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

From its ancient status as the jewel of an empire to itsmodern incarnation as a troubled, yet culturally vibrant Europeancapital, Rome has compelled the imagination of artists for over twothousand years. Now, in "The History of Rome in Painting", that

One of Victorian Englands most charismatic characters, DanteGabriel Rossetti painted and wrote with equal passion. He wassimilarly passionate in his personal life: his etherealartist-wife, his earthy blond mistress, and the ravishing JaneMorris are al

The tragedy of Tupac is that his untimely passing isrepresentative of too many young black men in this country....If wehad lost Oprah Winfrey at 25, we would have lost a relativelyunknown, local market TV anchorwoman. If we had lost Malcolm X at25, we would have lost a hustler nicknamed Detroit Red. And if Ihad left the world at 25, we would have lost a big-band trumpetplayer and aspiring composer--just a sliver of my eventual lifepotential. From the Foreword by Quincy Jones The real story of Tupac's murder may not ever emerge. This maybe the only lasting testament to the many faces of Tupac Shakur--ofa life lived fast and hard, of a man cloaked in contradictions. Ayoung man who was just starting to come into his own. "I believe that everything you do bad comes back to you. Soeverything that I do that's bad, I'm going to suffer for it. But inmy heart, I believe what I'm doing is right. So I feel like I'mgoing to heaven." Tupac Shakur, June 1996

Asian Resorts is conceived to be the most comprehensivecollection on Asian resorts. Written and shot by the region'sbest known Asian architecture specialist, TanHock Beng, who has already put together five books on the designand aesthetics of tropical architecture, Asian Resorts promises toshow its readers the biggest variety of Asian resorts that no otherbook has ever shown. With its beautifully' shot images and relevantinformation, this book will certainly serve and entertain youbeyond just the coffee table. In fact, it is a must-have for everyarchitectural office and every home.

This much acclaimed book, newly available in paperback, is thedefinitive retrospective of the most popular serious artist in theworld today, covering all media over almost fifty years. Presentedthematically to show the evolution and diversity of Hockney'sprolific paintings, drawings, watercolours, prints and photography,it also features quotes from the artist himself that illuminate thepassionate thinking behind the works produced. Its hugeinternational success confirms Hockney's position as the world'smost popular living artist.

The classic art of enameling is experiencing a well-deservedrenaissance—and it’s stunningly captured in this lovingly curatedsurvey. More than 300 international contemporary artists havecontributed museum-worthy pieces, which range in scale from DavidC. Freda’s Green Slipper Brooch and Harlan W. Butt’s Maine Teapotto large sculptures and public art. Some of the creators take aminimalist approach, using only soft colors and matte finishes,while others exploit the material’s vibrant palette and glass-likesurface. The broad technical applications include everything fromsimple sifting and torch firing to complex cloisonné andplique-à-jour.

Whether Gould's subject is Boulez, Stokowski, Streisand, orhis own highly individual thoughts on performance and creation ofmusic, the reader will be caught up in his intensity, intelligence,passion and devotion.

A wonderful and original tribute to the curious, comical Dodoand the beautiful island of Mauritius. Award-winning Finnishphotographer Harri Kallio creates the illusion that thesefascinating creatures are alive and abundant, living as they oncedid in their own unspoiled haven, the island of Mauritius.Accompanied by a thorough history of this extraordinary bird,including eyewitness accounts and pictorial sources, the book wasthe winner of the 2004 European Publishers’ Award forPhotography.

In 1931, Diego Rivera was the subject of The Museum of ModernArt s second monographic exhibition, which set new attendancerecords in its five-week run. The Museum brought Rivera to New Yorksix weeks before the show s opening and gave him on-site studiospace. There he produced five "portable murals" --large blocks offrescoed plaster, slaked lime and wood that feature bold imagesdrawn from Mexican subject matter and address themes of revolutionand class inequity. After the opening, to great publicity, Riveraadded three more murals, now taking on New York subjects throughmonumental images of the urban working class and the city duringthe Great Depression. Published in conjunction with an exhibitionthat brings together key works made for Rivera s 1931 show, thiscatalogue casts the artist as a highly cosmopolitan figure whotraveled between Russia, Mexico and the United States and examinesthe intersection of artmaking and radical politics in the 1930s.Illustrated with reproductions of each panel as well as r

The bible of the music biz--now fully revised with newcontacts, fee info, trends, tips. Want to know how to set pricesfor a gig? Want to be ahead of the curve on new trends in music?Want to have all the latest contact information on hundreds ofindustry pros? Have we got the book for you "The Musician'sHandbook," already the industry bible for working musicians, hasbeen thoroughly revised and updated with the answers to all thesequestions and more. New interviews with music-business leaders, newpricing and legal structures for the digital age, new how-to tipsfor independent and do-it-yourself musicians--it's all in here.Fees, royalties and advances, live performance, touring,merchandising, working with managers, lawyers, and agents, spottingnew opportunities--all these topics and many, many more are coveredin depth in this indispensable guide to becoming successful inmusic and in business.

This book is a study of the figures and landscapes thatSargent painted from 1900 (after he was well established as one ofthe foremost portraitists of the age) through 1914 (and the arrivalof the Second World War).

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.