《唐风吹拂撒马尔罕:粟特艺术与中国、波斯、印度、拜占庭》是作者康马泰结合主持中亚布哈拉古城考古的挖掘实践及多年研究的心血之作。全书分为四卷——《粟特艺术与中国》《粟特艺术与波斯》《粟特艺术与印度》《粟特艺术与拜占庭》，关于撒马尔罕大使厅壁画上的唐代端午节，中国北朝墓葬中的粟特艺术，粟特信仰与佛教、印度教神祇的关系等，书中都有精彩论述。

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《沙特历史图集》是沙特建国100祝活动秘书处发行的众多出版物中的一种，力图清楚地表明，这个节日是一个科学、求知的活动。 这部图集用地图、图片和简短的文字记录了沙特在建国不同阶段的大部分史实和事件。从伊历850年，以马尼·马尼迪为首的沙特家族回到阿拉伯半岛中心的哈尼发谷地起，到建设迪里耶，使之成为沙特王国。伊历1157年到伊历1233年的第二沙特王国。伊历1240年到伊历1309年为建立第三沙特王国所发生的大事件。此外，还介绍了在诸位国王的努力下取得的突出成就。 （本书地图翻译程度较低，仅有说明文字被译出）

《中国宫殿史（修订本）》是在原版的基础上增补和修订而成的，该书选用新材料，吸纳新成果，求真求实，探索中国宫殿的发展轨迹，为我们展示了一幅中国宫殿的新画卷。全书共分10个章节，具体内容包括传说时代的宫室及夏商宫殿、周秦的都城与宫殿、两汉宫室、魏晋南北朝的都城与宫殿、隋唐宫殿等。《中国宫殿史》曾于1995年在初版，迄今已十余年了。十余年来。有关的文物考古材料又有新的发现，其研究成果亦堪称丰硕。

The Boys’ Crusade is the great historian PaulFussell’s unflinching and unforgettable account of the Americaninfantryman’s experiences in Europe during World War II. Based inpart on the author’s own experiences, it provides a stirringnarrative of what the war was actually like, from the point of viewof the children—for children they were—who fought it. While dealingdefinitively with issues of strategy, leadership, context, andtactics, Fussell has an additional purpose: to tear away the veilof feel-good mythology that so often obscures and sanitizes war’sbrutal essence. “A chronicle should deal with nothing but the truth,” Fussellwrites in his Preface. Accord-ingly, he eschews every kind ofsentimentalism, focusing instead on the raw action and humanemotion triggered by the intimacy, horror, and intense sorrows ofwar, and honestly addressing the errors, waste, fear, misery, andresentments that plagued both sides. In the vast literature onWorld War II, The Boys’ Crusade stands

《利玛窦》是一个人的传奇，更是一个时代的剪影。十六世纪地理大发现之后.中西文化交流进入了一个全新的时代。一五八三年.意大利传教士利玛窦运用“文化适应”的传教策略，成功地进入了中国内地，从而揭开了明末清初中西文化交流的高潮。《利玛窦》讲述的就是这位传奇人物为了实现他在晚明中国传教的梦想，不断认识、不断适应中国文化的故事。面对当今中西文化交流的诸多困惑，把眼光放长一点，回到利玛窦时代，来重新认识与思考中西文化的异同.这可以让我们用一种历史的、客观的眼光来给传统文化定位，用开放的、发展的眼光来看待文化交流与冲突。

In the tradition of Jon Krakauer’s Into Thin Air and SebastianJunger’s The Perfect Storm comes a true tale of riveting adventurein which two weekend scuba divers risk everything to solve a greathistorical mystery–and make history themselves. For John Chatterton and Richie Kohler, deep wreck diving was morethan a sport. Testing themselves against treacherous currents,braving depths that induced hallucinatory effects, navigatingthrough wreckage as perilous as a minefield, they pushed themselvesto their limits and beyond, brushing against death more than oncein the rusting hulks of sunken ships. But in the fall of 1991, not even these courageous divers wereprepared for what they found 230 feet below the surface, in thefrigid Atlantic waters sixty miles off the coast of New Jersey: aWorld War II German U-boat, its ruined interior a macabre wastelandof twisted metal, tangled wires, and human bones–all buried underdecades of accumulated sediment. No identifying marks were visible on

By the world-renowned novelist, playwright, critic, and authorof Wizard of the Crow, an evocative and affecting memoir ofchildhood. Ngugi wa Thiong’o was born in 1938 in rural Kenya to a fatherwhose four wives bore him more than a score of children. The manwho would become one of Africa’s leading writers was the fifthchild of the third wife. Even as World War II affected the lives ofAfricans under British colonial rule in particularly unexpectedways, Ngugi spent his childhood as very much the apple of hismother’s eye before attending school to slake what was thenconsidered a bizarre thirst for learning. In Dreams in a Time of War, Ngugi deftly etches a bygone era,capturing the landscape, the people, and their culture; the socialand political vicissitudes of life under colonialism and war; andthe troubled relationship between an emerging Christianized middleclass and the rural poor. And he shows how the Mau Mau armedstruggle for Kenya’s independence against the British informed noton

John Julius Norwich’s A History of Venice has been dubbed“indispensable” by none other than Jan Morris. Now, in his secondbook on the city once known as La Serenissima, Norwich advances thestory in this elegant chronicle of a hundred years of Venice’shighs and lows, from its ignominious capture by Napoleon in 1797 tothe dawn of the 20th century. An obligatory stop on the Grand Tour for any cultured Englishman(and, later, Americans), Venice limped into the 19th century–firstunder the yoke of France, then as an outpost of the AustrianHapsburgs, stripped of riches yet indelibly the most ravishing cityin Italy. Even when subsumed into a unified Italy in 1866, itremained a magnet for aesthetes of all stripes–subject or settingof books by Ruskin and James, a muse to poets and musicians, in itsway the most gracious courtesan of all European cities. Byrefracting images of Venice through the visits of such extravagant(and sometimes debauched) artists as Lord Byron, Richard Wagner,and the inimi

The sinking of the Dorchester in the icy waters offGreenland shortly after midnight on February 3, 1942, was one ofthe worst sea disasters of World War II. It was also the occasionof an astounding feat of heroism—and faith. As water gushed through a hole made by a German torpedo, fourchaplains—members of different faiths but linked by bonds offriendship and devotion—moved quietly among the men onboard.Preaching bravery, the chaplains distributed life jackets,including their own. In the end, these four men went down with theship, their arms linked in spiritual solidarity, their voicesraised in prayer. In this spellbinding narrative, award-winningauthor and journalist Dan Kurzman tells the story of these heroesand the faith—in God and in country—that they shared. They were about as different as four American clergymen could be.George Lansing Fox (Methodist), wounded and decorated in World WarI, loved his family and his Vermont congregation—yet he re-enlistedas soon as he heard about Pearl Harbo

《两个世界的媒介：德国女汉学家口述实录》收录了21位德国女汉学家的口述历史。她们出生子不同的历史年代，历经了各异的时代悲欢，对时代的奔流有着独特而敏锐的感悟；她们都关注中德两国时代场景的巨变，以极具女性特色的视角铭记、解读这段历史。且让我们跟随她们的叙述，品读这一份真实、精彩而又各具特色的历史实录。