It all started when Douglas Adams demolished planet Earth inorder to make way for an intergalactic expressway–and then invitedeveryone to thumb a ride on a comical cosmic road trip with thelikes of Arthur Dent, Ford Prefect, and the other daft denizens ofdeep space immortalized in The Hitchhiker’s Guide to the Galaxy.Adams made the universe a much funnier place to inhabit and foreverchanged the way we think about towels, extraterrestrial poetry, andespecially the number 42. And then, too soon, he was gone. Just who was this impossibly tall Englishman who wedded sciencefiction and absurdist humor to create the multimillion-sellingfive-book “trilogy” that became a cult phenomenon read round theworld? Even if you’ve dined in the Restaurant at the End of theUniverse, you’ve been exposed to only a portion of the offbeat,endearing, and irresistible Adams mystique. Have you met the onlyofficial unofficial member of Monty Python’s Flying Circus? Thevery first person to purchase a Mac

Although his popularity is eclipsed by Rembrandt today, PeterPaul Rubens was revered by his contemporaries as the greatestpainter of his era, if not of all history. His undeniableartistic genius, bolstered by a modest disposition and a reputationas a man of tact and discretion, made him a favorite among monarchsand political leaders across Europe—and gave him the perfect coverfor the clandestine activities that shaped the landscape ofseventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates theculture, religious conflicts, and political intrigues of Rubens’stime, following the painter from Antwerp to London, Madrid, Paris,and Rome and providing an insightful exploration of Rubens’s art aswell as the private passions that influenced it.

In 1955, Garcia Marquez was working for El Espectador, a newspaper in Bogota, when in February of that year eight crew members of the Caldas, a Colombian destroyer, were washed overboard and disappeared. Ten days later one of them turned up, barely alive, on a deserted beach in northern Colombia. This book, which originally appeared as a series of newspaper articles, is Garcia Marquez's account of that sailor's ordeal. Translated by Randolf Hogan.

波姬·小丝（Brooke Christa Shields）， 美国 著名 女演员 和 模特 ，1965年生于 纽约 城，拥有 意大利 、 法国 、 爱尔兰 和 英国 的贵族血统，其祖母是意大利公主Donna Marina Torlonia。小丝出生11个月就为香皂拍过广告，14岁就成为Vogue杂志封面年轻的时装模特；更是用家喻户晓的广告成就了Calvin Klein品牌牛仔装。13岁就在1978年的影片《漂亮宝贝》(Pretty Baby)中扮演一个童妓；1980年的《青春珊瑚岛/蓝色泻湖》(Blue Lagoon)中，出演因海上事故流落荒岛逐渐长大成为少年的两个孩子中的女孩，青春靓丽脱俗的形象让年仅15岁的波姬·小丝红极一时。

I tell of a time, a place, and a way of life long gone. For manyyears I have had the urge to describe that treasure trove, lest itvanish forever. So, partly in response to the basic human instinctto share feelings and experiences, and partly for the sheer joy andexcitement of it all, I report on my early life. It was quite aromp. So begins Mildred Kalish’s story of growing upon her grandparents’ Iowa farm during the depths of the GreatDepression. With her father banished from the household formysterious transgressions, five-year-old Mildred and her familycould easily have been overwhelmed by the challenge of simplytrying to survive. This, however, is not a tale of suffering. Kalish counts herself among the lucky of thatera. She had caring grandparents who possessed—and valiantly triedto impose—all the pioneer virtues of their forebears, teachers whoinspired and befriended her, and a barnyard full of animals readyto be tamed and loved. She and her siblings and their cousins fromthe farm across

Book De*ion Isaac Newton was born in a stone farmhouse in 1642, fatherlessand unwanted by his mother. When he died in London in 1727 he wasso renowned he was given a state funeral—an unheard-of honor for asubject whose achievements were in the realm of the intellect.During the years he was an irascible presence at Trinity College,Cambridge, Newton imagined properties of nature and gave themnames—mass, gravity, velocity—things our science now takes forgranted. Inspired by Aristotle, spurred on by Galileo’s discoveriesand the philosophy of Descartes, Newton grasped the intangible anddared to take its measure, a leap of the mind unparalleled in hisgeneration. James Gleick, the author of Chaos and Genius, and one of the mostacclaimed science writers of his generation, brings the reader intoNewton’s reclusive life and provides startlingly clear explanationsof the concepts that changed forever our perception of bodies,rest, and motion—ideas so basic to the twenty-first century, it cant

Offers a remarkable perspective on how a brutal mobster couldlead a sweet home life as a suburban dad.” —New York Times “One of the most searing volumes ever written about the mob .. . An] unforgettable memoir.” —Publishers Weekly “Admirers of Mafia fiction . . . should enjoy DeMeo’s attemptto strip off the gaudy veneer of what is, what was, and [what]always will be very dirty business.” —Detroit Free Press

William F. “Buffalo Bill” Cody was the most famous American ofhis age. He claimed to have worked for the Pony Express when only aboy and to have scouted for General George Custer. But what was hisreal story? And how did a frontiersman become a worldwidecelebrity? In this prize-winning biography, acclaimed author Louis S. Warrenexplains not only how Cody exaggerated his real experience as anarmy scout and buffalo hunter, but also how that experienceinspired him to create the gigantic, traveling spectacle known asBuffalo Bill’s Wild West Show. A dazzling mix of Indians, cowboys,and vaqueros, they performed on two continents for three decades,offering a surprisingly modern view of the United States and aremarkably democratic version of its history. This definitivebiography reveals the genius of America’s greatest showman, and thestartling history of the American West that drove him and hisperformers to the world stage.

THE LIBRARY OF CONTEMPORARY THOUGHT is a groundbreaking serieswhere America's finest writers and most brilliant minds tackletoday's most provocative, fascinating, and relevant issues.Striking and daring, creative and important, these original voiceson matters political, social, economic, and cultural, willenlighten, comfort, entertain, enrage, and ignite healthy debateacross the country.

Christopher (Kit) Lukas’s mother committed suicide when hewas a boy. He and his brother, Tony, were not told how she died. Noone spoke of the family’s history of depression and bipolardisorder. The brothers grew up to achieve remarkable success; Tonyas a gifted journalist (and author of the classic book, CommonGround ), Kit as an accomplished television producer anddirector. After suffering bouts of depression, Kit was able toconfront his family’s troubled past, but Tony never seemed to findthe contentment Kit had attained–he killed himself in 1997. Writtenwith heartrending honesty, Blue Genes captures thedevastation of this family legacy of depression and details thestrength and hope that can provide a way of escaping itsgrasp.

Adored by many, loathed by some, General George S. Patton,Jr., was one of the most brilliant military strategists in history.War As I Knew It is the personal and candid account of hiscelebrated, relentless crusade across western Europe during WorldWar II. First published in 1947, this absorbing narrative draws onPatton's vivid memories of battle and his detailed diaries, fromthe moment the Third Army exploded onto the Brittany Peninsula tothe final Allied casualty report. The result is not only agrueling, human account of daily combat and heroic feats -including a riveting look at the Battle of the Bulge - but avaluable chronicle of the strategies and fiery personality of alegendary warrior. Patton's letters from earlier military campaignsin North Africa and Sicily, complemented by a powerfulretrospective of his guiding philosophies, further reveal a man ofuncompromising will and uncommon character, which made "Georgie" ahousehold name in mid-century America. With a new introduction.

Countless books have been written about Abraham Lincoln, yet fewhistorians and biographers have taken Lincoln seriously as athinker or attempted to place him in the context of majorintellectual traditions. In this refreshing, brilliantly arguedportrait, Michael Lind examines the ideas and beliefs that guidedLincoln as a statesman and shaped the United States in its time ofgreat crisis.In a century in which revolutions against monarchy anddictatorship in Europe and Latin America had failed, Lincolnbelieved that liberal democracy must be defended for the good ofthe world. During an age in which many argued that only whites werecapable of republican government, Lincoln insisted on theuniversality of human rights and the potential for democracyeverywhere. Yet he also held many of the prejudices of his time;his opposition to slavery was rooted in his allegiance to theideals of the American Revolution, not support for racial equality.Challenging popular myths and capturing Lincoln’s strengths andflaws, Lind offe

A selection of the remarkable letters of Emily Dickinson in anelegant Pocket Poet edition. The same inimitable voice and dazzling insights that make EmilyDickinson’s poems immortal can be found in the whimsical, humorous,and often deeply moving letters she wrote to her family and friendsthroughout her life. The selection of letters presented hereprovides a fuller picture of the eccentric recluse of legend,showing how immersed in life she was: we see her tending hergarden; baking bread; marking the marriages, births, and deaths ofthose she loved; reaching out for intellectual companionship; andconfessing her personal joys and sorrows. These letters, invaluablefor the light they shed on their author, are, as well, a purepleasure to read.

From the author of the national best seller Chaos comes an outstanding biography of one of the most dazzling and flamboyant scientists of the 20th century that "not only paints a highly attractive portrait of Feynman but also . . . makes for a stimulating adventure in the annals of science." ( The New York Times ).

Let It Blurt is the raucous and righteous biography of LesterBangs (1949-82)--the gonzo journalist, gutter poet, and romanticvisionary of rock criticism. No writer on rock 'n' roll ever livedharder or wrote better--more passionately, more compellingly, morepenetratingly. He lived the rock 'n' roll lifestyle, guzzling boozeand Romilar like water, matching its energy in prose that eruptedfrom the pages of Rolling Stone, Creem, and The Village Voice.Bangs agitated in the seventies for sounds that were harsher,louder, more electric, and more alive, in the course of which hecharted and defined the aesthetics of heavy metal and punk. He wastreated as a peer by such brash visionaries as Lou Reed, PattiSmith, Richard Hell, Captain Beefheart, The Clash, Debbie Harry,and other luminaries. Let It Blurt is a scrupulously researched account of LesterBangs's fascinating (if often tawdry and unappetizing) life story,as well as a window on rock criticism and rock culture in theirmost turbulent and creative years

In this extraordinary memoir, Nobel Prizewinning author GnterGrass remembers his early life, from his boyhood in a crampedtwo-room apartment in Danzig through the late 1950s, when The TinDrum was published. During the Second World War, Grass volunteeredfor the submarine corps at the age of fifteen but was rejected; twoyears later, in 1944, he was instead drafted into the Waffen-SS.Taken prisoner by American forces as he was recovering fromshrapnel wounds, he spent the final weeks of the war in an AmericanPOW camp. After the war, Grass resolved to become an artist andmoved with his first wife to Paris, where he began to write thenovel that would make him famous. Full of the bravado of youth, therubble of postwar Germany, the thrill of wild love affairs, and theexhilaration of Paris in the early fifties, Peeling the Onionwhichcaused great controversy when it was published in GermanyrevealsGrass at his most intimate.

A gathering ofbrilliant and viciously funny recollections from one of thetwentieth century’s most famous literary enfants terribles. Written in 1980 but published here for the first time, thesetexts tell the story of the various farces that developed aroundthe literary prizes Thomas Bernhard received in his lifetime.Whether it was the Bremen Literature Prize, the Grillparzer Prize,or the Austrian State Prize, his participation in the acceptanceceremony—always less than gracious, it must be said—resulted inscandal (only at the awarding of the prize from Austria’s FederalChamber of Commerce did Bernhard feel at home: he received thatone, he said, in recognition of the great example he set forshopkeeping apprentices). And the remuneration connected with theprizes presented him with opportunities for adventure—of thenew-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic,sardonic, and shaking his head with biting amusement at the w

To illuminate the mysterious greatness of Anton Chekhov'swritings, Janet Malcolm takes on three roles: literary critic,biographer, and journalist. Her close readings of the stories andplays are interwoven with episodes from Chekhov's life and framedby an account of Malcolm's journey to St. Petersburg, Moscow, andYalta. She writes of Chekhov's childhood, his relationships, histravels, his early success, and his self-imposed "exile"--alwayswith an eye to connecting them to themes and characters in hiswork. Lovers of Chekhov as well as those new to his work will betransfixed by "Reading Chekhov."

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—