The private letters of Truman Capote, lovingly assembled herefor the first time by acclaimed Capote biographer Gerald Clarke,provide an intimate, unvarnished portrait of one of the twentiethcentury’s most colorful and fascinating literary figures. Capote was an inveterate letter writer. He wrote letters as hespoke: emphatically, spontaneously, and passionately. Spanning morethan four decades, his letters are the closest thing we have to aCapote autobiography, showing us the uncannily self-possessed na?fwho jumped headlong into the post—World War II New York literaryscene; the more mature Capote of the 1950s; the Capote of the early1960s, immersed in the research and writing of In Cold Blood; andCapote later in life, as things seemed to be unraveling. Withcameos by a veritable who’s who of twentieth century glitterati,Too Brief a Treat shines a spotlight on the life and times of anincomparable American writer.

The first dual biography of two of the world’s most remarkablewomen—Elizabeth I of England and Mary Queen of Scots—by one ofBritain’s “best biographers” ( The Sunday Times ). In a rich and riveting narrative, Jane Dunn reveals theextraordinary rivalry between the regal cousins. It is the story oftwo queens ruling on one island, each with a claim to the throne ofEngland, each embodying dramatically opposing qualities ofcharacter, ideals of womanliness (and views of sexuality) anddivinely ordained kingship. As regnant queens in an overwhelmingly masculine world, they weredeplored for their femaleness, compared unfavorably with each otherand courted by the same men. By placing their dynamic andever-changing relationship at the center of the book, Dunnilluminates their differences. Elizabeth, inheriting a weak,divided country coveted by all the Catholic monarchs of Europe, isrevolutionary in her insistence on ruling alone and inspired in heruse of celibacy as a political tool—yet also possessed of

In a brilliant combination of biography, literary criticism,and history, The Bronté Myth shows how Charlotte, Emily, and AnneBronté became cultural icons whose ever-changing reputationsreflected the obsessions of various eras. When literary London learned that Jane Eyre and Wuthering Heightshad been written by young rural spinsters, the Brontés instantlybecame as famous as their shockingly passionate books. Soon aftertheir deaths, their first biographer spun the sisters into apicturesque myth of family tragedies and Yorkshire moors. Eversince, these enigmatic figures have tempted generations ofreaders–Victorian, Freudian, feminist–to reinterpret them, castingthem as everything from domestic saints to sex-starved hysterics.In her bewitching “metabiography,” Lucasta Miller follows thetwists and turns of the phenomenon of Bront-mania and rescues thesethree fiercely original geniuses from the distortions oflegend.

“Christopher Hogwood came home on my lap in a shoebox. He wasa creature who would prove in many ways to be more human than Iam.” –from The Good Good Pig A naturalist who spent months at a time living on her own amongwild creatures in remote jungles, Sy Montgomery had always feltmore comfortable with animals than with people. So she gladlyopened her heart to a sick piglet who had been crowded away fromnourishing meals by his stronger siblings. Yet Sy had no inklingthat this piglet, later named Christopher Hogwood, would not onlysurvive but flourish–and she soon found herself engaged with hersmall-town community in ways she had never dreamed possible.Unexpectedly, Christopher provided this peripatetic traveler withsomething she had sought all her life: an anchor (eventuallyweighing 750 pounds) to family and home. The Good Good Pig celebrates Christopher Hogwood in all hisglory, from his inauspicious infancy to hog heaven in rural NewHampshire, where his boundless zest for life a

Filled with keen observations,autobiographical notes, and the seeds of many of Maugham's greatestworks, A Writer's Notebook is a unique and exhilarating lookinto a great writer's mind at work. From nearly five decades, Somerset Maugham recorded anintimate journal. In it we see the budding of his incomparablevision and his remarkable career as a writer. Covering the yearsfrom his time as a youthful medical student in London to a seasonedworld traveler around the world, it is playful, sharp witted, andalways revealing. Undoubtedly one of his most significant works, A Writer's Notebook is a must for Maugham fans and anyoneinterested in the creative process.

Seven Pillars of Wisdom is the monumentalwork that assured T.E. Lawrence's place in history as "Lawrence ofArabia." Not only a consummate military history, but also acolorful epic and a lyrical exploration of the mind of a great man,this is one of the indisputable classics of 20th century Englishliterature. Line drawings throughout.

An inspiring story of one doctor’s struggle in a war-tornvillage in the heart of Sudan In 2007, James Maskalyk, newly recruited byDoctors Without Borders, set out for the contested border town ofAbyei, Sudan. An emergency physician drawn to the ravaged parts ofthe world, Maskalyk spent six months treating malnourishedchildren, coping with a measles epidemic, watching for war, andstruggling to meet overwhelming needs with few resources. Six Months in Sudan began as a blog thatMaskalyk wrote from his hut in Sudan in an attempt to bring hisfamily and friends closer to his experiences on the medical frontline of one of the poorest and most fragile places on earth. It isthe story of the doctors, nurses, and countless volunteers wholeave their homes behind to ease the suffering of others, and it isthe story of the people of Abyei, who endure its hardship becauseit is the only home they have. A memoir of volunteerism that recalls Three Cupsof Tea, Six Months in Sudan is written with humanity, convicti

"A FRESH AND UNVARNISHED PORTRAIT OF A FASCINATING, TALENTED,AND DEEPLY FLAWED FAMILY." —Boston Herald Laurence Leamer was granted unheralded access to private Kennedypapers, and he interviewed family and old friends, many of whom hadnever been interviewed before, for this incredible portrait of thewomen in America’s "royal family." From Bridget Murphy, theforemother who touched shore at East Boston in 1849, to theintelligent, independent Kennedy women of today, Laurence Leamertells their unforgettable stories. Here are the private thoughts of Kathleen, the flirtatiousdebutante in prewar England . . . the truth behind Joe Kennedy’sinsistence that his mildly retarded daughter, Rosemary, belobotomized . . . the real story behind Joan and Ted’s whirlwindromance . . . Jackie’s desire for a divorce from JFK in the 1950s .. . Pat Lawford’s disastrous Hollywood marriage . . . how Carolinediscovered her cousin David’s death by overdose, and more. Tough enough to withstand the un

As a singer and songwriter, Gram Parsons stood at the nexus ofcountless musical crossroads, and he sold his soul to the devil atevery one. His intimates and collaborators included Keith Richards,William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn,and Clarence White. Parsons led the Byrds to create the seminalcountry rock masterpiece Sweetheart of the Rodeo, helped to guidethe Rolling Stones beyond the blues in their appreciation ofAmerican roots music, and found his musical soul mate in EmmylouHarris. Parsons’ solo albums, GP and Grievous Angel, are nowrecognized as visionary masterpieces of the transcendentaljambalaya of rock, soul, country, gospel, and blues Parsons named“Cosmic American Music.” Parsons had everything–looks, charisma,money, style, the best drugs, the most heartbreaking voice–andthrew it all away with both hands, dying of a drug and alcoholoverdose at age twenty-six. In this beautifully written, raucous, meticulously researchedbiography, David N. Meyer gi

In this exhaustive and enlightening biography—nearly two decadesin the making—Gerald Martin dexterously traces the life and timesof one of the twentieth century’s greatest literary titans, NobelPrize-winner Gabriel García Márquez. Martin chronicles the particulars of an extraordinary life, fromhis upbringing in backwater Columbia and early journalism career,to the publication of One Hundred Years of Solitude at ageforty, and the wealth and fame that followed. Based on interviewswith more than three hundred of Garcia Marquez’s closest friends,family members, fellow authors, and detractors—as well as the manyhours Martin spent with ‘Gabo’ himself—the result is a revelationof both the writer and the man. It is as gripping as any of GabrielGarcía Márquez’s powerful journalism, as enthralling as any of hisacclaimed and beloved fiction.

With the utterance of a single line—“Doctor Livingstone, Ipresume?”—a remote meeting in the heart of Africa was transformedinto one of the most famous encounters in exploration history. Butthe true story behind Dr. David Livingstone and journalist HenryMorton Stanley is one that has escaped telling. Into Africa is anextraordinarily researched account of a thrilling adventure—definedby alarming foolishness, intense courage, and raw humanachievement. In the mid-1860s, exploration had reached a plateau. The seasand continents had been mapped, the globe circumnavigated. Yet onevexing puzzle remained unsolved: what was the source of the mightyNile river? Aiming to settle the mystery once and for all, GreatBritain called upon its legendary explorer, Dr. David Livingstone,who had spent years in Africa as a missionary. In March 1866,Livingstone steered a massive expedition into the heart of Africa.In his path lay nearly impenetrable, uncharted terrain, hostilecannibals, and deadly predators. W

As a child in German-occupied Poland, Roma Ligocka was known forthe bright strawberry-red coat she wore against a tide of gatheringdarkness. Fifty years later, Roma, an artist living in Germany,attended a screening of Steven Spielberg’s Schindler’s List, andinstantly knew that “the girl in the red coat”—the only splash ofcolor in the film—was her. Thus began a harrowing journey into thepast, as Roma Ligocka sought to reclaim her life and put togetherthe pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle ofsurvival and its aftermath. With brutal honesty, Ligocka recollectsa childhood at the heart of evil: the flashing black boots, thesudden executions, her mother weeping, her father vanished…then herown harrowing escape and the strange twists of fate that allowedher to live on into the haunted years after the war. Powerful,lyrical, and unique among Holocaust memoirs, The Girl in the RedCoat eloquently explores the power of evil to twist our liveslong

In 1773, the great Samuel Johnson–then 63–and his young friendand future biographer, James Boswell, traveled together around thecoast of Scotland, each writing his own account of the 83-dayjourney. Published in one volume, the very different travelogues ofthis unlikely duo provide a fascinating picture not only of theScottish Highlands but also of the relationship between two menwhose fame would be forever entwined. Johnson's account contains elegant de*ions and analysesof what was then a remote and rugged land. In contrast, theScottish-born Boswell's journal of the trip focuses on thepsychological landscape of his famously gruff and witty companion,and is part of the material he was already collecting for hisfuture Life of Samuel Johnson, the masterly biography that wouldmake his name. Read together, the two accounts form both a unique classic oftravel writing and a revelation of one of the most famous literaryfriendships.

Paul Newman, the Oscar-winning actor with the legendary blueeyes, achieved superstar status by playing charismatic renegades,broken heroes, and winsome antiheroes in such revered films as TheHustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, TheVerdict, The Color of Money, and Nobody’s Fool. But Newman was alsoan oddity in Hollywood: the rare box-office titan who cared aboutthe craft of acting, the sexy leading man known for the stayingpower of his marriage, and the humble celebrity who madephilanthropy his calling card long before it was cool. The son of a successful entrepreneur, Newman grew up in aprosperous Cleveland suburb. Despite fears that he would fail tolive up to his father’s expectations, Newman bypassed the familysporting goods business to pursue an acting career. Afterstruggling as a theater and television actor, Newman saw his starrise in a tragic twist of fate, landing the role of boxer RockyGraziano in Somebody Up There Likes Me when James Dean was killedin a car a

Robert Hughes has trained his critical eye on many majorsubjects, from the city of Barcelona to the history of his nativeAustralia. Now he turns that eye inward, onto himself and the worldthat formed him. Hughes analyzes his experiences the way he mightexamine a Van Gogh or a Picasso. From his relationship with hisstern and distant father to his Catholic upbringing and schoolyears; and from his development as an artist, writer, and critic tohis growing appreciation of art and his exhilaration at leavingAustralia to discover a new life, Hughes’ memoir is anextraordinary feat of exploration and celebration.

Of all our great presidents, Theodore Roosevelt is the only onewhose greatness increased out of office. When he toured Europe in1910 as plain “Colonel Roosevelt,” he was hailed as the most famousman in the world. Crowned heads vied to put him up in theirpalaces. “If I see another king,” he joked, “I think I shall bitehim.” Had TR won his historic “Bull Moose” campaign in1912 (when he outpolled the sitting president, William HowardTaft), he might have averted World War I, so great was hisinternational influence. Had he not died in 1919, at the early ageof sixty, he would unquestionably have been reelected to a thirdterm in the White House and completed the work he began in 1901 ofestablishing the United States as a model democracy, militarilystrong and socially just. This biography by Edmund Morris, the PulitzerPrize and National Book Award–winning author of The Rise ofTheodore Roosevelt and Theodore Rex, is itself the completion of atrilogy sure to stand as definitive. Packed with m

Adored by many, loathed by some, General George S. Patton,Jr., was one of the most brilliant military strategists in history.War As I Knew It is the personal and candid account of hiscelebrated, relentless crusade across western Europe during WorldWar II. First published in 1947, this absorbing narrative draws onPatton's vivid memories of battle and his detailed diaries, fromthe moment the Third Army exploded onto the Brittany Peninsula tothe final Allied casualty report. The result is not only agrueling, human account of daily combat and heroic feats -including a riveting look at the Battle of the Bulge - but avaluable chronicle of the strategies and fiery personality of alegendary warrior. Patton's letters from earlier military campaignsin North Africa and Sicily, complemented by a powerfulretrospective of his guiding philosophies, further reveal a man ofuncompromising will and uncommon character, which made "Georgie" ahousehold name in mid-century America. With a new introduction.

“Number One” was a phrase my father—and, for that matter, mymother—repeated time and time again. It was a phrase spoken by myparents’ friends and by their friends’ children. Whenever adultsdiscussed the great Chinese painters and sculptors from the ancientdynasties, there was always a single artist named as Number One.There was the Number One leader of a manufacturing plant, theNumber One worker, the Number One scientist, the Number One carmechanic. In the culture of my childhood, being best waseverything. It was the goal that drove us, the motivation that gavelife meaning. And if, by chance or fate or the blessings of thegenerous universe, you were a child in whom talent was evident,Number One became your mantra. It became mine. I never begged myparents to take off the pressure. I accepted it; I even enjoyed it.It was a game, this contest among aspiring pianists, and although Imay have been shy, I was bold, even at age five, when faced with afield of rivals. Born in China to parents whose mu

No writer alive today exerts the magical appeal of GabrielGarcía Márquez. Now, in the long-awaited first volume of hisautobiography, he tells the story of his life from his birth in1927 to the moment in the 1950s when he proposed to his wife. Theresult is as spectacular as his finest fiction. Here is García Márquez’s shimmering evocation of his childhoodhome of Aracataca, the basis of the fictional Macondo. Here are themembers of his ebulliently eccentric family. Here are the forcesthat turned him into a writer. Warm, revealing, abounding in imagesso vivid that we seem to be remembering them ourselves, Living toTell the Tale is a work of enchantment.

The author tells the story as told to him of Anne Hobbs, awoman who went to Alaska in the 1920's to teach, but who hadtrouble due to her kindness to the Indians there.

From the moment Jacqueline du Pré first held a cello at the ageof five, it was clear she had an extraordinary gift. At sixteen,when she made her professional debut, she was hailed as one of theworld's most talented and exciting musicians. But ten years later,she stopped playing virtually overnight, when multiple sclerosisremoved the feeling in her hands just before a concert. It tookfourteen more years for the crippling disease to take its finaltoll. In this uniquely revealing biography,Hilary and Piers du Pré have re-created the life they shared withtheir sister in astonishing personal detail, unveiling the privateworld behind the public face. With warmth and candor they recountJackie's blissful love of the cello, her marriage to the conductorDaniel Barenboim, her compulsions, her suffering, and, above all,the price exacted by her talent on the whole family. For proud asthey were of Jackie's enormous success, none of them was preparedfor the profound impact her genius would have on each of theirlives

Drawing on an exceptional combination of skills as literarybiographer, novelist, and chronicler of London history, PeterAckroyd surely re-creates the world that shaped Shakespeare--andbrings the playwright himself into unusually vivid focus. Withcharacteristic narrative panache, Ackroyd immerses us insixteenth-century Stratford and the rural landscape–the industry,the animals, even the flowers–that would appear in Shakespeare’splays. He takes us through Shakespeare’s London neighborhood andthe fertile, competitive theater world where he worked as actor andwriter. He shows us Shakespeare as a businessman, and as a constantreviser of his writing. In joining these intimate details withprofound intuitions about the playwright and his work, Ackroyd hasproduced an altogether engaging masterpiece.

Fully documented and highly detailed, this is the biographythat Sinatra tried but failed to stop. A runaway #1 bestseller. HC:Bantam. (Nonfiction)