一书主要讲述了索尼娅博士在新疆的所见所闻，从新疆地理位置、地域风貌、语言、民族、食物、城市风貌等方面详细描绘了地大物博的新疆，是一本小而美的旅游传记。该书原版法文版在法国出版，五洲将翻译成英法对照版在国内出版。

《海风下》是卡逊的处女作，是 海洋三部曲 之开篇。该书记录了北美东海岸海洋动物的行为及其生存和死亡等现象，可谓一部海洋百科；但它却没有百科的枯燥，描写细致，结构精巧，语言十分优美。海洋生命的鲜活、自然特有的温暖跃然纸上。相比于《寂静的春天》的激昂，《海风下》给人以宁静的感觉，既适合孩子，也适合成人阅读，是珍贵的关于大海的故事。

《中国的世界遗产》画册，是对中国的世界遗产的全面、集中展示。它以600多幅高清、精美的图片，从不同视角方位展示了中国世界遗产的独特魅力，并以生动的文字，讲述这些遗产背后的历史、文化、自然、地理知识，揭示它们不可替代和无法再造的独特价值。 Альбом Китайское мировое наследство всеобъемлющий витрина. Это HD 600 штук, красивые фотографии, с другой точки зрения ориентации показывают уникальное очарование китайского всемирного наследия и живой текст, об истории, культуре, природе, географии наследия позади, они не могут быть заменены, и не может быть раскрыта реинжиниринг уникальное значение.

对比与巧合，新闻与旧识，凝视与思考，语言，艺术，社会，科学，美景，风俗习惯。在华旅居35年的作者一步一步地发现了一个又一个奇迹，与读者们一起分享他在中国的所见所闻。

对比与巧合，新闻与旧识，凝视与思考，语言，艺术，社会，科学，美景，风俗习惯。在华旅居35年的作者一步一步地发现了一个又一个奇迹，与读者们一起分享他在中国的所见所闻。

这是一本全新的旅游手册，读者对象是来华的外国旅游者，作者则是在中国生活多年且熟悉中国旅游资源的几位外国人士。书中分为两个部分。部分概述中国的历史和文化背景；第二部分详细介绍了53个外国人去的地方，其内容包括景点特色、旅游提示、交通、住宿、饮食、购物等多项内容。全书信息详尽、准确、实用，是来华旅游者手中理想的导游指南。全书65万字，400余幅图片和旅游示意图，彩色印刷。

The world trend advances with great power. Those who conform to it will thrive while those who oppose it will crash. Today's world is an open world, China's development can not be isolated from the outside world. Shenzhen's development and experiences have proved that our policy of establishing Special Economic Zones is correct. Developing is the Real Way. Time is money and efficiency is life. Such a legendary Shenzhen Speed is sure to shine the history.

With the 60th anniversary of the People's Republic on October 1, 2009, China has presented a new face to the world. Over the past 60 years, Chinese society has undergone significant changes that are clearly reflected in literature, painting, film, drama and other literary and artistic works. In China, both the rich and the poor, the elite and the working class all celebrate the Spring Festival. Paintings depicting Spring Festival entertainments are one of the most popular and inexpensive consumables of the season. Before TV sets and inter became as popular as today, Chinese New Year paintings (including publicity paintings) were one of the most direct and biggest media for observations of China, which were able to reach millions of households throughout the country. This book is posed of 200 carefully chosen Chinese New Year paintings from 1949 on, and is divided into threetime periods: 1949-1965. 1966-1978, and 1979-2009. These paintings tell of the major events in China from di

hangzhoucannotbedescribedinmerewordsorpictures；itmustbelivedandbreathed,exploredandunderstoodfirsthand.thisisthecitythatcaptivatedmarcopolomorethananyother,andhasgiveninspirationtogenerationaftergenerationofartistandpoet.itsacityverymuchmadebyitsgeography,andwestlakepraysanimportant,ifhidden,roleintheaveragehangzhouresidentsconsciousness.