铁托南斯拉夫共chan主义极简主义狂野世界指南 Spomenik-- Serbo-Croat /斯洛文尼亚语中的纪念碑 - 指的是20世纪60年代至80年代在铁托的南斯拉夫共和国建造的纪念碑,标志着第二次世界大战期间占领的恐怖和轴心国的失败。全国各地都有数百座建筑,从沿海度假胜地到偏远山区。通过这些富有想象力的混凝土和钢铁形式,设想了一个没有种族紧张局势的无阶级,前瞻性的社会主义社会。而不是寻求意识形态一致的苏联的艺术灵感,铁托转向西方和抽象表现主义和极简主义的作品。这使得南斯拉夫能够通过纪念碑发展自己独特的身份,将它们变成政治工具,阐明铁托对新明天的个人愿景。 今天,在该国解体和随后的1990年代南斯拉夫战争之后,一些人被摧毁或被遗弃。许多人遭受了种族紧张局势的后果:一旦被视为希望的象征,他们现在成为怨恨和愤怒的焦点。 本
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In celebration of Hollywood's legendary actresses from the 1930sto the present, Assouline, together with Elle magazine, presentsThe Allure of Beauty: Women in Hollywood. From Marilyn Monroe andMarlene Dietrich to Anita Ekberg and Julia Roberts, each page ofthis vibrant anthology radiates with provocative images ofunforgettable faces and moments that have forever changed the placeof women in Hollywood - as well as in our culture. Elle magazinefilm critic Karen Durbin delves into the history of Hollywood,highlighting females who have proven their femininity, strength,and talent. The glitzy narrative accompanies a carefullyresearched, sexy selection of photography that captures theindividuality of each women. AUTHOR: Karen Durbin is the filmcritic for Elle magazine and contributor to The New York TimesSunday Arts Leisure section, for which she created and writesa regular feature on breakthrough performances in forthcomingmovies. She was the film critic of Mirabella magazine and editor inchief of The Village V
Whether they are of Abu Dhabi, California, Egypt or Emilia, all of the images he produces are lit with a constant physical light and elements that this photographer seems to always have with him the way he does with his camera bag, and through which all he wants to do is observe the world. I find such an aesthetic to be more that of a painter than a photographer somehow. Better yet, that of a post-documentary or neo-pictorialist photographer, who experiences and conceives his work to be the exprssive gesture of an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.
This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl