米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个能
三分天下归一晋n一部司马家族创业史nn司马师去世前，将大将军之职传位司马昭，在父兄创立的基业上，司马昭在魏国独揽朝纲。n魏帝曹髦见威权日去，意欲讨伐权臣，事情泄漏后，太子舍人成济在贾充的授意下将曹髦刺死。n司马昭闻讯后将成济斩首谢罪，又用太后的名义，以不敬太后、自寻死路的罪名将曹髦的皇帝名位废掉。n曹魏实权落入司马昭手中。n
This selection covers the full range of Kipling's shortstories throughout his career, with the subject matter ranging fromthe Indian to the occult and from animals to domestic comedy.
Known as an ‘anthropologist of everyday life,’ Margaret Visserhas, in five award-winning books, uncovered and illuminated theintriguing and unexpected meanings of everyday objects and habits.Now she turns her keen eye to another custom so frequentlyencountered that it often escapes notice: saying ‘Thank you.’ Whatdo we really mean by these two simple words? This fascinating inquiry into all aspects of gratitude ranges fromthe unusual determination with which parents teach their childrento thank, to the difference between speaking the words and feelingthem, to the ways different cultures handle the complex matters ofgiving, receiving, and returning favors and presents. Visserilluminates the fundamental opposition in our own culture betweengift-giving and commodity exchange, and the similarities betweengratitude and its opposite, vengefulness. The Gift of Thanksconsiders cultural history, including the modern battle of socialscientists to pin down the notion of thankfulness and account forit, and the
戏剧与现实交错的杰作在雷格纳·希尔部推理小说《喜欢交际的女人》里，他创造的一对独特的侦探搭档也首度登场。一位是心宽体胖、好色贪怀、爱斗嘴耍活宝的刑事主任达尔齐尔，另一位则是教养优雅、学识丰富的警官帕斯科。自从柯南·道尔创造了华生医生作为神探福尔摩斯的搭档之后，推理小说家就经常使用这种对比手法，用一位“次要而平凡”的角色来衬托神探的不凡。这些二号人物有时候是侦探的朋友，有时候是记者，有时候是助手或忠仆，但多半不脱烘托主角的功能。但雷格纳·希尔采取了另外一种途径：他让侦探的搭档有能力也有作用，甚至是重要的互补，没有对方彼此都不是完整的；他又让两人的文化特质与思考形态南辕北辙，比较与冲突的趣味因而源源不绝。仅此一项，就是希尔对推理小说的重大贡献。希尔的小说结构复杂紧凑，在我们要读的
"Reading Wax Poetics, Brooklyn's glossy, reverent, visuallyimmaculate zine dedicated to funk, soul, hip hop, and the otherobsessions of crate-diggers worldwide, is enough to make you wishneither compact discs nor the Internet had ever beeninvented." (The Village Voice) Cover Story: Album Cover Art, the second book from celebratedmusic mag Wax Poetics, vividly explores an element of music culturethat has withered with the advent of MP3s and digital downloading.Vinyl records tell their stories visually as much as they doaurally, and the record cover--eye candy for the musiclover--speaks a language rooted in the environment and era of themusic itself. Cover Story is a coffee-table ready collection ofrare, unique, and inspired album covers, selected by a team ofworld-renowned DJs, writers, and collectors.
时间流动消逝的速度总比人原来预想的要快许多。好像只是前不久才写完了《古船》，而关于它的那些热烈争论，也像是刚刚消停。 可惜一晃就是十年，那一切的确是十年前的事情了。 一个人的旺盛写作期，到底有多少个“十年”呢？ 今天再来回顾《古船》一书的写作、关于它的争执，已无太多必要。因为该说的都在这部书的两个发言记录、在一次答记者问和一篇海外版后记中说过了。余在今天的，仅是一些怀念和感慨。
《堂吉诃德》，全名《匪夷所思的拉曼查绅士堂吉诃德》，是伟大的西班牙作家塞万提斯的传世经典。作者以一位因误信骑士小说而毅然自号堂吉诃德的没落绅士人世行侠为主线，通过描写堂吉诃德大战风车、英勇救美、恶斗群羊、贸然释囚、挑战雄师、地穴探险、爵府奇遇等等荒诞故事，热烈地讴歌了真善美、无情地挞伐了假恶丑，充分表现出了盛行于当时的人文精神。《堂吉诃德》不愧为世界文学史上具有划时代意义的杰作，问世后四百年来，仅流传于各国的译本就有一千多种，成为世界人民的共有精神财富，泽及一代又一代杰出作家，堂吉诃德这一形象也作为耽于幻想、脱离实际的代表人物融入了现今社会生活的各个领域之中。据挪威诺贝尔学会透露，全世界五十多个国家的一百位作家在2002年上半年经过投票，评选出《堂吉诃德》为世界小说。
Here for the first time, the original, complete Star Warstrilogy in a special 25th anniversary collector's editionhardcover.Twenty-five years after the phenomenon was born, StarWars remains one of the greatest fantasy epics ever told. Here inone collector's edition are the original stories from the firstthree classic films -- Star Wars: A New Hope, Star Wars: The EmpireStrikes Back, and Star Wars: Return of the Jedi -- each a New YorkTimes bestseller with over one million copies in print. Read thesethrilling novels to see where it all began with Luke Skywalker, afarm boy looking for adventure in a galaxy far, far away....
《堂吉诃德》，全名《匪夷所思的拉曼查绅士堂吉诃德》，是伟大的西班牙作家塞万提斯的传世经典。作者以一位因误信骑士小说而毅然自号堂吉诃德的没落绅士人世行侠为主线，通过描写堂吉诃德大战风车、英勇救美、恶斗群羊、贸然释囚、挑战雄师、地穴探险、爵府奇遇等等荒诞故事，热烈地讴歌了真善美、无情地挞伐了假恶丑，充分表现出了盛行于当时的人文精神。《堂吉诃德》不愧为世界文学史上具有划时代意义的杰作，问世后四百年来，仅流传于各国的译本就有一千多种，成为世界人民的共有精神财富，泽及一代又一代杰出作家，堂吉诃德这一形象也作为耽于幻想、脱离实际的代表人物融入了现今社会生活的各个领域之中。据挪威诺贝尔学会透露，全世界五十多个国家的一百位作家在2002年上半年经过投票，评选出《堂吉诃德》为世界小说。
米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个能
From the acclaimed author of Conquistador comes this thrillingaccount of one of history’s greatest adventures of discovery. Withcinematic immediacy and meticulous attention to historical detail,here is the true story of a legendary sixteenth-century explorerand his death-defying navigation of the Amazon—river of darkness,pathway to gold. In 1541, the brutal conquistador Gonzalo Pizarro and hiswell-born lieutenant Francisco Orellana set off from Quito insearch of La Canela, South America’s rumored Land of Cinnamon, andthe fabled El Dorado, “the golden man.” Driving an enormous retinueof mercenaries, enslaved natives, horses, hunting dogs, and otheranimals across the Andes, they watched their proud expedition beginto disintegrate even before they descended into the nightmarishjungle, following the course of a powerful river. Soon hopelesslylost in the swampy labyrinth, their numbers diminishing dailythrough disease, starvation, and Indian attacks, Pizarro andOrellana made a fateful decisi
