三分天下归一晋n一部司马家族创业史nn司马师去世前，将大将军之职传位司马昭，在父兄创立的基业上，司马昭在魏国独揽朝纲。n魏帝曹髦见威权日去，意欲讨伐权臣，事情泄漏后，太子舍人成济在贾充的授意下将曹髦刺死。n司马昭闻讯后将成济斩首谢罪，又用太后的名义，以不敬太后、自寻死路的罪名将曹髦的皇帝名位废掉。n曹魏实权落入司马昭手中。n

米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个能

米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。 《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个

Known as an ‘anthropologist of everyday life,’ Margaret Visserhas, in five award-winning books, uncovered and illuminated theintriguing and unexpected meanings of everyday objects and habits.Now she turns her keen eye to another custom so frequentlyencountered that it often escapes notice: saying ‘Thank you.’ Whatdo we really mean by these two simple words? This fascinating inquiry into all aspects of gratitude ranges fromthe unusual determination with which parents teach their childrento thank, to the difference between speaking the words and feelingthem, to the ways different cultures handle the complex matters ofgiving, receiving, and returning favors and presents. Visserilluminates the fundamental opposition in our own culture betweengift-giving and commodity exchange, and the similarities betweengratitude and its opposite, vengefulness. The Gift of Thanksconsiders cultural history, including the modern battle of socialscientists to pin down the notion of thankfulness and account forit, and the

From the acclaimed author of Conquistador comes this thrillingaccount of one of history’s greatest adventures of discovery. Withcinematic immediacy and meticulous attention to historical detail,here is the true story of a legendary sixteenth-century explorerand his death-defying navigation of the Amazon—river of darkness,pathway to gold. In 1541, the brutal conquistador Gonzalo Pizarro and hiswell-born lieutenant Francisco Orellana set off from Quito insearch of La Canela, South America’s rumored Land of Cinnamon, andthe fabled El Dorado, “the golden man.” Driving an enormous retinueof mercenaries, enslaved natives, horses, hunting dogs, and otheranimals across the Andes, they watched their proud expedition beginto disintegrate even before they descended into the nightmarishjungle, following the course of a powerful river. Soon hopelesslylost in the swampy labyrinth, their numbers diminishing dailythrough disease, starvation, and Indian attacks, Pizarro andOrellana made a fateful decisi

This selection covers the full range of Kipling's shortstories throughout his career, with the subject matter ranging fromthe Indian to the occult and from animals to domestic comedy.

First published in 1938, The Hobbit is a story that "grew inthe telling," and many characters and events in the published bookare completely different from what Tolkien first wrote to readaloud to his young sons as part of their "fireside reads." For thefirst time, The History of the Hobbit reproduces the originalversion of one of literature's most famous stories, and includesmany little-known illustrations and previously unpublished maps forThe Hobbit created by Tolkien himself. Also featured are extensiveannotations and commentaries on the date of composition, howTolkien's professional and early mythological writings influencedthe story, the imaginary geography he created, and how he came torevise the book in the years after publication to accommodateevents in The Lord of the Rings.

For over fifty years, Eudora Welty and William Maxwell, two ofour most admired writers, penned letters to each other. They sharedtheir worries about work and family, literary opinions andscuttlebutt, moments of despair and hilarity. Living half acontinent apart, their friendship was nourished and maintained bytheir correspondence. "What There Is to Say We Have Said" bearswitness to Welty and Maxwell's editorial relationships - both inhis capacity as New Yorker editor and in their collegial back-andforth on their work. It's also a chronicle of the literary world ofthe time; read talk of James Thurber, William Shawn, Katherine AnnePorter, J. D. Salinger, Isak Dinesen, William Faulkner, JohnUpdike, Virginia Woolf, Walker Percy, Ford Madox Ford, JohnCheever, and many more. It is a treasure trove of readingrecommendations.

In his introduction to the The Best American Noir of theCentury, James Ellroy writes, “noir is the most scrutinizedoffshoot of the hard-boiled school of fiction. It’s the long dropoff the short pier and the wrong man and the wrong woman in perfectmisalliance. It’s the nightmare of flawed souls with big dreams andthe precise how and why of the all-time sure thing that goes bad.”Offering the best examples of literary sure things gone bad, thiscollection ensures that nowhere else can readers find a darker,more thorough distillation of American noirfiction. James Ellroy and Otto Penzler, series editor of the annual TheBest American Mystery Stories, mined one hundred years ofwriting—1910–2010—to find this treasure trove of thirty-ninestories. From noir’s twenties-era infancy come gems like James M.Cain’s “Pastorale,” and its post-war heyday boasts giants likeMickey Spillane and Evan Hunter. Packing an undeniable punch,diverse contemporary incarnations include Elmore Leonard, Pa