(Book Jacket Status: Jacketed) A famous legend surrounding thecreation of "Anna Karenina" tells us that Tolstoy began writing acautionary tale about adultery and ended up falling in love withhis magnificent heroine. It is rare to find a reader of the bookwho doesn't experience the same kind of emotional upheaval. AnnaKarenina is filled with major and minor characters who exist intheir own right and fully embody their mid-nineteenth-centuryRussian milieu, but it still belongs entirely to the woman whosename it bears, whose portrait is one of the truest ever made by awriter. Translated by Louise and Aylmer Maude

Charles Dickens was a phenomenon: a demonicly hardworkingjournalist, the father of ten children, a tireless walker andtraveller, a supporter of liberal social causes, but most of all agreat novelist - the creator of characters who live immortally inthe English imagination: the Artful Dodger, Mr Pickwick, Pip, DavidCopperfield, Little Nell, Lady Dedlock, and many more. At the ageof twelve he was sent to work in a blacking factory by hisaffectionate but feckless parents. From these unpromisingbeginnings, he rose to scale all the social and literary heights,entirely through his own efforts. When he died, the world mourned,and he was buried - against his wishes - in Westminster Abbey. Yetthe brilliance concealed a divided character: a republican, hedisliked America; sentimental about the family in his writings, hetook up passionately with a young actress; usually generous, he cutoff his impecunious children. Claire Tomalin, author of "WhitbreadBook of the Year Samuel Pepys", paints an unforgettable portrai

For this Sesquicentennial Norton Critical Edition, the Northwestern-Newberry text of Moby-Dick has been generously footnoted to include dozens of biographical discoveries, mainly from Hershel Parker's work on his two-volume biography of Melville. A section of "Whaling and Whalecraft" features prose and graphics by John B. Putnam, a sample of contemporary whaling engravings, as well as, new to this edition, an engraving of Tupai Cupa, the real-life inspiration for the character of Queequeg. Evoking Melville’s fascination with the fluidity of categories like savagery and civilization, the image of Tupai Cupa fittingly introduces "Before Moby-Dick: International Controversy over Melville," a new section that documents the ferocity of religions, political, and sexual hostility toward Melville in reaction to his early books, beginning with Typee in 1846. The image of Tupai Cupa also evokes Melville’s interest in the mystery of self-identity and the possibility of knowing another person’s "q

A vibrant, new complete Shakespeare that brings readers closerthan ever before possible top Shakespeare's plays as they werefirst acted. The Norton Shakespeare, Based on the Oxford Editioninvites readers to rediscover Shakespeare-the working man of thetheater, not the universal bard-and to rediscover his plays as*s to be performed, not works to be immortalized. Combiningthe freshly edited texts of the Oxford Edition with livelyintroductions by Stephen Greenblatt and his co-editors, glossariesand annotations, and an elegant single-column page (that of theNorton Anthologies), this complete Shakespeare invites contemporaryreaders to see and read Shakespeare afresh. Greenblatt's fullintroduction creates a window into Shakespeare world-the culture,demographics, commerce, politics, and religion of early-modernEngland-Shakespeare's family background and professional life, theElizabethan industries of theater and printing, and the subsequentcenturies of Shakespeare textual editing.

Ibsen ascended to the first ranks of European writers in the late nineteenth century and has remained there ever since. The Norton Critical Edition includes five major plays spanning Ibsen’s long career in recent translations by Brian Johnston (Peer Gynt, The Wild Duck, and The Master Builder) and Brian Johnston and Rick Davis (A Doll House and Hedda Gabler). The translation of Peer Gynt appears for the first time in this Norton Critical Edition. “Backgrounds” gives students an understanding of Ibsen’s creative process with selections from his correspondence and other writings. Twenty-seven documents have been collected and arranged by play, with a section of autobiographical writings at the end. Ibsen’s plays continue to provoke diverse commentary. “Criticism” includes nineteen of the most important responses to Ibsen’s work, among them essays by Bernard Shaw, Sandra Saari, E. M. Forster, Hugh Kenner, and Joan Templeton. A Chronology and Selected Bibliography are also incl

In this intimate book, readers will follow visionary director Catherine Hardwicke through the creative process that went into transforming Stephenie Meyer’s breathtaking novel into box office gold. Designed to replicate the director’s own personal notebook that she kept on set, readers will discover the inside secrets on wardrobe, storyboard sketches, behind-the- scenes photographs, personal notes about Catherine’s favorite scenes, and much more. This intimate full-color "notebook", designed to replicate the one director Catherine Hardwicke kept on and off the set, takes you through the creative process that went into making Stephenie Meyer's breathtaking novel come alive on screen - from casting to costumes, stunts to story boards. With never-before-seen notes, sketches, and photographs taken directly from the visionary director's personal notebook, this book includes everything from her visual inspirations, to step-by-step breakdowns of action sequences, to a behind the scenes look at some of t

Late one night, exploring her Father's libra,, a young woman finds an ancient book and a cache of yellowing letters addressed ominouslV to MV dear and unfortunate successor'. Her discoverrT plunges her into a world she never dreamed of a labyrinth Where the secrets of her father's past and her mother's mysterious fate connect to an evil hidden in the depths of history.

In 1988, on Stephen King’s retirement JWT published ‘The King Papers’ a small collection of Stephen King’s published writings spanning 1967-1985. They remain timelessly potentially valuable but are an almost unexploited gold mine. This book is comprised of a selection of 20-25 of Stephen King’s most important articles, each one introduced by a known and respected practitioner who, in turn, describes the relevance of the particular original idea to the communications environment of today. The worth of this material is that, although the context in which the original papers were written is different, the principles themselves are appropriate to marketing communications in today’s more complex media environment. The book will serve as a valuable reference book for today’s practitioners, as well as a unique source of sophisticated, contemporary thinking.

Building on the strengths of two previous editions, the revised and enlarged Third Edition continues to offer more poetry than any other comparable volume. All selections are based on early and established texts. To facili-tate discussion of the place of the body and of pastoral elements in Spenser's epic,the Third Edition includes more of The Faerie Queene: from Book II, canto 9 (the House of Alma), and, from Book VI, the remainder of canto 10 and all of cantos 11-12. The Shepheardes Calender is again represented by six eclogues, with the much-discussed "Februarie" replacing "June." Colin Clouts Come Home Againe, in- creasingly a focus of critical attention, is an important addition, and Amoretti is now offered complete. All poems are fully glossed and precisely annotated. In addition,an Editors' Note exploring important issues follows each selection. Seventeen new critical essays, judiciously chosen from the many published since 1982, have been added while eleven of the original commentaries (including

(Book Jacket Status: Jacketed) Naguib Mahfouz's magnificentepic trilogy of colonial Egypt appears here in one volume for thefirst time. The Nobel Prize--winning writer's masterwork is theengrossing story of a Muslim family in Cairo during Britain'soccupation of Egypt in the early decades of the twentieth century.The novels of "The Cairo Trilogy" trace three generations of thefamily of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, whorules his household with a strict hand while living a secret lifeof self-indulgence. "Palace Walk" introduces us to his gentle,oppressed wife, Amina, his cloistered daughters, Aisha and Khadija,and his three sons-the tragic and idealistic Fahmy, the dissolutehedonist Yasin, and the soul-searching intellectual Kamal.Al-Sayyid Ahmad's rebellious children struggle to move beyond hisdomination in "Palace of Desire," as the world around them opens tothe currents of modernity and political and domestic turmoilbrought by the 1920s. "Sugar Street" brings Mahfouz's vividtapestr

“Criticism” is divided into four sections and represents the best criticism and interpretation of Donne’s writing: “Donne and Metaphysical Poetry” includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; “Satires, Elegies, and Verse Letters” includes seven selections that offer social and literary context for and insights into Donne’s frequently overlooked early poems; “Songs and Sonnets” features six analyses of Donne’s love poetry; and “Holy Sonnets/Divine Poems” explores Donne’s struggles as a Christian through four authoritative essays. A Chronology of Donne’s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

The Norton Critical Edition of Tennyson's Poetry, Second Edition, represents a significant revision of its predecessor and assimilates the Tennyson scholarship of the last twenty-five years. The texts of the poems are based on the Eversley edition of Tennyson's Works (published in nine volumes, 1907-09). Under earlier interdiction, the significant Trinity College, Cambridge, manu*s have been incorporated here. The poems are organized chronologically, from "Unpublished Early Poems" and "The Devil and the Lady" through "Poems" (1872-92). "The Princess" appears in its entirety. Each poem is accompanied by ample explanatory annotation. 'Contexts" includes early assessments of Tennyson and his poetry by Arthur Henry Hallam, John Wilson, John Wilson Croker, John Stuart Mill, John Sterling, James Spedding, and James Knowles. "Criticism" collects seven seminal essays-six of them new to the Second Edition-on both Tennyson and the major poems. Eve Kosofsky Sedgwick, I S. Eliot, Isobel Armstrong, Herbert F. Tuc

The annotated text of this modern classic. It assiduouslyilluminates the extravagant wordplay and the frequent literaryallusions, parodies, and cross-references. Edited with a preface,introduction and notes by Alfred Appel, Jr.

Part parody and part cautionary tale, Don Quijote is a literary masterpiece. This Norton Critical Edition of Don Quijote is based on Burton Raffel's masterful translation. The Raffel translation comes as close as possible to recreating Cervantes's inimitable prose style-the translation is consistent, fluid, and modeled closely on the original Spanish. Diana de Armas Wilson provides a thought-provoking introduction and explanatory textual annotations. Carefully selected contextual materials bring readers into the creative process that culminated in Don Quijote. Jncluded are other writings by Cervantes published during the period from 1585 to 1616 as well as contemporary works by Ariosto, Avellaneda, Sannazaro, and Montalvo. Patricia Finch and John J. Allen provide a modern account of the novel's influence throughout the ages. Fifteen critical pieces present major interpretations of both the novel and selected episodes. Included are contributions by Jorge Luis Borges, Carlos Fuentes, Michel Foucault, Ja

A legendary bestseller for more than forty years, this is theclassic survey to the field from the Middle Ages to thetwenty-first century. With 274 authors, the Eighth Edition deepens its representationof essential works in all genres, ranging from Seamas Heaney'saward-winning translation of Beowulf, Milton's Paradise Lost, andMore's Utopia to the great poets and prose writers of thenineteenth century—Blake and Austen, Wordsworth and Byron, Tennysonand Barrett Browning—to twentieth-century classics of a trulyglobal English literature—Conrad's Heart of Darkness, Woolf's ARoom of One's Own, Achebe's Things Fall Apart, and Friel'sTranslations, to name but a few. Color plates—over 75 in all—andthematic clusters of brief and historically significant texts bringto life the cultural concerns of each period. Concise glosses andannotations, period introductions, biographical headnotes,timelines, and selected bibliographies help readers understand andenjoy the rich diversity of English literature.

The Comedy of Errors has been popular on the stage during thelast three centuries and has proved itself admirably suited toadaptation as pure farce and musical spectacle. For this updatededition, Ros King has provided a completely new Introduction to theexisting text and commentary, in which she argues that the playcannot be regarded merely as a farcical romp based on a classicalmodel, but belongs to the critically misunderstood genre oftragi-comedy. In stressing the seriousness which underlies thestory, the Introduction picks out the play's religious imagery forspecial attention, whilst also engaging fully with the play's deftlightness of touch and its continuing popularity in the theatre. Afresh Reading List guides the reader towards further study.

FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRSTAUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARE’SFIRST FOLIO IN THREE CENTURIES. Skillfully assembled by Shakespeare’s fellow actors in 1623,the First Folio was the original Complete Works. It is arguably themost important literary work in the English language. But startingwith Nicholas Rowe in 1709 and continuing to the present day,Shakespeare editors have mixed Folio and Quarto texts, graduallycorrupting the original Complete Works with errors and conflatedtextual variations. Now Jonathan Bate and Eric Rasmussen, two of today’s mostaccomplished Shakespearean scholars, have edited the First Folio asa complete book, resulting in a definitive Complete Works for thetwenty-first century. Combining innovative scholarship with brilliant commentary andtextual analysis that emphasizes performance history and values,this landmark edition will be indispensable to students, theaterprofessionals, and general readers alik

Vladimir Nabokov was hailed by Salman Rushdie as the mostimportant writer ever to cross the boundary between one languageand another. A Russian emigre who began writing in English afterhis forties, Nabokov was a trilingual author, equally competent inRussian, English, and French. A gifted and tireless translator, hebridged the gap between languages nimbly and joyously. Here,collected for the first time in one volume as Nabokov alwayswished, are many of his English translations of Russian verse,presented next to the Russian originals. Here, also, are some ofhis notes on the dangers and thrills of translation. With anintroduction by Brian Boyd, author of the prize-winning biographyof Nabokov, "Verses and Versions" is a momentous and authoritativecontribution to Nabokov's published works.

This Norton Critical Edition seeks to return Keats—one of the most beloved poets of the English language—to his cultural moment by tracking his emergence as a public poet. For this reason, this volume presents the writings in the order of publication rather than composition. Readers can trace the poems through letters, reviews, and related material chronologically interleaved with the texts themselves. This edition offers extensive apparatus to help readers fully appreciate Keats’s poetry and legacy, including an introduction, headnotes, explanatory annotations, and a wealth of contextual documents. “Criticism” includes twelve important commentaries on Keats and his poetry, by Paul de Man, Marjorie Levinson, Grant F. Scott, Margaret Homans, Nicholas Roe, Stuart Sperry, Neil Fraistat, Jack Stillinger, James Chandler, Alan Bewell, and Jeffrey N. Cox.

Every night for three years the vengeful King Shahriyar sleepswith a different virgin, executing her the next morning. To endthis brutal pattern and to save her own life, the vizier'sdaughter, Shahrazad, begins to tell the king stories of adventure,love, riches and wonder - tales of mystical lands peopled withprinces and hunchbacks, the Angel of Death and magical spirits,tales of the voyages of Sindbad, of Ali Baba outwitting a band offorty thieves and of jinnis trapped in rings and in lamps. Thesequence of stories will last 1,001 nights.

How did his mind work? What made him a genius? Isaacson's biography shows how his scientific imagination sprang from the rebellious nature of his personality. His fascinating story is a testament to the connection between creativity and freedom. Based on newly released personal letters of Einstein, this book explores how an imaginative, impertinent patent clerk -- a struggling father in a difficult marriage who couldn't get a teaching job or a doctorate -- became the mind reader of the creator of the cosmos, the locksmith of the mysteries of the atom and the universe. His success came from questioning conventional wisdom and marveling at mysteries that struck others as mundane. This led him to embrace a morality and politics based on respect for free minds, free spirits, and free individuals. These traits are just as vital for this new century of globalization, in which our success will depend on our creativity, as they were for the beginning of the last century, when Einstein helped usher in the