‘The Bitter Years’ was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 1935–41 as part of Roosevelt’s New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography – testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. The Bitter Years celebrates some of the m

This is an elegant book, designed and printed in Germany, with an essay by Terence Pitts, of the Center for Creative Photography in Tucson, Arizona. It presents 180 of Weston's finest images, including many--such as the pines of Point Lobos, the sand dunes of Oceano, and his stark, unadorned nudes--that have become icons. Whereas the photographs of Man Ray and Moholy-Nagy were, to Weston's eyes, hopelessly mannered, his images are elemental, organic, and in harmony with nature's rhythms. Weston spent most of his working life in Mexico and California, and much of his work, replete with shadows, is illuminated with the harsh light of those places. In 1932, he and Ansel Adams founded the influential photographic collective Group f/64, named after the lens-aperture size that exposed an image at its most detailed and clear. This was Weston's aesthetic: to show the real world in its unrelieved integrity rather than create an imaginary construct. He was concerned with visual truth, not with character or storytelling

Images of the century (TASCHEN's 25th anniversaryspecial edition) The history of photography began some 150 yearsago, but only relatively recently has it been fully recognised as amedium in its own right. Cologne's Museum Ludwig was the firstmuseum of contemporary art to devote a substantial section tointernational photography. The L. Fritz Gruber collection, fromwhich this book is drawn, is one of the most important in Germanyand one of the most representative anywhere in the world,constituting the core of the museum's holdings. This book providesa fascinating insight into the collection's rich diversity; fromconceptual art to abstraction to reportage, all of the majormovements and genres are represented via a vast selection of thecentury's most remarkable photographs. From Ansel Adams to PietZwart, over 850 works are presented in alphabetical order byphotographer, with de*ive texts and photographers'biographical details, providing a comprehensive and indispensableoverview of 20th century photography

This compelling book chronicles the most influential ideasthat have shaped photography from the invention of thedaguerreotype in the early 19th century up to the digitalrevolution and beyond. Entertaining and intelligent, it provides afascinating resource to dip into. Arranged in a broadlychronological order to show the development of photography, theideas that comprise the book include innovative concepts, culturaland social incidents, technologies and movements. Each idea ispresented through lively text and arresting visuals, and exploreswhen the idea first evolved and its subsequent impact onphotography.

It's simple question,but there's no simple answer-indeed,each of the 280 photographs in this wonderful book offers its own,unique answer,distilling subject,setting,and cerative skill into a single arresting moment that cap-tures the viewer's imagination.And though we may find this elusive quality hard to define,we recognze is imme-diately and instinctively. William Albert Allard,one of the essayists in the book,writes,A fine portrait has the potential to tell something about the spirit of the subject that can be sensed by someone half a world and a different language away.something universal and simple:This is another person in our world and I'd like you to meet him or her. Culled from National Geographic's extraordinary archive,this collection spans more than a century and explores every cornetr of the globe and every aspect of the portraitist's art.The pictures here represent both the special visions of some of the world's finest photographers and the universal appeal of our shared humanity in all i

Already well-established in the fields of fashion, journalistic, and portrait photography in his native Berlin, Bernd Obermann moved to New York City in 1996 to experience the city’s vibrant mix of culture, ethnicity, and race. For the next five years he ventured out of his apartment nearly every day, camera in hand, to explore what New York had to offer. The results of these walks through city streets, parks, and neighborhoods are collected in this paean to a place whose energy and spirit are as palpable as they are memorable. "When I take a photograph of somebody I am also making a photo of a deeper level of myself." Says Obermann, "I believe in acceptance and not in analysis." From the Bronx to the Battery, from poor to rich, young to old, Obermann’s images reflect his own fascination and sense of discovery.

Adult/High School–The enormous variety of things that people do for survival and sustenance is impressively represented in this book. Neither doctor nor lawyer is included, and only a small number of white-collar jobs make the cut. Instead, readers see clover collectors in Yemen, bootblacks in Portugal, ice fishermen in Russia, coal miners in West Virginia, and salt miners in Ukraine. The volume is arranged in geographic sections: Europe, Asia, Africa, Middle East, Americas, and Islands. Interspersed among them are three thematic portfolios: agriculture, extraction (mining), and manufacturing. Protzman contributes engaging and helpful introductions to each geographic section, as well as brief notes introducing the thematic portfolios. With few exceptions the photos are captivating and of high technical quality. Most were taken within the past 20 years, although some are historical, including a few early-20th-century images by Lewis Hine. Many of the images display poverty, hardship, and oppression (especial

Birds have been a source of fascination and mystery for humans throughout the world, and throughout time.The Encyclopedia of Birds reveals in striking detail the rich variety of bird life,from the exotic to the common that we can see everyday in our locality; birds whose songs and silhouettes in flight we often take for granted. But you will also find, photographed close-up with stunning clarity, occasional visitors to these shores, together with images of birds from all over the world.Splendidly illustrated, featuring more than 400 species in a highly informative text,The Encyclopedia of Birds offers a window on the world of the extraordinary diversity of birds on our planet.

In this extraordinary collection of color images, noted landscape and wildlife photographer Jeff Drewitz presents Australia's natural beauty in all its stunning diversity. Whether photographs of dry outback or breathtaking coastline, the lush woods of Tasmania or the rainforests and wildlife of the tropical north, these pictures reveal a landscape that offers beauty and diversity in spades. The cities scattered along Australia's coasts are also covered. Here is a portrait of a vast land of extremes that will be the perfect keepsake for any traveler. Superb collection of photographs that captures the natural beauty and diversity of Australia’s landscape and wildlife. Also includes urban scenes. The fifth in teNeues’ successful color version of its Photopockets series, this will be the perfect keepsake for any traveler.

From her virtually sub-tropical climate in the north to her almost sub-antarctic south New Zealand offers a fascinat-ing variety of landscapes:bubbling vol canos geysers and hot springs Alpine mountatin ranges giant lakes and fjords and bathing beaches that are like a scene from paradise. Vom annahernd subtropischen Norden bis zum fast subantarktischen Suden bietet Neuseeland eine faszinierende Landschaftsvielfalt:brodelnde Vulkane Geysire und heiBe Quellen Alpen rie sige Seen und Fjorde dazu traumhafte Badestrande. Du Nord du pays quasiment subtropi cal au Sud preque subantarctique la Nouvelle-Zelande offre un paysage a la diversite fascinante:volcans bouilon nants geysers et sources chaudes lacs et fjords gigantesques les Alpes sans oublier des plages de reve. Desde el norte aproximadamente sub tropical hasta el sur casi subantartico Nueva Zeland ofrece una fascinante variedad en su paisaje:gorgoteantes volcanes geiseres y fuentes de agua caliente Alpes gigantescos lagos fior dos y playas de ens

The photographic act is an event that occurs in real timewith irrevocable consequences.The end result can be modified thoughpost-production,but it is necessarily dependent upon,and influencedby,the image that was recorded in the camera.

This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl

Revised and thoroughly updated, this practical guide tophotographing people is better than ever! What is the color of skin? You may think you know, until youenter the world of digital photography and try to reproduce whatyou see. Differences in software, lighting, computercalibration—everything has an impact on color. And that’s allbefore you get into differences between people in terms of skintypes, ethnicities, age, gender, and more! Hollywood-basedphoto-illustrator Lee Varis guides you step-by-step through themaze. This new edition covers the very newest trends and techniques inphotographing, lighting, and editing skin—and offers plenty oftips, examples, and valuable advice from the author’s ownprofessional experience in the field. Shows you how to digitally capture all skin types: male,female, young, old, different skin tones and ethnicities, withmakeup or without, wrinkled, tattooed, and more Covers a wealth of topics in addition to photo editing, such ashow to obtain model releases a

Best known for his striking photographs of people on the fringes of South African society, Roger Ballen makes images that are ambiguous and often disturbing, but also shot through with flashes of dark humour. The photographs in Shadow Chamber blur the boundaries between documentary photography and art forms such as painting, theatre and sculpture, challenging the ways in which we perceive the 'reality' of photography. Ballen's images are completely honest, yet also fabricated. The mysterious, cell-like rooms that Ballen photographs are actual places, but they are unsettling and strange, logical but impossible: their walls are covered with scribbled drawings, stains and dangling wires, the floors are strewn with bizarre props and artefacts. Dogs, rabbits and kittens wander into the frame or are stuffed into unlikely containers. The humans and animals in Ballen's photographs appear isolated and lost, yet strangely empowered at the same time. The resulting images are allegories of lived experiences and surre

From the basics of choosing the right camera to complex imagemanipulation techniques, John Freeman's Photography is the compteteguide for all. aspiring photographers. Featuring atmost 120 diverse subjects - from still Life,action and architecture to digital, capture, beauty retouchingandHDR Incl.uding the tatest digital, deveLopments atong sidetraditionat firm Over 750 cotour and btack and white professional photographs

Although Wegman's artistic output includes photography and video work that doesn't feature canines, by the mid-Seventies, he wryly notes, I had become the guy with the dog. The dog was Man Ray, a weimaraner with a movie star's instinct for the spotlight. Using a 1978 20x24 Polaroid camera, Wegman captured his beloved dog on film; for more than 20 years now, Wegman has continued to experiment with the camera, immortalizing his next weimaraner, Fay Ray, and a long line of her progeny. Though the collection contains a few portraits of people, next to the expressive and enigmatic canine tableaux, Wegman's human compositions are pale and unengaging-less human, in fact, than the dog photographs. In Rouge (1982), one of the last portraits of Man Ray, the ailing dog's eyes shine with wisdom and melancholy. In contrast, 1982's Eau II, a portrait of a glammed-up woman with a bloody nose and a Chanel bottle, seems cold and dated (or in the vein of a knock-off Cindy Sherman). It is when Wegman, refraining from indulging

The secret to taking great “people pictures” is to observe your subjects, connect with them, and use your camera to its best advantage. Here’s how to work with lighting, location, angle, composition, physical characteristics, environment, and countless other variables, including the unique challenges of photographing babies, group activities, and action. Learn to capture facial expressions, tell a story with a series of candids, add interest to large-group shots, and more. Apply these techniques and watch your subjects come to life.

Digital photography has revolutionized the way people take, print, and share photos. But if you're wondering why your digital photos don't measure up to the terrific shots that some people take of sunsets, people, pets, and everything else, you probably need a little help from Digital Photography Workbook for Dummies. With great, easy-to-follow instruction and lots of practice tasks, this roll-up-your sleeves workbook is packed with exercises to help you become a better digital photographer and photo editor. You'll learn the basics of classic photocomposition, find out how to capture and accentuate movement in action photos, and get comfortable adding even more pizzazz to your pics using Photoshop Elements. More than 100 step-by-step procedures, illustrated in full color, help you discover how to: Get familiar with your camera's features and tools Control depth of field Minimize reflections Photograph children and pets Calibrate your monitor Notice and remove s

Greece's historical and cultural legacy is set amidst landscapes and seascapes of breathtaking beauty. Noted photographer Rainer Kiedrowski's luminous color images reveal the wonders of Greece both natural and man-made in this stunning visual survey. His beautifully composed pictures capture everything from the mountainside monasteries, unspoiled villages, ancient olive groves, white beaches, and ludicrously blue-heaven waters on the blindingly bright islands, to the paradox of modern life in ancient Athens. This portrait of a country unique in charm and beauty will be the perfect keepsake for any traveler. Superb collection of color photographs that captures the wonders of Greece both natural and man-made. This is the third in teNeues' successful color version of its Photopocket series.

Stephenie Meyer's Twilight series has become a genuine phenomenon in pop culture, approaching the popularity of the Harry Potter series. In 2008, 10,000 pilgrims descended on Forks, WA, the town of 3,100 people that is the setting for the books. After the fall 2008 release of the record-setting Twilight movie (which made more than $70 million in its opening weekend alone), many more fans are expected to arrive in Forks in 2009. Twilight Tours is a photographic guide to this mystical place. Included are 90 photos composed by noted photographer George Beahm, who also contributes the accompanying text. The pictures range from moody scenic shots of the rain forest and nearby tribal lands described in the four novels to photographs of the actual high school, police station, saltwater beach, and a certain vintage red pickup truck.

San Francisco has long been one of America's most attractive cities, "a gleaming jewel of the West Coast surrounded on three sides by water." Its hilly streets provide gorgeous glimpses of San Francisco Bay and The Golden Gate Bridge and its neighborhoods reveals a mosaic of a city whose residents are an anthology of the world. Whether he's photographing the street life of bustling Chinatown or gays of the Castro, the gentrifying Mission or faux-Bohemian North Beach, aerial views or interior settings, this third generation San Franciscan renowned for his photographic essays captures it all in this superb collection of photographs of the city he loves.

The Great Encyclopedia of Mushrooms throws new light on the mushroom kingdom． Every effort has been made to facilitate the identification of fungi——even by an amateur——thanks to the quality and quantiW of the photographs which are used throughout the book，as well as the original keys to identification which are also richly illustrated With nearly 500 species and 1．000 photo-graphs，this guide covers a wide range of wild mushrooms and thus constitutes a reference work of major importance.

Published on the occasion of Aperture magazine’s sixtieth anniversary, this is the first anthology of Aperture magazine ever published. This long-awaited volume will provide a selection of the best critical writing from the first twenty-five years of the magazine—the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan, and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in spirituality in diverse forms, and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. The texts and visuals in this anthology will be selected by Peter C. Bunnel