一An lnsider's guide to making it in the stock photography industry。 —lIlustrated throughout with professiOnaI stock photography。 —Invaluable advice frOm those in the knowon preparing a portfolio of work,howto market it and howto make it PaV。 —-——In-depth case studies of Iive shoots and how those shots could eventually be used。 ——Imagegalleryofseven conceptual themes toinspire creatiVity in stock photographers and their customers。 —-Contact names and web addresses of major stock Iibraries。
Henri Cartier-Bresson (1908-2004) studiedpainting before taking up photography in his early twenties. One ofthe founders of the photography agency Magnum (together with RobertCapa and others), he is best known for the skill with which hecaptured the most fleeting of scenes. This volume includes hisphotographs of France, Spain, America, India, Russia, Mexico, andpre-revolutionary China.It shows clearly how, for Cartier-Bresson,art is an expression of common humanity. 63 duotoneillustrations. About the series: The classic Photofile series brings togetherthe best work of the world's greatest photographers in anattractive format and at a reasonable price. Handsome andcollectible, the books are produced to the highest standards. Eachvolume contains some sixty full-page reproductions printed insuperb duotone, together with a critical introduction and a fullbibliography. Now back in print, the series was awarded the firstannual prize for distinguished photographic books by theInternational Center of Pho
修订一部深受读者欢迎的音乐通史,目的不是推倒重写,而是提高它的时代性。看惯前几版的读者,会觉得此书不论外貌或者内容改动甚大,但章次和范围基本未变。收名中加上“西方”一词,说明我们意识到西欧和南北美洲的音乐体系不过是世界文明的诸音乐体系之一。本书范围的又一局限在于只谈“艺术音乐”;而必须承认,“艺术音乐”这一概念本身便十分含糊。通俗音乐、爵士乐以及诸如此类的品种确已有相当高深的技巧,但不能期望本书同等对待西方音乐的这一广大支系(如今已成为独立的研究课题),常规的音乐史教程也未必能等同视之,而本书不过是一本常规音乐史的手册。
Already well established in the fields of travel, journalistic, and advertising photography, Horst and Tina Herzig focus on Britain's dynamic capital city to give us a stunning visual survey in black and white. The results of their walks through London's streets, parks, and neighborhoods collected here are more than a simple documentary record of a time and a place. Interspersed among the many artfully composed photographs of London's most famous landmarks are dozens of pictures that capture the spirit and energy of Londoners themselves. Designed to fit in any briefcase or handbag, this portrait of everyday life in one of the world's great cities is also the perfect keepsake for any traveler.
Already well-established in the fields of fashion, journalistic, and portrait photography in his native Berlin, Bernd Obermann moved to New York City in 1996 to experience the city’s vibrant mix of culture, ethnicity, and race. For the next five years he ventured out of his apartment nearly every day, camera in hand, to explore what New York had to offer. The results of these walks through city streets, parks, and neighborhoods are collected in this paean to a place whose energy and spirit are as palpable as they are memorable. "When I take a photograph of somebody I am also making a photo of a deeper level of myself." Says Obermann, "I believe in acceptance and not in analysis." From the Bronx to the Battery, from poor to rich, young to old, Obermann’s images reflect his own fascination and sense of discovery.
修订一部深受读者欢迎的音乐通史,目的不是推倒重写,而是提高它的时代性。看惯前几版的读者,会觉得此书不论外貌或者内容改动甚大,但章次和范围基本未变。收名中加上“西方”一词,说明我们意识到西欧和南北美洲的音乐体系不过是世界文明的诸音乐体系之一。本书范围的又一局限在于只谈“艺术音乐”;而必须承认,“艺术音乐”这一概念本身便十分含糊。通俗音乐、爵士乐以及诸如此类的品种确已有相当高深的技巧,但不能期望本书同等对待西方音乐的这一广大支系(如今已成为独立的研究课题),常规的音乐史教程也未必能等同视之,而本书不过是一本常规音乐史的手册。
Anomalous and complex, Italian artist Valeria Magli is known as a dancer, choreographer, actress, interpreter of her own work on video, visual artist, writer, and editor. She has participated in cultural adventures such as Alfabeta, and has managed to bridge the gap between France and Italy. This volume, the first published on her and her work, offers a rich photographic collection of scenes from her stage productions.
《声乐艺术语言学:讲话与歌唱》对汉语语音和语言做了详尽的分析和研究,同时又编写了意大利语、德语、法语和俄语的语音知识,确立了声乐的说唱相似论的观点。这不仅为声乐教师和音乐教师、声乐学生与歌唱演员提供了必需的声乐教材和参考书,而且为歌曲创作、钢琴、舞蹈和器乐等提供术语的帮助。
法国印象派绘画虽然在有些人看来分别存有或片面追求光学的客观主义,或把科学原理与艺术创作有机结合,以及自我表现的个体主义倾向等,但在西方传统绘画的历史性超越、对西方现代主义艺术的精神启迪等方面,提出了许多关键性的问题并进行了有益的探索性实验。因此可以说,法国印象派绘画扭转了西方美术的发展方向,开启了美术的新纪元。
法国印象派绘画虽然在有些人看来分别存有或片面追求光学的客观主义,或把科学原理与艺术创作有机结合,以及自我表现的个体主义倾向等,但在西方传统绘画的历史性超越、对西方现代主义艺术的精神启迪等方面,提出了许多关键性的问题并进行了有益的探索性实验。因此可以说,法国印象派绘画扭转了西方美术的发展方向,开启了美术的新纪元。
水墨画鱼类,虽看似粗略几笔,齐白石对原物却观察得异常仔细,并抓住其主要特征进行刻画。他晚年曾对弟子胡絮青说:“鲫鱼腮旁有一条灰白的线,直通鱼尾,从这条线可以计算它身上有若干鳞片……画画的人如能这么仔细地去研究它,在画它时就不会马虎的了。”齐白石画虾享誉于世。他早期画虾,基本上是青虾(河虾)的造型,且多是游动的群虾,用小号羊毫笔,其质感和透明度不强,虾的腿和须画得短密且欠弹性,后腿呈排列状且多至八九条。为求神似,老人70岁后画虾,一改早年画法,加大并明确了虾身的起伏角度,同时对虾的游足也一删早年时的繁多,始而画游足五只,虾壳的质感和透明感也得到加强。80岁后他删繁就简,已不再画繁复的虾群,只为几只虾传神。画虾变化明显的是他把虾头前面的短须省去,仅画六条大须。虾须的简化,使得画幅的空
San Francisco has long been one of America's most attractive cities, "a gleaming jewel of the West Coast surrounded on three sides by water." Its hilly streets provide gorgeous glimpses of San Francisco Bay and The Golden Gate Bridge and its neighborhoods reveals a mosaic of a city whose residents are an anthology of the world. Whether he's photographing the street life of bustling Chinatown or gays of the Castro, the gentrifying Mission or faux-Bohemian North Beach, aerial views or interior settings, this third generation San Franciscan renowned for his photographic essays captures it all in this superb collection of photographs of the city he loves.
丰子恺曾把自己的创作时代划分四个时期:"一是描写古诗句的时代;二是描写儿童的时代;三是描写社会的时代;四是描写自然的时代。”本漫画作品集揉和了他各个时代的作品,以“初心”为主题,精选漫画64幅,旨在通过这些或简单有趣好玩或寄予情感投射的漫画来表达作者的一颗赤子之心。他笔下儿童的天真烂漫生动、自然生活丰富而多趣、在社会时代下的现实中也透露出坚实的情感。?
Where palm trees sway golden sunsets surf the ocean and sidewalks marked with stars stroll through motion picture dreams Sequoias mountains and deserts speak wonders while a diverse population characterizes the land California is the Golden State. Palmen wiegen sich im Wind goldene Sonnenuntergange schimmern auf dem Ozean und Wege voller Sterne erlauben durch Film-Traume zu wandern Wundervolle Riesenmammutbaume Berge und Wusten ein Land fur das die Bevolkerungsvielfalt typisch ist Dies alles ist das Goldene Kalifornien. Las palmeras balanceadas por el viento las doradas puestas de sol refulgiendo sobre la superficie del oceano y los cami nos repletos de estrellas nos permiten pasear por suenos de pelicula Maravillosas secuoyas gigantes montanasy desiertos u pais caracterizado por la variedad de sus habitantes Todo esto es la Dorada California. Les palmiers se courbent au vent les cou chers du soleil couleur or scintillent sur lo cean et des chemins etoiles nous permet tent de traverser des reves
Capture the Reality of Your Urban Surroundings The genre of choice of some of photographys greats, from Henri Cartier-Bresson onwards, street photography is now experiencing a renaissance in the 21st century, as the omnipresence of digital cameras allows us all to seize the moment and shoot whenever and wherever we like - and at the same time, a resurgence of interest in lo-tech and retro film cameras highlights their portability and spontaneity. This book will introduce you to the history of the street photographer, as well as the work of some of the modern greats, and show you how you can capture pictures in the spirit of the street tradition with whatever camera youre able to lay your hands on.
Bollywood movies are glorious, colorful spectacles of romance,action, drama, song, and dance. The biggest film industry in theworld, Bollywood puts out some nine hundred movies a year, whichare watched by passionate fans around the globe. Stephen Alter--awriter who grew up in India and has inside access toBollywood--acts as translator and tour guide in this firsthand lookinto the world of Bombay films. Following the making of a Bollywoodversion of Othello, he explores the enormous popularity of Hindimovies and reveals the actors, directors, musicians, and feats ofartifice that make them so compelling and unique. From the blessingceremony performed each time a movie starts shooting to the secretsbehind the song- and-dance extravaganzas, Fantasies of a BollywoodLove-Thief is a beguiling introduction to the rituals and cultureof a moviemaking industry so similar to and yet utterly differentfrom our own.
水墨画鱼类,虽看似粗略几笔,齐白石对原物却观察得异常仔细,并抓住其主要特征进行刻画。他晚年曾对弟子胡絮青说:“鲫鱼腮旁有一条灰白的线,直通鱼尾,从这条线可以计算它身上有若干鳞片……画画的人如能这么仔细地去研究它,在画它时就不会马虎的了。”齐白石画虾享誉于世。他早期画虾,基本上是青虾(河虾)的造型,且多是游动的群虾,用小号羊毫笔,其质感和透明度不强,虾的腿和须画得短密且欠弹性,后腿呈排列状且多至八九条。为求神似,老人70岁后画虾,一改早年画法,加大并明确了虾身的起伏角度,同时对虾的游足也一删早年时的繁多,始而画游足五只,虾壳的质感和透明感也得到加强。80岁后他删繁就简,已不再画繁复的虾群,只为几只虾传神。画虾变化明显的是他把虾头前面的短须省去,仅画六条大须。虾须的简化,使得画幅的空
丰子恺曾把自己的创作时代划分四个时期:"一是描写古诗句的时代;二是描写儿童的时代;三是描写社会的时代;四是描写自然的时代。”本漫画作品集揉和了他各个时代的作品,以“初心”为主题,精选漫画64幅,旨在通过这些或简单有趣好玩或寄予情感投射的漫画来表达作者的一颗赤子之心。他笔下儿童的天真烂漫生动、自然生活丰富而多趣、在社会时代下的现实中也透露出坚实的情感。?