In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

Book De*ion "Nineteen forty-six was agood time — perhaps the best time — in the twentieth century. Thewar was over and there was a terrific sense of coming back, ofrepossessing life. Rents were cheap, restaurants were cheap, and itseemed to me that happiness itself might be cheaply had." Broyard made his first bid for happiness by moving in with a youngpainter, the difficult and challenging Sheri Donatti — a protegeeof Anais Nin — who never wore underpants and who "embodied the newtrends in art, sex, and psychosis." Broyard tells their story; byturns comic and poignant, while describing along the way hismeetings with Caitlan and Dylan Thomas, Delmore Schwartz, DwightMacDonald, Maya Deren, William Gaddis, and other writers andartists just beginning their careers. He opens a bookstore onCornelia Street ("If it hadn't been for books we would have beenentirely at the mercy of sex. Books steadied us, they gave usgravity."). He goes to the New School and listens to Eric Fromm,Karen Horney and Meyer Shap

From acclaimed filmmaker Guillermo del Toro comes Warner Bros.Pictures' and Legendary Pictures' epic sci-fi action adventurePacific Rim. When legions of monstrous creatures, known as Kaiju, startedrising from the sea, a war began that would take millions of livesand consume humanity's resources for years. To combat the giantKaiju, a special weapon was devised: massive robots, calledJaegers, which are piloted by an international crew of soldiers inthe Pan Pacific Defense Corps. But even the Jaegers are provingnearly defenseless in the face of the relentless Kaiju. On theverge of defeat, two unlikely heroes—a washed up former pilot andan untested trainee—team up to pilot a legendary but seeminglyobsolete Jaeger on a mission to halt the mounting apocalypse. Pacific Rim: Man, Machines Monsters chronicles theproduction of the film with stunning concept art, captivatingphotography, and cast and crew de*ions of the shoot.

A basic primer for anyone without musical training who wishesto learn to read musical scores when singing or taking up aninstrument, this accessible and complete book covers classical,popular, jazz, and folk music. Well-known pieces are accompanied bya muscial dictionary, a note directory, and a guide to musicalsigns.

In this compelling book, Robert Coles, the celebrated Harvardprofessor and Pulitzer Prize–winning author, turns his attention topopular music legend Bruce Springsteen, and to the powerful impactSpringsteen’s work has had both on the lives of his audience and onthis country’s literary tradition. Coles places Springsteen in thepantheon of American artists—Walt Whitman, William Carlos Williams,Dorothea Lange, and Walker Percy, among others—who understood andwere inspired by their “traveling companions in time,” the ordinarypeople of their eras. With wisdom and a unique personal perspective, Coles exploresSpringsteen’s words as contemporary American poetry, and offersfirsthand accounts of how people interact with them: A truckerlistens to “Blinded by the Light” during long, lonely nights andreminisces about his mother; a schoolteacher is astonished when ausually silent student offers a comparison between “Nebraska” andConrad’s Heart of Darkness; a policeman responds to “Am

A huge gathering of the finest American and British song lyricsfrom 1910 to 1975. Robert Kimball, editor of the complete lyrics ofCole Porter, Ira Gershwin, Lorenz Hart and next year's IrvingBerlin, and Robert Gottlieb, editor of the recent Reading Jazz,have collaborated to choose the 800 or more most distinguishedlyrics of the century, from early P.G. Wodehouse and the IrvingBerlin of Alexander's Ragtime Band through the greats of Broadwayand Hollywood -- Gershwin, Hart, Porter, Berlin, Oscar Hammerstein,Yip Harbourg, Dorothy Fields, Frank Loesser, Noel Coward -- to theearly triumphs of Stephen Sondheim. Plus many writers who arebarely remembered today -- Don Raye ("Mr. Five by Five", "I'llRemember April"), Bobby Troup ("Route 66", "Daddy") -- withsurprises like Ogden Nash, Maxwell Anderson, Dorothy Parker, andTruman Capote. Over 100 lyricists in all, each one introduced witha brief biography and commentary, and presented chronologically, sothat this big volume not only presents the core of an entireliterat

Few music lovers realize that the arrangement of notes ontoday’s pianos was once regarded as a crime against God and nature,or that such legendary thinkers as Pythagoras, Plato, da Vinci,Galileo, Kepler, Descartes, Newton and Rousseau played a role inthe controversy. Indeed, from the time of the Ancient Greeksthrough the eras of Renaissance scientists and Enlightenmentphilosophers, the relationship between the notes of the musicalscale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads usthrough the battles over that scale, placing them in the context ofquarrels in the worlds of art, philosophy, religion, politics andscience. The contentious adoption of the modern tuning system knownas equal temperament called into question beliefs that hadlasted nearly two millenia–and also made possible the music ofBeethoven, Schubert, Chopin, Debussy, and all who followed. Filledwith original insights, fascinating anecdotes, and portraits ofsome of th

Desde queen 1890 en Estados Unidos se utilizara el terminorascacielos para designar al edificio de oficinas en altura, esteha suscitado diversidad de reflexiones --entre el entornoarquitectonico y la opi-nion pOblica- acerca de sus limites ydisefio. El ras-cacielos es un producto genuinamenteestadouniden-se, fruto del siglo xx, cuya presencia y evoluci6n essin6nimo de progreso tecnologico, la sociedad de consumo y lapolftica liberal. Este volumen propone una revision de los rascacielos queinauguran el nuevo milenio, con la seleccion de edificios de laultima decada del siglo xx y principios del xxi de algunos de losarquitectos mas relevantes de la actualidad. Asf, se muestranedificios que forman parte del debate arquitect6nico actual y quemuestran como sus autores afrontan la arquitectura en relacion conla sociedad y la ciudad.

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

Antonio Stradivari (1644—1737) was a perfectionist whosesingle-minded pursuit of excellence changed the world of music. Inthe course of his long career in the northern Italian city ofCremona, he created more than a thousand stringed instruments;approximately six hundred survive, their quality unequalled by anysubsequent violin-maker. In this fascinating book, Toby Fabertraces the rich, multilayered stories of six of these peerlesscreations–five violins and a cello–and the one towering artist whobrought them into being. Blending history, biography, meticulousdetective work, and an abiding passion for music, Faber takes usfrom the salons of Vienna to the concert halls of New York, andfrom the breakthroughs of Beethoven’s last quartets to the firstphonographic recordings. This magnificent narrative invites us toshare the life, the intrigue, and the incomparable beauty of theworld’s most marvelous stringed instruments.

Asian Resorts is conceived to be the most comprehensivecollection on Asian resorts. Written and shot by the region'sbest known Asian architecture specialist, TanHock Beng, who has already put together five books on the designand aesthetics of tropical architecture, Asian Resorts promises toshow its readers the biggest variety of Asian resorts that no otherbook has ever shown. With its beautifully' shot images and relevantinformation, this book will certainly serve and entertain youbeyond just the coffee table. In fact, it is a must-have for everyarchitectural office and every home.

A Tribe Called Quest - Beastie Boys - De La Soul - Eric B. andRakim - The Fugees - KRS-One - Pete Rock and CL Smooth - PublicEnemy - The Roots - Run-DMC - Wu-Tang Clan - and twenty-five morehip-hop immortals It's a sad fact: hip-hop album liners have alwaysbeen reduced to a list of producer and sample credits, a publicityphoto or two, and some hastily composed shout-outs. That's a damnshame, because few outside the game know about the true creativeforces behind influential masterpieces like PE's It Takes a Nationof Millions. . ., De La's 3 Feet High and Rising, and Wu-Tang'sEnter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hopnation, Brian Coleman fills this void, and delivers a thrilling,knockout oral history of the albums that define this dynamic andiconoclastic art form. The format: One chapter, one artist, onealbum, blow-by-blow and track-by-track, delivered straight from theoriginal sources. Performers, producers, DJs, and b-boys-includingBig Daddy Kane, Muggs and B-Real, Biz Markie, RZA, I

The bumpin' book for hip-hop disciples (a.k.a. fiends),songwriters, all other writers, pop culture fans, linguists, andparents who are just trying to figure out what their kids aresaying. The inventive sounds of hip-hop (which became America'snumber two music genre in 2001, outselling country) have echoed farfrom their Bronx beginnings of twenty years ago. Making its wayfrom Compton sidewalks to suburban malls, garnering commentary from"The Wall Street Journal "alongside "Vibe," hip-hop by definitiondelivers its messages in the most creative language possible.Celebrating hip-hop's boon to the realm of self-expression, "HipHoptionary"(TM)" "translates dozens of phrases like "marinating inthe rizzi with your road dawg" (relaxing in your car with yourfriend), including: - Big bodies: SUVs or luxury vehicles-Government handle: registered birth name- 411: the latest scoop orinformation- Bling-bling: diamonds, big money, flash and cash-Brick City: Newark, New Jersey- 1812: war, fight (as in War of1812) In ad

An illustrated, inside look at the rock group Nirvana offers acandid look the band's members, chronicling their rapid rise in themusic world and revealing the true story of the drug-abuse rumorssurrounding them.

"A cat book with class, this sumptuously produced, highlyliterate collection of felinity as represented in art, literature,and photography is sure to elicit purrs, " raved Publishers Weeklywhen this BOMC Selection was published in 1982. Long out of print,this cat-lovers dream book is now reissued in paperback. 70full-color reproductions. --Ce texte fait référence à uneédition épuisée ou non disponible de ce titre.

Paul Nicklen, a resident of Yellowknife, Northwest Territories,has lived nearly all his life in the far north. Trained as abiologist, he is an experienced wilderness guide, as well as aninternationally acclaimed photographer. Huge Brody is an associateof the Scott Polar Research Institute at Cambridge University. Heis the author of several books, including Maps and Dreams, Indianson Skid Row, and Inishkillane: Change and Decline in the West ofIreland. He lives in London.

The companion volume to the ten-part PBS TV series by the teamresponsible for"The Civil War" and "Baseball." Continuing in thetradition of their critically acclaimed works, Geoffrey C. Ward andKen Burns vividly bring to life the story of the quintessentialAmerican music--jazz. Born in the black community ofturn-of-the-century New Orleans but played from the beginning bymusicians of every color, jazz celebrates all Americans at theirbest. Here are the stories of the extraordinary men and women whomade the music: Louis Armstrong, the fatherless waif whoseunrivaled genius helped turn jazz into a soloist's art andinfluenced every singer, every instrumentalist who came after him;Duke Ellington, the pampered son of middle-class parents who turneda whole orchestra into his personal instrument, wrote nearly twothousand pieces for it, and captured more of American life than anyother composer. Bix Beiderbecke, the doomed cornet prodigy whoshowed white musicians that they too could make an importantcontribution to the