Asian Resorts is conceived to be the most comprehensivecollection on Asian resorts. Written and shot by the region'sbest known Asian architecture specialist, TanHock Beng, who has already put together five books on the designand aesthetics of tropical architecture, Asian Resorts promises toshow its readers the biggest variety of Asian resorts that no otherbook has ever shown. With its beautifully' shot images and relevantinformation, this book will certainly serve and entertain youbeyond just the coffee table. In fact, it is a must-have for everyarchitectural office and every home.

Few music lovers realize that the arrangement of notes ontoday’s pianos was once regarded as a crime against God and nature,or that such legendary thinkers as Pythagoras, Plato, da Vinci,Galileo, Kepler, Descartes, Newton and Rousseau played a role inthe controversy. Indeed, from the time of the Ancient Greeksthrough the eras of Renaissance scientists and Enlightenmentphilosophers, the relationship between the notes of the musicalscale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads usthrough the battles over that scale, placing them in the context ofquarrels in the worlds of art, philosophy, religion, politics andscience. The contentious adoption of the modern tuning system knownas equal temperament called into question beliefs that hadlasted nearly two millenia–and also made possible the music ofBeethoven, Schubert, Chopin, Debussy, and all who followed. Filledwith original insights, fascinating anecdotes, and portraits ofsome of th

One of Victorian Englands most charismatic characters, DanteGabriel Rossetti painted and wrote with equal passion. He wassimilarly passionate in his personal life: his etherealartist-wife, his earthy blond mistress, and the ravishing JaneMorris are al

For more than 100 years, National Geographic has set thestandard for nature, culture, and wildlife photography. Now, inThrough the Lens, 250 spectacular images—some famous, others rarelyseen—are gathered in one lavish and beautiful volume. Through the Lens is dividedinto geographical regions—Europe, Asia, Africa and the Middle East,the Americas, and Oceans and Isles—with a special section devotedto space exploration. Each geographical section features anoutstanding array of photographs that exemplifies the area’s uniquepeople, wildlife, archaeology, culture, architecture, andenvironment, accompanied by brief but informative captions. FromBarry Bishop’s heroic Mount Everest climb in the 1950s to theglorious wildlife of Asia and Africa, from ancient Maya culture tothe Afghan girl found 17 years after her piercing green eyescaptivated the world, these are some of the finest and mostimportant photographs ever taken. Featuring master photographers fromthe late 1800s to today, including Fr

Vintage presents the paperback edition of the wild andbrilliant writings of Lester Bangs--the most outrageous and popularrock critic of the 1970s--edited and with an introduction by thereigning dean of rack critics, Greil Marcus. Advertising in RollingStone and other major publications.

In 1931, Diego Rivera was the subject of The Museum of ModernArt s second monographic exhibition, which set new attendancerecords in its five-week run. The Museum brought Rivera to New Yorksix weeks before the show s opening and gave him on-site studiospace. There he produced five "portable murals" --large blocks offrescoed plaster, slaked lime and wood that feature bold imagesdrawn from Mexican subject matter and address themes of revolutionand class inequity. After the opening, to great publicity, Riveraadded three more murals, now taking on New York subjects throughmonumental images of the urban working class and the city duringthe Great Depression. Published in conjunction with an exhibitionthat brings together key works made for Rivera s 1931 show, thiscatalogue casts the artist as a highly cosmopolitan figure whotraveled between Russia, Mexico and the United States and examinesthe intersection of artmaking and radical politics in the 1930s.Illustrated with reproductions of each panel as well as r

In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio

Preserved by Arabic mathematicians and canonized by Christianscholars, Aristotle’s works have shaped Western thought, science,and religion for nearly two thousand years. Richard McKeon’s TheBasic Works of Aristotle –constituted out of the definitiveOxford translation and in print as a Random House hardcover forsixty years–has long been considered the best available one-volumeAristotle. Appearing in paperback at long last, this editionincludes selections from the Organon, On the Heavens, The ShortPhysical Treatises, Rhetoric, among others, and On the Soul, OnGeneration and Corruption, Physics, Metaphysics, NicomacheanEthics, Politics, and Poetics in their entirety.

本书首次向中国的读者展示中国观众对“土地‘的各种感受和反应，其中包括有留言、图片、文章等形式。 “从某种意义来说，《土地》是一项全球性项目，她是由地球上某一特定地区年龄各异的当地人民制造出来的。她由土制成、以火生成，其情感来自触摸，其思想来自观赏。”安东尼·葛姆雷的“土地”被认为是现代雕塑的经典作品。安东尼·葛姆雷是一位国际瞩目的艺术大师，自1989年，葛姆雷一直从事着一项与世界各国不同社区接触的长期项目———《土地》。为制造不同版本的《土地》雕塑，他游历了从巴西雨林到北欧等不同国家。 2003年1月，他与300多位不同年龄层次，来自广州东北部花都地区的市民一起，用了5天的时间，制造了近20万个小泥人，组成了大型雕塑巡展“土地”．

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

The classic art of enameling is experiencing a well-deservedrenaissance—and it’s stunningly captured in this lovingly curatedsurvey. More than 300 international contemporary artists havecontributed museum-worthy pieces, which range in scale from DavidC. Freda’s Green Slipper Brooch and Harlan W. Butt’s Maine Teapotto large sculptures and public art. Some of the creators take aminimalist approach, using only soft colors and matte finishes,while others exploit the material’s vibrant palette and glass-likesurface. The broad technical applications include everything fromsimple sifting and torch firing to complex cloisonné andplique-à-jour.

Few artists have created as much controversy or survived itwith greater fame than Edouard Manet. In his day, the avant-gardewas not only a challenge to the traditions of art, but it was alsoa gunshot fired at society as a whole. With his painting Olympia(1869), Manet was to become, to quote Degas, as famous asGaribaldi. Yet how the urbane and diffident son of a bourgeoisfamily became the father of both Realism and Impressionism is acomplex and fascinating story that has too often been reduced totextbook clichés. As Manet has become recognized as a touchstonefor historical change but also for interpretations of how thatchange came about, his individual story has become all the morerelevant to the study of art history. Moreover, far from being anartists to shrink behind his work, one of Manets mostcharacteristic practices was to leave an indelible trace of his ownpersonal identity within his paintings, as illustrated throughoutthe volume by eminent scholar James H. Rubin. This lavishlyillustrated volume

From its ancient status as the jewel of an empire to itsmodern incarnation as a troubled, yet culturally vibrant Europeancapital, Rome has compelled the imagination of artists for over twothousand years. Now, in "The History of Rome in Painting", that

This book is a study of the figures and landscapes thatSargent painted from 1900 (after he was well established as one ofthe foremost portraitists of the age) through 1914 (and the arrivalof the Second World War).

In 1958, the first edition of Robert Frank's TheAmericans was published in Paris. Les Américains contained Frank's 83 photographs in the same sequence as allsubsequent editions, with the image on the right hand page, butjuxtaposed with historical texts about American society andpolitics, gathered by Alain Bosquet. The following year, in thefirst American edition, the French texts were removed and anintroduction by Jack Kerouac was added. Over the subsequent 50years, The Americans has been republished in many editions,in numerous languages, with a variety of cover designs, and even ina range of sizes. It is the most famous photography book everpublished, and it changed the face of the medium forever. Robert Frank discussed with his publisher,Gerhard Steidl, the idea of producing a new edition using modernscanning and the finest tritone printing. The starting point was tobring original prints from New York to G?ttingen, Germany, whereSteidl is based. In July 2007, Frank visited G?ttingen. A new forma

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

Book De*ion "Nineteen forty-six was agood time — perhaps the best time — in the twentieth century. Thewar was over and there was a terrific sense of coming back, ofrepossessing life. Rents were cheap, restaurants were cheap, and itseemed to me that happiness itself might be cheaply had." Broyard made his first bid for happiness by moving in with a youngpainter, the difficult and challenging Sheri Donatti — a protegeeof Anais Nin — who never wore underpants and who "embodied the newtrends in art, sex, and psychosis." Broyard tells their story; byturns comic and poignant, while describing along the way hismeetings with Caitlan and Dylan Thomas, Delmore Schwartz, DwightMacDonald, Maya Deren, William Gaddis, and other writers andartists just beginning their careers. He opens a bookstore onCornelia Street ("If it hadn't been for books we would have beenentirely at the mercy of sex. Books steadied us, they gave usgravity."). He goes to the New School and listens to Eric Fromm,Karen Horney and Meyer Shap

Antonio Stradivari (1644—1737) was a perfectionist whosesingle-minded pursuit of excellence changed the world of music. Inthe course of his long career in the northern Italian city ofCremona, he created more than a thousand stringed instruments;approximately six hundred survive, their quality unequalled by anysubsequent violin-maker. In this fascinating book, Toby Fabertraces the rich, multilayered stories of six of these peerlesscreations–five violins and a cello–and the one towering artist whobrought them into being. Blending history, biography, meticulousdetective work, and an abiding passion for music, Faber takes usfrom the salons of Vienna to the concert halls of New York, andfrom the breakthroughs of Beethoven’s last quartets to the firstphonographic recordings. This magnificent narrative invites us toshare the life, the intrigue, and the incomparable beauty of theworld’s most marvelous stringed instruments.