This book is a study of the figures and landscapes thatSargent painted from 1900 (after he was well established as one ofthe foremost portraitists of the age) through 1914 (and the arrivalof the Second World War).

In 1931, Diego Rivera was the subject of The Museum of ModernArt s second monographic exhibition, which set new attendancerecords in its five-week run. The Museum brought Rivera to New Yorksix weeks before the show s opening and gave him on-site studiospace. There he produced five "portable murals" --large blocks offrescoed plaster, slaked lime and wood that feature bold imagesdrawn from Mexican subject matter and address themes of revolutionand class inequity. After the opening, to great publicity, Riveraadded three more murals, now taking on New York subjects throughmonumental images of the urban working class and the city duringthe Great Depression. Published in conjunction with an exhibitionthat brings together key works made for Rivera s 1931 show, thiscatalogue casts the artist as a highly cosmopolitan figure whotraveled between Russia, Mexico and the United States and examinesthe intersection of artmaking and radical politics in the 1930s.Illustrated with reproductions of each panel as well as r

Although developments in camera technology mean that qualityimages are now well within the grasp of the keen amateur, themarket place is competitive. How does an aspiring photographerimprove and promote his or her photography in order to earn extraincome, or to make the leap to professional status? This newsubject-focused series explains everything the amateur needs toknow, from planning a shoot to effective marketing of the images toclients. In the first title, Landscape Photography, renownedlandscape photographer Mark Lucock offers the keen amateur aninsight into the daily life and decision-making of the workinglandscape photographer, sharing professional insights and tradesecrets of producing successful commercial and fine artphotography. Equipment and technique are only part of the equation:Lucock's approach is also a spiritual one - his passion about theenvironment gives his approach a highly compelling, personal edge.Lucock equips readers with all the necessary information, andplenty of inspiration, to

What's the secret to writing a hit song? It's as simple as1-2-3-4-5-6 Innovative, practical, and inspiring, "Six Steps toSongwriting Success" presents a surefire step-by-step approach tomastering the elements consistently found in hit songs. AuthorJason Blume, a songwriter with the rare distinction of having hadsongs on the Country, Pop, and RandB charts simultaneously, haspacked this book with such key aids as the three-step lyric writingtechnique used by the pros; lyric, melody, and demo checklists; andtools for self-evaluation-plus many other exercises that work.Blume's warm, humorous style features motivational anecdotes andentertaining stories of how hit songs came to be written andrecorded. Get "Six Steps to Songwriting Success," and get on thecharts

A huge gathering of the finest American and British song lyricsfrom 1910 to 1975. Robert Kimball, editor of the complete lyrics ofCole Porter, Ira Gershwin, Lorenz Hart and next year's IrvingBerlin, and Robert Gottlieb, editor of the recent Reading Jazz,have collaborated to choose the 800 or more most distinguishedlyrics of the century, from early P.G. Wodehouse and the IrvingBerlin of Alexander's Ragtime Band through the greats of Broadwayand Hollywood -- Gershwin, Hart, Porter, Berlin, Oscar Hammerstein,Yip Harbourg, Dorothy Fields, Frank Loesser, Noel Coward -- to theearly triumphs of Stephen Sondheim. Plus many writers who arebarely remembered today -- Don Raye ("Mr. Five by Five", "I'llRemember April"), Bobby Troup ("Route 66", "Daddy") -- withsurprises like Ogden Nash, Maxwell Anderson, Dorothy Parker, andTruman Capote. Over 100 lyricists in all, each one introduced witha brief biography and commentary, and presented chronologically, sothat this big volume not only presents the core of an entireliterat

“My mother prophesied years ago that my voice would take meplaces. She was certain that there was a reason I was able to sing.I am still discovering what that reason is, what it is that Godwants to happen.” –CLAY AIKEN, from Learning to Sing When he was a kid singing in his church choir, Clay Aiken neverdreamed of becoming a pop music star. His ambition was to be ateacher, maybe even a high school principal. But Clay’s mother wasright, and the music that was Clay’s joy in life was destined tolead him to unexpected triumphs. In Learning to Sing, Clay details what his astonishing successhas meant to him. He writes from the heart about his life beforeand since his instant stardom on American Idol, how he has changed,and how he struggles to adapt to life in the public eye. He speakscandidly about his lonely childhood: the father who abandoned him,the school bullies who tormented him, the mother who taught him tobe strong, and the friends and teachers who–more than they everkne

Desde queen 1890 en Estados Unidos se utilizara el terminorascacielos para designar al edificio de oficinas en altura, esteha suscitado diversidad de reflexiones --entre el entornoarquitectonico y la opi-nion pOblica- acerca de sus limites ydisefio. El ras-cacielos es un producto genuinamenteestadouniden-se, fruto del siglo xx, cuya presencia y evoluci6n essin6nimo de progreso tecnologico, la sociedad de consumo y lapolftica liberal. Este volumen propone una revision de los rascacielos queinauguran el nuevo milenio, con la seleccion de edificios de laultima decada del siglo xx y principios del xxi de algunos de losarquitectos mas relevantes de la actualidad. Asf, se muestranedificios que forman parte del debate arquitect6nico actual y quemuestran como sus autores afrontan la arquitectura en relacion conla sociedad y la ciudad.

The most spectacular building raised in Hanover in the last fewyears, the new headquarters of the Norddeutsche Landesbank standsas a landmark high-rise, gleaming with transparence, courageousconstruction, and an innovative energy concept--a pioneer amongGerman office complexes. Designed by the internationally renownedStuttgart-based firm of Behnisch, Behnisch Partner, thestructure provides an attractive workplace for the bank's 1,500employees, while simultaneously infusing the city space with newimpulses, a pleasant public inner courtyard, and an attractiveannex housing shops and restaurants. This publication presents thecomplex in all its aspects, from the initial design competition tothe building phase to completion.

The companion volume to the ten-part PBS TV series by the teamresponsible for"The Civil War" and "Baseball." Continuing in thetradition of their critically acclaimed works, Geoffrey C. Ward andKen Burns vividly bring to life the story of the quintessentialAmerican music--jazz. Born in the black community ofturn-of-the-century New Orleans but played from the beginning bymusicians of every color, jazz celebrates all Americans at theirbest. Here are the stories of the extraordinary men and women whomade the music: Louis Armstrong, the fatherless waif whoseunrivaled genius helped turn jazz into a soloist's art andinfluenced every singer, every instrumentalist who came after him;Duke Ellington, the pampered son of middle-class parents who turneda whole orchestra into his personal instrument, wrote nearly twothousand pieces for it, and captured more of American life than anyother composer. Bix Beiderbecke, the doomed cornet prodigy whoshowed white musicians that they too could make an importantcontribution to the

A wonderful and original tribute to the curious, comical Dodoand the beautiful island of Mauritius. Award-winning Finnishphotographer Harri Kallio creates the illusion that thesefascinating creatures are alive and abundant, living as they oncedid in their own unspoiled haven, the island of Mauritius.Accompanied by a thorough history of this extraordinary bird,including eyewitness accounts and pictorial sources, the book wasthe winner of the 2004 European Publishers’ Award forPhotography.

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

The moral of this book is that behind every great engineeringsuccess is a trail of often ignored (but frequently spectacular)engineering failures. Petroski covers many of the best knownexamples of well-intentioned but ultimately failed design in action-- the galloping Tacoma Narrows Bridge (which you've probably seentossing cars willy-nilly in the famous black-and-white footage),the collapse of the Kansas City Hyatt Regency Hotel walkways -- andmany lesser known but equally informative examples. The line ofreasoning Petroski develops in this book were later formalized intohis quasi-Darwinian model of technological evolution in TheEvolution of Useful Things , but this book is arguably the moreilluminating -- and defintely the more enjoyable -- of these twotitles. Highly recommended.

Japanese woodblock prints of the Edo period (16151868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published work

Now in paperback, the fascinating, quirky, highly acclaimedbook about that indispensable object, the pencil. Petroski tracesits origins back to ancient Greece and Rome, writes factually andcharmingly about its development, and shows what the pencil canteach us about engineering and technology today.

The Gospel of Hip Hop: The First Instrument, the first bookfrom the I Am Hip Hop imprint set for launch in Spring 2009, is thephilosophical masterwork of KRS-One. Set in the format of theChristian Bible, this 600-plus-page opus is a life-guide manual formembers of Hip Hop Culture, or "Kulture" as KRS-One defines it,that combines classic philosophy with faith and practical knowledgefor a fascinating, in-depth exploration of Hip Hop as a life path.Known as "The Teacha," KRS-One developed his unique outlook as ahomeless teen in Brooklyn, engaging his philosophy of self-creationto become one of the most respected emcees in Hip Hop history.Respected as Hip Hop's true steward, KRS-One painstakingly detailsthe development of the culture and the ways in which we, as"Hiphoppas," can and should preserve its future. The Teacha alsodiscusses the origins of Hip Hop Kulture and relays specificinstances in history wherein one can discover the same spirit andideas that are at the core of Hip Hop's current manifestatio

"A cat book with class, this sumptuously produced, highlyliterate collection of felinity as represented in art, literature,and photography is sure to elicit purrs, " raved Publishers Weeklywhen this BOMC Selection was published in 1982. Long out of print,this cat-lovers dream book is now reissued in paperback. 70full-color reproductions. --Ce texte fait référence à uneédition épuisée ou non disponible de ce titre.

Situated between Western Europe and the civilizations ofByzantium and the Islamic world, Renaissance Venice was uniquelypositioned at the crossroads of East and West. In the beautifulAdriatic city, ideas and aesthetics were exchanged and developed ina remarkable age of cultural fusion. Venice’s distinctivearchitecture is already well known for integrating divergentcultural influences, but the impact of this synthesis on Venetianpainting has not been fully explored. This gorgeous book focuses onthe work of the remarkable Bellini family of painters—Jacopo andhis sons Gentile and Giovanni—who transformed Venetianpainting in the fifteenth and early sixteenth centuries. The authors examine the influence of Venetian trade with the Easton Bellini paintings; the Byzantine influence on Venetian art; theimpact of a visit to Mehmed II’s court in 1479 on Gentile Bellini,as well as his effect on Eastern-trained artists there; and muchmore. The book is abundantly illustrated with the Bellini family’

本书首次向中国的读者展示中国观众对“土地‘的各种感受和反应，其中包括有留言、图片、文章等形式。 “从某种意义来说，《土地》是一项全球性项目，她是由地球上某一特定地区年龄各异的当地人民制造出来的。她由土制成、以火生成，其情感来自触摸，其思想来自观赏。”安东尼·葛姆雷的“土地”被认为是现代雕塑的经典作品。安东尼·葛姆雷是一位国际瞩目的艺术大师，自1989年，葛姆雷一直从事着一项与世界各国不同社区接触的长期项目———《土地》。为制造不同版本的《土地》雕塑，他游历了从巴西雨林到北欧等不同国家。 2003年1月，他与300多位不同年龄层次，来自广州东北部花都地区的市民一起，用了5天的时间，制造了近20万个小泥人，组成了大型雕塑巡展“土地”．

The companion volume to the ten-part PBS TV series by the teamresponsible for"The Civil War" and "Baseball." Continuing in thetradition of their critically acclaimed works, Geoffrey C. Ward andKen Burns vividly bring to life the story of the quintessentialAmerican music--jazz. Born in the black community ofturn-of-the-century New Orleans but played from the beginning bymusicians of every color, jazz celebrates all Americans at theirbest. Here are the stories of the extraordinary men and women whomade the music: Louis Armstrong, the fatherless waif whoseunrivaled genius helped turn jazz into a soloist's art andinfluenced every singer, every instrumentalist who came after him;Duke Ellington, the pampered son of middle-class parents who turneda whole orchestra into his personal instrument, wrote nearly twothousand pieces for it, and captured more of American life than anyother composer. Bix Beiderbecke, the doomed cornet prodigy whoshowed white musicians that they too could make an importantcontribution t

In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio