In 1976, while on assignment in Jamaica for Time magazine, David Burnett photographed Bob Marley for the first time,and Burnett became so entranced by Marley’s charisma that hecontinued to document the reggae king throughout his groundbreakingEuropean “Exodus” tour. Burnett’s vision, coupled with Marley’slarger-than-life charisma, resulted in an amazing collection ofimages, only a handful of which appeared in the Time article. The other photos — more than 200 in all — appear for thefirst time in Soul Rebel. This stunning visual biography offers arare look at Marley’s personal life in Jamaica, as well as theexodus from his home country that culminated in his tragic death in1981. Though it focused on Marley, Burnett’s work also canvassed awide array of up-and-coming reggae talents, providing strikingearly looks at Peter Tosh, Lee Scratch Perry, Burning Spear, andRas Michael. Compelling and incomparably candid, Soul Rebel is a remarkable testament to the legacy of a legend.
水墨画鱼类，虽看似粗略几笔，齐白石对原物却观察得异常仔细，并抓住其主要特征进行刻画。他晚年曾对弟子胡絮青说：“鲫鱼腮旁有一条灰白的线，直通鱼尾，从这条线可以计算它身上有若干鳞片……画画的人如能这么仔细地去研究它，在画它时就不会马虎的了。”齐白石画虾享誉于世。他早期画虾，基本上是青虾（河虾）的造型，且多是游动的群虾，用小号羊毫笔，其质感和透明度不强，虾的腿和须画得短密且欠弹性，后腿呈排列状且多至八九条。为求神似，老人70岁后画虾，一改早年画法，加大并明确了虾身的起伏角度，同时对虾的游足也一删早年时的繁多，始而画游足五只，虾壳的质感和透明感也得到加强。80岁后他删繁就简，已不再画繁复的虾群，只为几只虾传神。画虾变化明显的是他把虾头前面的短须省去，仅画六条大须。虾须的简化，使得画幅的空
Renowned photographer, and popular blogger Tracey Clark shows how each day of our lives is full of photographic potential. Focusing on the moments that are most precious to us, she offers a host of creative ideas, technical tips, and inspirational shots, enabling the readers photographic achievements to grow, turning those instants arrivals, departures, childhood and family gatherings into beautiful, captivating images that will stand the test of time. Written with the busy mum or dad in mind, this book will bring the fun back into family photographs, helping you create memories that youll cherish, and moments that your social network will love. In fact a whole chapter is dedicated to sharing your results in a way everyone will love.
Twelve essays written between 1928 and 1945 that demonstratekey points in the development of Eisenstein's film theory and inparticular his analysis of the sound-film medium. Edited,translated, and with an Introduction by Jay Leyda; Index;photographs and diagrams.
法国印象派绘画虽然在有些人看来分别存有或片面追求光学的客观主义，或把科学原理与艺术创作有机结合，以及自我表现的个体主义倾向等，但在西方传统绘画的历史性超越、对西方现代主义艺术的精神启迪等方面，提出了许多关键性的问题并进行了有益的探索性实验。因此可以说，法国印象派绘画扭转了西方美术的发展方向，开启了美术的新纪元。
Celebrities rule the modern world, and close behind them arethe paparazzi, fuelling the medias endless fascination with therich and famous, while they themselves keep a low profile, fadingchameleon-like into the background. Bruno Mouron and Pascal Rostainare two respected photo-reporters, based in Paris but ready to goanywhere in the world for a scoop. They began working together inthe late 1970s as contributors to the magazine "Paris Match", andby 1986 they had set up a formal partnership, founding the agencySphinx. Over the decades, they have honed the instincts required tocatch the moment when a glance, a pose and a setting are mostperfectly matched, capturing movie stars and models, rock stars androyalty. This book presents a selection of their best work from thelast 25 years. Packed with striking black-and-white images thathark back to the golden age of photo-journalism, famous challengesus to recognize, appreciate and celebrate a fresh frame ofreference through which great photography can be judged.
On the occasion of the 125th anniversary of the automobile, Daimler presents this comprehensive chronicle of the worlds oldest automotive manufacturer. The fascinating history of the car and its impact on society are here to be discovered in word and text: from Carl Benzs gas engine drive prototype of 1883, to the sleek Mercedes Benz racing cars of the 1930s, and todays progressive designs for the future. Whether luxury sedan, sports car, truck or bus, this book provides an in-depth overview of every make of car produced by Daimler. Beginning with historical portraits of the auto motive pioneers Carl Benz, Gottlieb Daimler and Wilhelm Maybach, the reader explores the evolution of the Mercedes Benz over time and how it has earned its place in our cultural imagination.
修订一部深受读者欢迎的音乐通史，目的不是推倒重写，而是提高它的时代性。看惯前几版的读者，会觉得此书不论外貌或者内容改动甚大，但章次和范围基本未变。收名中加上“西方”一词，说明我们意识到西欧和南北美洲的音乐体系不过是世界文明的诸音乐体系之一。本书范围的又一局限在于只谈“艺术音乐”；而必须承认，“艺术音乐”这一概念本身便十分含糊。通俗音乐、爵士乐以及诸如此类的品种确已有相当高深的技巧，但不能期望本书同等对待西方音乐的这一广大支系（如今已成为独立的研究课题），常规的音乐史教程也未必能等同视之，而本书不过是一本常规音乐史的手册。
《声乐艺术语言学：讲话与歌唱》对汉语语音和语言做了详尽的分析和研究，同时又编写了意大利语、德语、法语和俄语的语音知识，确立了声乐的说唱相似论的观点。这不仅为声乐教师和音乐教师、声乐学生与歌唱演员提供了必需的声乐教材和参考书，而且为歌曲创作、钢琴、舞蹈和器乐等提供术语的帮助。
Jér?me Sessini (b.1968) began his career with the GAMMA agency following the Kosovo war in 1999. Since then he has covered many events: the second intifada, the conflict in Iraq, the Haitian crisis of 2004, the capture of Mogadishu and the Lebanon War. In 2008, he started his Mexican project, So far from God, too close to America, a dive into the drug cartels war in Mexico. This project has already been awarded twice with the F-Award and a Getty Images Grant for Editorial Photography. It is superbly presented here in scores of beautifully reproduced images
修订一部深受读者欢迎的音乐通史，目的不是推倒重写，而是提高它的时代性。看惯前几版的读者，会觉得此书不论外貌或者内容改动甚大，但章次和范围基本未变。收名中加上“西方”一词，说明我们意识到西欧和南北美洲的音乐体系不过是世界文明的诸音乐体系之一。本书范围的又一局限在于只谈“艺术音乐”；而必须承认，“艺术音乐”这一概念本身便十分含糊。通俗音乐、爵士乐以及诸如此类的品种确已有相当高深的技巧，但不能期望本书同等对待西方音乐的这一广大支系（如今已成为独立的研究课题），常规的音乐史教程也未必能等同视之，而本书不过是一本常规音乐史的手册。
This volume presents photographerCartier-Bresson's own selection of 130 of his photographs of Paris,taken over 50 years. Accompanying text discusses the history ofCartier-Bresson's engagement with the city and its place in hisachievement.
This DVD contains a long film about the work of Magnumphotographer Martin Parr, who'd been followed by the director formore than a month. It includes an important selection of interviewsabout Parr's work, with extra content about a unique perspective onleisure and habits of the American people. Contains a longinterview with Parr and other great personalities of theinternational world of photography.
丰子恺曾把自己的创作时代划分四个时期："一是描写古诗句的时代；二是描写儿童的时代；三是描写社会的时代；四是描写自然的时代。”本漫画作品集揉和了他各个时代的作品，以“初心”为主题，精选漫画64幅，旨在通过这些或简单有趣好玩或寄予情感投射的漫画来表达作者的一颗赤子之心。他笔下儿童的天真烂漫生动、自然生活丰富而多趣、在社会时代下的现实中也透露出坚实的情感。?
Capture the Reality of Your Urban Surroundings The genre of choice of some of photographys greats, from Henri Cartier-Bresson onwards, street photography is now experiencing a renaissance in the 21st century, as the omnipresence of digital cameras allows us all to seize the moment and shoot whenever and wherever we like - and at the same time, a resurgence of interest in lo-tech and retro film cameras highlights their portability and spontaneity. This book will introduce you to the history of the street photographer, as well as the work of some of the modern greats, and show you how you can capture pictures in the spirit of the street tradition with whatever camera youre able to lay your hands on.
法国印象派绘画虽然在有些人看来分别存有或片面追求光学的客观主义，或把科学原理与艺术创作有机结合，以及自我表现的个体主义倾向等，但在西方传统绘画的历史性超越、对西方现代主义艺术的精神启迪等方面，提出了许多关键性的问题并进行了有益的探索性实验。因此可以说，法国印象派绘画扭转了西方美术的发展方向，开启了美术的新纪元。
The classic Photofile series brings together the best work ofthe world's greatest photographers in an attractive format and at areasonable price. Handsome and collectible, the books each containsome sixty reproductions, plus a critical introduction and abibliography. With his focus on the "disagreeable beauty" of the anomalous andthe transgressive, Joel-Peter Witkin's images are edgy anddisturbing. Influenced by artists from Giotto to the Surrealists,by daguerreotypes and the work of Bellocq, his portraits andcomplex tableaux incorporating corpses, hermaphrodites, masks, andmutilation provoke and challenge the viewer. 64 illustrations incolor and duotone.
In 2001, Rinko Kawauchi launched her career with the simultaneous publication of three astonishing photobooks--Utatane, Hanabi and Hanako--firmly establishing herself as one of the most innovative newcomers to contemporary photography, not just in Japan, but across the globe. In the years that followed, she published other notable monographs, including Aila (2004), The Eyes, the Ear (2005) and Semear (2007). And now, ten years after her precipitous entry onto the international stage, Aperture has published Illuminance, the latest volume of Kawauchi's work and the first to be published outside of Japan. Kawauchi's photography has frequently been lauded for its nuanced palette and offhand compositional mastery, as well as
法国印象派绘画虽然在有些人看来分别存有或片面追求光学的客观主义，或把科学原理与艺术创作有机结合，以及自我表现的个体主义倾向等，但在西方传统绘画的历史性超越、对西方现代主义艺术的精神启迪等方面，提出了许多关键性的问题并进行了有益的探索性实验。因此可以说，法国印象派绘画扭转了西方美术的发展方向，开启了美术的新纪元。
From a Brazilian mine where 50,000 men haul heavy sacks ofdirt up and down ladders in search of a nugget of gold, to a formerlake in western Africa, where starving people walk over its surfaceof sand, photographer Sebastian Salgado explores the lives of theplanet's often-ignored people.
Revised and updated, the new edition of the best-selling classic: over 500,000 copies of previous editions in print worldwide Every new generation of digital cameras offers more photographic possibilities, and the options can be baffling. This completely updated edition of Michael Freemans best-selling Complete Guide to Digital Photography introduces all the knowledge youll need to cut to the chase and create perfect photographs every time. You'll gain a thorough understanding of how today's cameras work, an introduction to digital editing techniques that make the most of the technology's capabilities, and a grounding in photography's all the expertise that Michael Freeman has gained in his successful career as a professional assignment photographer. With over 600 examples, a no-nonsense, jargon-busting glossary of terms and a full index for easy reference, it is an indispensable onestop source of photographic information and expertise.
水墨画鱼类，虽看似粗略几笔，齐白石对原物却观察得异常仔细，并抓住其主要特征进行刻画。他晚年曾对弟子胡絮青说：“鲫鱼腮旁有一条灰白的线，直通鱼尾，从这条线可以计算它身上有若干鳞片……画画的人如能这么仔细地去研究它，在画它时就不会马虎的了。”齐白石画虾享誉于世。他早期画虾，基本上是青虾（河虾）的造型，且多是游动的群虾，用小号羊毫笔，其质感和透明度不强，虾的腿和须画得短密且欠弹性，后腿呈排列状且多至八九条。为求神似，老人70岁后画虾，一改早年画法，加大并明确了虾身的起伏角度，同时对虾的游足也一删早年时的繁多，始而画游足五只，虾壳的质感和透明感也得到加强。80岁后他删繁就简，已不再画繁复的虾群，只为几只虾传神。画虾变化明显的是他把虾头前面的短须省去，仅画六条大须。虾须的简化，使得画幅的空
