对于提琴制作的业内人士来说，本书可以说是书。 读了本书，才会知道斯特拉蒂瓦里这个人以及他的琴是怎么回事。 《小提琴巨匠斯特拉蒂瓦里：他的生平和作品（1644-1737）》对所有知名的斯特拉蒂瓦里琴，它的出处，流传，以及它的特点都有描述。一些重要的琴都有尺寸。书后有索引，可以找到你要查的琴。 对于拉琴的人来说，你应当了解你拉的琴是怎么回事。小提琴绝非只是一件乐器那么简单。它有深刻的文化内涵，有许多讲究，有许多故事。《小提琴巨匠斯特拉蒂瓦里：他的生平和作品（1644-1737）》就是最好的入门。 对音乐爱好者来说，看《小提琴巨匠斯特拉蒂瓦里：他的生平和作品（1644-1737）》可以知道许多关于琴的知识。小提琴是一种艺术品，她诞生于文艺复兴时期，成为乐器之王，为什么她会迷倒那么多人，为什么一把斯特拉蒂瓦里的琴现在动
本书以大量的图片，介绍了时尚写真文化。包括什么是艺术、艺术写真的“性感”、切肤之爱?贴身情人、拍摄中的亲密接触、艺术写真的艺术素质、艺术写真的创作过程等。
《不朽的小提琴家》再现了历史上不朽小提琴家的魅力，简要而有趣地叙述其生活、个性与事业。作者就他们对作曲者、公众品味的影响以及演奏技巧的贡献等各个方面，讲述了这些小提琴家的特殊成就。 作者玛格丽特·坎贝尔参阅了大量的书信和私人文件，并且访问许多著名音乐家，很多人为《不朽的小提琴家》提供了从未发表过的回忆录和珍贵照片。 《不朽的小提琴家》是一本献给音乐会听众、唱片收藏者（有“唱片目录”）、弦乐演奏者和学生等所有爱好小提琴演奏艺术者的书。
《历代文物装饰文字图鉴》内容简介：沉香以其浓郁的香味、独特的药用价值历来为人们所钟爱，沉香工艺品的收藏古已有之。《历代文物装饰文字图鉴》由沉香研究专家任刚先生主编，对沉香的分类、沉香的功用、沉香的收藏史，以及沉香摆件的制作工艺进行了深入浅出的叙述，对初涉沉香的收藏爱好者大有裨益。
内容简介
本书的新观点：
本书以大量的图片，介绍了时尚写真文化。包括什么是艺术、艺术写真的“性感”、切肤之爱?贴身情人、拍摄中的亲密接触、艺术写真的艺术素质、艺术写真的创作过程等。
《历代文物装饰文字图鉴》内容简介：沉香以其浓郁的香味、独特的药用价值历来为人们所钟爱，沉香工艺品的收藏古已有之。《历代文物装饰文字图鉴》由沉香研究专家任刚先生主编，对沉香的分类、沉香的功用、沉香的收藏史，以及沉香摆件的制作工艺进行了深入浅出的叙述，对初涉沉香的收藏爱好者大有裨益。
《不朽的小提琴家》再现了历史上不朽小提琴家的魅力，简要而有趣地叙述其生活、个性与事业。作者就他们对作曲者、公众品味的影响以及演奏技巧的贡献等各个方面，讲述了这些小提琴家的特殊成就。 作者玛格丽特·坎贝尔参阅了大量的书信和私人文件，并且访问许多著名音乐家，很多人为《不朽的小提琴家》提供了从未发表过的回忆录和珍贵照片。 《不朽的小提琴家》是一本献给音乐会听众、唱片收藏者（有“唱片目录”）、弦乐演奏者和学生等所有爱好小提琴演奏艺术者的书。
This superb selection of 16 of Bach's best-known, most-performed and mostrecorded works for the keyboard, reproduced from the authoritative BachGesellsehaft edition, offers an exhilarating introduction to the great composer's keyboard virtuosity and his genius for melodic invention. The works included are: Italian Concerto (BWV 971) Overture in the French Style [Partita] in B Minor (BWV 831) Chromatic Fantasia and Fugue in D Minor (BWV 903) Fantasia and Fugue in A Minor (BWV 904) Fantasia and Fugue in C Minor (BWV 906) Fantasia in G Minor (BWV 917) Fantasia on a Rondo in C Minor (BWV 918) Fantasia in C Minor (BWV 919) Prelude [Fantasia] in A Minor (BWV 922) Prelude and Fugue in A Minor (BWV 894) Prelude and Fughetta in F Major (BWV 901) Prelude and Fughetta in G Major (BWV 902) Fugue in C Major (BWV 946) Fugue in A Minor (BWV 947) Fugue in D Minor (BWV 948) Fugue in A Major on a Theme of Albinoni (BWV 950) Sturdy, yet inex
Sony Pictures’ eye-popping animated version of Judi and Ron Barrett’s beloved children’s book Cloudy with a Chance of Meatballs recasts the classic story with a contemporary look and plot. This book describes, through revealing behind-the-scenes discussions and amazing developmental art, how this visual feast came to be. Presented in a bold, die-cut slipcase that could have been designed by Flint Lockwood himself, this lavishly illustrated account is a delight for fans of the book and animation buffs alike.
Mendelssohn's complete works for pianoforte solo are now contained in thistwo-volume republication of the outstanding Breitkopf k Hiirtel edition. In-cluded in Volume One are: "Capriccio in F-sharp Minor" (1825), "Sonata in E Major" (1826), "Seven Characteristic Pieces," "Rondo Capriccioso in E ajor"(1824) "Fantasy on 'The Last Rose of Summer', Three Fantasies or Cap-rices" (1829), "Fantasy in F-sharp Minor" (1833), "Andante cantabile e Presto agitato in B Major" (1838), "Etude in F Minor" (1836), "Scherzo in B Minor," "Gondola Song in A Major" (1837), "Scherzo a Capriccio in F-sharp Minor," "Three Caprices"(1833-1835), "Six Preludes and Fugues" (1827-1837), "Variations Serieuses in D Minor" (1841), "Six Pieces for Children" (c. 1842),"Variations in E-flat Major" (1841), and "Variations in B-flat Major."Volume Two contains: "Three Preludes" (1836), "Three Etudes" (1834-1838),"Sonata in G Minor" (1821), "Sonata in B-flat Major" (1827), "Album Leaf (Song Without Words) in E Minor," "Capriccio in E Major/
From Publishers Weekly Starred Review. Coinciding with a recent exhibition jointly curated by the Fondation Henri Cartier-Bresson and the International Center of Photography, this splendid selection of more than 300 images presents the iconic French photographer's famous 1930s–1940s scrapbook. Published in its entirety for the first time, it contains many of the pictures that cemented Cartier-Bresson's reputation as one of the 20th century's defining image makers. During World War II, the Museum of Modern Art arranged what its curators thought would be a posthumous exhibition of his work, following his capture by the Germans in 1940. Four years later, the museum discovered that Cartier-Bresson had escaped and survived in hiding. He gladly collaborated with MoMA and brought 300 prints in a scrapbook to New York. Now handsomely reprinted, the collection spans from 1932 to 1946, and includes vivid portraits of Matisse, Picasso, Bonnard and Giacometti, as well as street photography, assigned photo essays
