How to set a scene? What's the best camera angle? How does the new technology interact with scenes? And how does one even get the financing to make a movie? These basic questions and much more are all covered in this exquisite packaged book on the film industry and making movies as a profession. Written by Neil Landau, an experienced screenwriter and script consultant to the major movie studios, this is the perfect book for anyone who wants to know about the inner-workings of this industry. Whether it's someone who wants to make movies as a full-timecareer, or just someone who is interested in film, this book covers it all.
"JewelryfromNature"explores200yearsoffinejewelrymadefromnaturalmaterials,wornbystyleiconsincludingtheDuchessofWindsor,CocoChanelandDianaVreeland.AmongthejewelersincludedareCartier(whoseArtDecopiecesincoralareiconsoftheirera),VanCleef&Arpels,Boivin,Faberge,Verdura(whoseseashellbroochesfromthe1940sarecollectorsitems),Schlumberger,Hermes,Lalique,SeamanScheppsandTiffany.Thebookalsofeaturesahostofimportantcontemporarydesigners,notablyPatriciavonMusulin,TedMuehlingandLivBlavarp.Thistimelyanduniquestudyofakeythemeinjewelrydesignwillappealtomakers,dealers,curators,collectorsandhistorians.
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Showcasing many of the most awe-inspiring temples， palaces， monuments and man-made structures ever created. Chinas incredibly rich cultural and historical structures and icons offer a unique window on the development of one of the worlds great civilisations. Selected and described by Chinese experts， the sites are illustrated with over 250 superb photographs.
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《不朽的小提琴家》再现了历史上不朽小提琴家的魅力，简要而有趣地叙述其生活、个性与事业。作者就他们对作曲者、公众品味的影响以及演奏技巧的贡献等各个方面，讲述了这些小提琴家的特殊成就。作者玛格丽特·坎贝尔参阅了大量的书信和私人文件，并且访问许多著名音乐家，很多人为《不朽的小提琴家》提供了从未发表过的回忆录和珍贵照片。《不朽的小提琴家》是一本献给音乐会听众、唱片收藏者（有“唱片目录”）、弦乐演奏者和学生等所有爱好小提琴演奏艺术者的书。
《中国美术院校：潘思同水彩画直观选》所介绍的是潘思同20世纪五、六十年代在浙江美术学院水彩画教学中使用的部分直观。所谓直观就是上课时的图示和示范作品。由于上课的教学时间有限，不可能在课堂里做大量示范，所以在每堂课上课之前，作为备课，潘思同都要针对一、二个问题，画一些直观，上面配备必要的文字说明，一方面为了节省时间，另一方面也为了取得视觉效果。在直观中，有些图本身就是独立的作品，因此，下课后学生常常争先恐后地拿去观摩、临摹。对这些直观，学生反应很好，有些青年教师也常借去作为参考。当时许多同行建议让这些印刷出版，但由于当时彩色印刷费用高昂，会大大提高书价，而且印刷质量也大有问题，如果采用黑白图版则大大削弱的直观效果，因而始终未能出版面世1993年，“潘思同水彩遗作展”在新加坡展出，他的
Thisisthefirstbookdevotedexclusivelytoringsconsideredthematicallyratherthanchronologically.Theauthor,aworldexpert,hasrichhistoricalandliteraryknowledge.Assheconsidersringsinalltheirformsshemakesusdelightinthemasworksofart,andmakestheircontextcomealivethroughpaintings,drawingsandvividquotations.
