《历代文物装饰文字图鉴》内容简介：沉香以其浓郁的香味、独特的药用价值历来为人们所钟爱，沉香工艺品的收藏古已有之。《历代文物装饰文字图鉴》由沉香研究专家任刚先生主编，对沉香的分类、沉香的功用、沉香的收藏史，以及沉香摆件的制作工艺进行了深入浅出的叙述，对初涉沉香的收藏爱好者大有裨益。
《历代文物装饰文字图鉴》内容简介：沉香以其浓郁的香味、独特的药用价值历来为人们所钟爱，沉香工艺品的收藏古已有之。《历代文物装饰文字图鉴》由沉香研究专家任刚先生主编，对沉香的分类、沉香的功用、沉香的收藏史，以及沉香摆件的制作工艺进行了深入浅出的叙述，对初涉沉香的收藏爱好者大有裨益。
《扬琴考级曲集》（上下）是根据广大专业、业余扬琴爱好者的学习进程编写的。此书的编排有一定的科学性、广泛性与普遍性，对于推动扬琴演奏艺术的普及与发展有积极的意义。
《中国美术院校教材：潘思同水彩画直观教材选》所介绍的是潘思同20世纪五、六十年代在浙江美术学院水彩画教学中使用的部分直观教材。所谓直观教材就是上课时的图示和示范作品。由于上课的教学时间有限，不可能在课堂里做大量示范，所以在每堂课上课之前，作为备课，潘思同都要针对一、二个问题，画一些直观教材，上面配备必要的文字说明，一方面为了节省时间，另一方面也为了取得视觉效果。在直观教材中，有些图本身就是独立的作品，因此，下课后学生常常争先恐后地拿去观摩、临摹。对这些直观教材，学生反应很好，有些青年教师也常借去作为参考。当时许多同行建议让这些教材印刷出版，但由于当时彩色印刷费用高昂，会大大提高书价，而且印刷质量也大有问题，如果采用黑白图版则大大削弱教材的直观效果，因而始终未能出版面世1993年，“
本书以文图结合的形式，详细的为读者介绍什么是交互式包装设计，它的分类、作用、产生的背景及其设计原则、设计要素、如何构建交互关系，以及新技术、新材料在交互式包装中的应用。大量设计案例中有具体的交互原理分析，方便读者领会和理解交互式包装设计，进而举一反三设计出能够触动用户的交互式包装设计作品。
《经典故事连环画集（合订本）》主要内容包括：林海雪原（上）、林海雪原（中）、林海雪原（下）、烈火金刚（上）、烈火金刚（中）、烈火金刚（下）、大闹柳树林、飞出牢笼、播火记（上）、播火记（下）。
《不朽的小提琴家》再现了历史上不朽小提琴家的魅力，简要而有趣地叙述其生活、个性与事业。作者就他们对作曲者、公众品味的影响以及演奏技巧的贡献等各个方面，讲述了这些小提琴家的特殊成就。 作者玛格丽特·坎贝尔参阅了大量的书信和私人文件，并且访问许多音乐家，很多人为《不朽的小提琴家》提供了从未发表过的回忆录和珍贵照片。 《不朽的小提琴家》是一本献给音乐会听众、唱片收藏者（有“唱片目录”）、弦乐演奏者和学生等所有爱好小提琴演奏艺术者的书。
内容简介
内容简介
《扬琴考级曲集》（上下）是根据广大专业、业余扬琴爱好者的学习进程编写的。此书的编排有一定的科学性、广泛性与普遍性，对于推动扬琴演奏艺术的普及与发展有积极的意义。
《扬琴考级曲集》（上下）是根据广大专业、业余扬琴爱好者的学习进程编写的。此书的编排有一定的科学性、广泛性与普遍性，对于推动扬琴演奏艺术的普及与发展有积极的意义。
本书以大量的图片，介绍了时尚写真文化。包括什么是艺术、艺术写真的“性感”、切肤之爱?贴身情人、拍摄中的亲密接触、艺术写真的艺术素质、艺术写真的创作过程等。
Inside this book, readers will find 200 imaginativesuggestions from 56 artists, along with intriguing paintings--inwatercolor, oil pastel, acrylic, and other popular media--that willjump-start their imaginations and lead them to fresh new subjectsand a thrilling sense of creative adventure.
From its ancient status as the jewel of an empire to itsmodern incarnation as a troubled, yet culturally vibrant Europeancapital, Rome has compelled the imagination of artists for over twothousand years. Now, in "The History of Rome in Painting", that
A huge gathering of the finest American and British song lyricsfrom 1910 to 1975. Robert Kimball, editor of the complete lyrics ofCole Porter, Ira Gershwin, Lorenz Hart and next year's IrvingBerlin, and Robert Gottlieb, editor of the recent Reading Jazz,have collaborated to choose the 800 or more most distinguishedlyrics of the century, from early P.G. Wodehouse and the IrvingBerlin of Alexander's Ragtime Band through the greats of Broadwayand Hollywood -- Gershwin, Hart, Porter, Berlin, Oscar Hammerstein,Yip Harbourg, Dorothy Fields, Frank Loesser, Noel Coward -- to theearly triumphs of Stephen Sondheim. Plus many writers who arebarely remembered today -- Don Raye ("Mr. Five by Five", "I'llRemember April"), Bobby Troup ("Route 66", "Daddy") -- withsurprises like Ogden Nash, Maxwell Anderson, Dorothy Parker, andTruman Capote. Over 100 lyricists in all, each one introduced witha brief biography and commentary, and presented chronologically, sothat this big volume not only presents the core of an entireliterat
在素描中，以研究人为核心。在多种因素的认识和表达中，紧紧围绕着对形体的认识、体积的知觉、空间的意识这样一些中心环节，同时也包含了对艺术情感的培养，审美修养的熏陶。
In 1964, on the brink of the British Invasion, the musicbusiness in America shunned rock and roll. There was no rock press,no such thing as artist management -- literally no rock-and-rollbusiness. Today the industry will gross over $20 billion. How didthis change happen? From the moment Pete Seeger tried to cut thepower at the 1965 Newport Folk Festival debut of Bob Dylan'selectric band, rock's cultural influence and business potentialhave been grasped by a rare assortment of ambitious and farsightedmusicians and businessmen. Jon Landau took calls from legendaryproducer Jerry Wexler in his Brandeis dorm room and went on toorchestrate Bruce Springsteen's career. Albert Grossman's cold-eyedassessment of the financial power at his clients' fingertips madehim the first rock manager to blaze the trail that David Geffentransformed into a superhighway. Dylan's uncanny ability to keephis manipulation of the business separate from his art andreputation prefigured the savvy -- and increasingly cynical --professi
The subversive songs of Tom Lehrer, the sardonic piano-wieldingfugitive from Harvard, have corrupted generations of Americanssince he first began recording and performing in the 1950s. Hisuniquely depraved wit has been forced again on an unsuspectingpublic' via Tomfoolery, the stage revue based on his ever-trenchantobservation of the American scene. This new songbook, with oldfavorites unavailable for years as well as never-published songs,is the most comprehensive ever assembled. It contains the words,tunes, piano accompaniments, and guitar chords for thesethirty-four classics.
