Aston martin plays a very special role in the exclusive world ofthe luxury sports car.the name of the noble marque from NewportPagnell has a fine ring to it,and it is not only for its dedicatedcircle of devotees that the British Racing Green of as Astonprovides the perfect answer to the racing red of its illustriousItalian rivals

Click on the Google Preview image above to read some pages of this book! Following the success of Ladur e: Sucre, here is the second volume of neverbefore- published recipes from the legendary Ladur e tearoom. One hundred elegant recipes from Ladur es Chef, beautifully photographed and packed into an eye-catching book reminiscent of the famous macaron boxes. From duck foie gras with rose macaroon to vegetable tagliatelle with Ladur e tea and cardamom, as well as the taramasalata clair with rose petals, the Chef presents us with an entire artists array of appetizers, main courses, fish, meat, salads and omelettesAll bearing the unmistakable Ladur e quality and creativity.

Life is life, and art is art. ""It is my wish to come very close, strikinglyclose, to the times in which we live, without submitting toartistic dogma...I need the connection to the world of senses, thecourage to portray ugliness, life as it comes."" - Otto Dix In the 1920s, Otto Dix was the artist ofNeue Sachlichkeit, the New Objectivity, par excellence. Painting ina very realistic, almost photographic style, he chose as subjectsthe poverty, violence, death, and war that he experienced as asoldier in World War I. After this terrible experience, he paintedthe famous triptych "The War." Dix staged the world as a play, a grotesquefarce. But the form he chose to do so was based on the classicalcanon of beauty. Dix lived his life and served art, for he adheredto the age-old rule that the American painter Ad Reinhardt put in anutshell: "Life is life, and art is art."

Since its first publication this book has been hailed as themost up-to-date and wide-ranging history of art ever published in asingle volume. This quote from Andrew Graham Dixon describes thebook: 'Spanning continents and millennia, ranging from man'searliest cave paintings to the works of Picasso and beyond, this isa hugely ambitious book. But thanks to the breadth of theirscholarship, the depth of their enthusiasm and the enviablefreshness of their writing, Honor and Fleming triumphantlyaccomplish the herculean task they have set themselves.Sympathetically expanded by Michael Archer, who brings the storyforward into the twenty-first century, this thumping slab of tomeis without doubt the most compelling total history of art everwritten'. This Revised Seventh Edition expands the originalcoverage by embracing new developments in archeology and arthistorical research, and in particular contemporary art historianMichael Archer has greatly expanded the authors discussion of theart world over the past two decade

Few works in the piano literature are as essential to an understanding ofeighteenth-century style as Mozart's solo sonatas. Almost without exception, they are works of great sensitivity, classic design, and a wonderful balance oflyricism and drama. This new compilation unites 6 of Mozart's most familiar sonatas, including Sonata No. 8 in A minor (K310); Sonata No. 10 in C major (K330); Sonata No. 11 in A major (K331); Sonata No. 12 in F major (K332); Sonata No. 14 in C minor (K457); Sonata No. 16 in C major (K545).

Mahler's third and fourth symphonies mark a turning point in his development as a composer. Symphony No. 3 （1896） predominantly follows the musical style of the earlier two symphonies, which tended to emphasize a single melodic line with subordinate harmonies. Symphony No. 4 （1900） embodies the more contrapuntal style that characterizes his later symphonic works. At the same time, these works bring Mahler to the end of his "Wunderhorn years," when his inspiration derived strongly from Des Knaben Wunderhorn （The Youth's Magic Horn）, an early 19th-century collection of folklike poetry that celebrated themes of nature. The Third Symphony, scored for a massive orchestra, was conceived as a vast nature cycle in six movements. These include the great opening march, the moving setting for alto of Nietzsche's "O Mensch！ Gib Acht！" and the scintillating bell song for women's and boys' choirs "Es sungen drei Engel." The Fourth Symphony, more restrained in expression yet filled with affecting melody,

A landmark in the history of opera, Die Walkiire is the most popular and most frequently performed opera among those that make up the Ring Cycle. It con-tains some of Wagner's best-known and most memorable music and stands alone as a complete work. This present edition reproduces the full orchestral and vocal score in a clear, modern engraving with large, legible notation for easy reading and study. Do not confuse this with a piano rendering; it is the full orchestral score--nothing has been left out. Perfect for study, this score is also indispensable for anyone listening to record sets or broadcasts. In no other manner can the listener keep full awareness of the orchestral richness of this opera.

Readers of this book learn graphic rendering skills quickly with the proven how-to approach that has made Lin the most successful teacher in the field. His method emphasizes speed, confidence, and relaxation, while incorporating many time-saving tricks of the trade.

One of the composer's most popular, accessible works, the 7th has neither a "program" or folk-song theme. It is a purely instrumental composition, both hopeful and romantic in feeling. Reprinted from the authoritative German edition of 1909. List of instruments. Glossary of German terms.

In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio

A lush visual selection from the Chanel archive—essentialreading for fashionistas and design aficionados everywhere. Chanel's combination of tradition, originality, and style hasalways made it the most seductive of fashion labels. Here the Houseof Chanel opens its private archives, revealing a galaxy ofbrilliant designs created by Coco Chanel from 1920 onwards.Dazzling clothes, intricate accessories, beautiful models, andtimeless design leave no doubt as to the lasting fame of her nameand embody everything that has come to symbolize the magic ofChanel. The book explores five central themes—the suit, the camellia,jewelry, makeup and perfume, the little black dress—and follows thethreads from past to present to show how these key items have beenrediscovered and reinvented by new designers. It includes manypreviously unpublished archive photographs and original drawings byKarl Lagerfeld, as well as glorious images from some of thegreatest names in fashion photography. 139 illustrations,

首次对前卫艺术的先驱艺术家大野洋子进行回顾，并对她的作品进行全面的重新评估。本书中讨论了洋子对战后国际前卫艺术的看法，以及她在当代美术，音乐，电影和表演行业中的重要影响和角色。本书中对洋子从1960年至今多达近130幅作品进行了介绍。洋子通过她对日常生活入微的观察，成为了把亚洲的思想传播给国际艺术界的重要人物。

This lavishly illustrated book chronicles the remarkablehistory of anatomical illustration from the Renaissance to thedigital Visible Human project of today. Its survey of five and ahalf centuries of meticulous visual de*ion by anatomists andartists will be a welcome addition to the libraries of artists, artstudents, doctors and anyone interested in the history ofscience.

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

Book De*ion "Nineteen forty-six was agood time — perhaps the best time — in the twentieth century. Thewar was over and there was a terrific sense of coming back, ofrepossessing life. Rents were cheap, restaurants were cheap, and itseemed to me that happiness itself might be cheaply had." Broyard made his first bid for happiness by moving in with a youngpainter, the difficult and challenging Sheri Donatti — a protegeeof Anais Nin — who never wore underpants and who "embodied the newtrends in art, sex, and psychosis." Broyard tells their story; byturns comic and poignant, while describing along the way hismeetings with Caitlan and Dylan Thomas, Delmore Schwartz, DwightMacDonald, Maya Deren, William Gaddis, and other writers andartists just beginning their careers. He opens a bookstore onCornelia Street ("If it hadn't been for books we would have beenentirely at the mercy of sex. Books steadied us, they gave usgravity."). He goes to the New School and listens to Eric Fromm,Karen Horney and Meyer Shap

This book can be regarded as the 'prequel' to our first book,which was intended as a reference guide. This new book concerns thestudy of form. Sketching: The Basics contains many step-by-stepguides to making drawings. It is about learning to draw efficientlyby employing different techniques, both manual and digital. Drawingan object or idea is not a rigid process but a lively interactiveprocess. Revealing the steps in that process allows us to explainthe decisions taken and their impact on the final result. Everychapter contains an exercise for the reader. After all, practice isprobably the best way to learn. Can you remember your struggle as achild as you were learning how to write? Developing the skill towrite by hand was hard work, but you managed. The same will happenas you learn to draw.

Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy neeessitated a speeial theater- one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of

This solo piano edition of Tchaikovsky's masterful Christmas ballet offers pianists a chance to enjoy favorites such as "The Dance of the Sugar-Plum Fairy" and "The Waltz of the Flowers." Entirely faithful to Tchaikovsky's brilliant orchestral score, this delightful arrangement by Sergey Taneyev and the com- poser himself renders the complete ballet in a style both idiomatic to the piano and specially designed to be relatively easy to play. Here are all the movements of the beloved Suite, along with the rest of this hol-iday favorite, in which a brave and loyal little girl's toy is transformed into aprince who accompanies her into a magical world. Suitable for performers,rehearsal pianists, and all admirers of Tchaikovsky's art, this inexpensive edi-tion of a perennial favorite will enchant players and listeners alike. Dover (2005) unabridged republication of the edition published byP. Jurgenson, Moscow, 1892. viii+168pp. 9×12. Paperbound.

This new title in our Icons of Style series captures in 200gorgeous photographs the spirit of Ferrari, the legendarysportscar. This amazing book reveals the story of Ferrari's mostfamous models and presents its interesting history outside theracetrack.

Vincent van Gogh's paintings and his tempestuous life story continue to command enormous popular interest, inspiring numerous blockbuster exhibitions and biographies. This compact collection returns to what started it all--the paintings themselves. With a hand-held size, this volume manages to be affordable and comprehensive--a veritable dictionary of the artist's work. Included are all genres and periods of his work-from his gorgeous irises to his striking night skies and portraiture. Introducing the paintings is an intriguing essay by celebrated art critic Robert Hughes. This book provides an essential resource for students as well as for all art lovers. And it represents an extraordinary value. No other book on the artist offers as many images at this price.

From acclaimed filmmaker Guillermo del Toro comes Warner Bros.Pictures' and Legendary Pictures' epic sci-fi action adventurePacific Rim. When legions of monstrous creatures, known as Kaiju, startedrising from the sea, a war began that would take millions of livesand consume humanity's resources for years. To combat the giantKaiju, a special weapon was devised: massive robots, calledJaegers, which are piloted by an international crew of soldiers inthe Pan Pacific Defense Corps. But even the Jaegers are provingnearly defenseless in the face of the relentless Kaiju. On theverge of defeat, two unlikely heroes—a washed up former pilot andan untested trainee—team up to pilot a legendary but seeminglyobsolete Jaeger on a mission to halt the mounting apocalypse. Pacific Rim: Man, Machines Monsters chronicles theproduction of the film with stunning concept art, captivatingphotography, and cast and crew de*ions of the shoot.