Pierre Auguste Renoir (1841-1919) is now universallyacclaimed: museums pride themselves on his paintings, crowds flockto his retrospectives. His work shows art at its mostlight-hearted, sensual and luminous. Renoir never wanted anythingugly in his paintings, nor any dramatic action. "I like pictureswhich make me want to wander through them when it's a landscape,"he said, "or pass my hand over breast or back if it's a woman."Renoir's entire oeuvre is dominated by the depiction of women.Again and again he painted "these faunesses with their poutinglips" (Mallarme) and invented a new image of feminity.

Life is life, and art is art. ""It is my wish to come very close, strikinglyclose, to the times in which we live, without submitting toartistic dogma...I need the connection to the world of senses, thecourage to portray ugliness, life as it comes."" - Otto Dix In the 1920s, Otto Dix was the artist ofNeue Sachlichkeit, the New Objectivity, par excellence. Painting ina very realistic, almost photographic style, he chose as subjectsthe poverty, violence, death, and war that he experienced as asoldier in World War I. After this terrible experience, he paintedthe famous triptych "The War." Dix staged the world as a play, a grotesquefarce. But the form he chose to do so was based on the classicalcanon of beauty. Dix lived his life and served art, for he adheredto the age-old rule that the American painter Ad Reinhardt put in anutshell: "Life is life, and art is art."

Caravaggio - A genius beyond his time Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Thoughhis name may be familiar to all of us, his work has been habituallydetested and forced into obscurity. Not only was his theatricalrealism unfashionable in his time, but his sacrilegious subjectmatter and use of lower class models were violently scorned. Caravaggio's great work had the misfortune of enduring centuries ofdisrepute. It wasn't until the end of the 19th century that he wasrediscovered and, quite posthumously, deemed a great master. He is now considered the most important painter of the early Baroqueperiod ; without him there would have been no Ribera, Zurbarán,Velázquez, Vermeer or Georges de la Tour. Franz Hals, Rembrandt,Delacroix, and Manet would have been different. In this anniversary edition you'll find over 50 ofCaravaggio's best paintings; we think you'll agree that he was agenius beyond his time.

本书的照片都是从国家地理学会超凡的馆藏摄影档案中精心挑选出来的，时间跨越了一个多世纪，反映的题材遍及地球上的每一个角落，也涉及了摄影艺术的每一个层面。这些照片既反映了一些*摄影大师观察生活的独特视角，也代表了我们人类某些共同的情感追求和人性的张扬。 The Collectors Seriesedition of "In Focus" is simply the existing book at a smaller trimsize. This magnificent collection of 280 photographs by many of theworld's greatest photographers tells the tale of portraitphotography over time in page after page of arresting images. Eachphotograph stands proudly on its own, yet taken together, they tella much more complex and subtle story of the ever-evolving art formin constant creative response to new ideas, new eras, and newtechnologies.

The world of the fashionista is brought to vivid life with 101introductory lessons on such topics as how a designer anticipatescultural trends and "sees" the fashion consumer, the workings ofthe fashion calendar, the ways a designer collection is conceived,the manufacture of fabric, fashion illustration, and more. Illustrated in the distinctly unique packaged style of thebestselling101 THINGS I LEARNED IN ARCHITECTURE SCHOOL, this newbook on fashion design will be a perfect book for any fashionschool wannabe, a recent graduate, or even a seasonedprofessional.

Tote bags are becoming more and more popular because they are reusable and eco-friendly. This affordable and stylish alternative to the ubiquitous plastic bag is now also a fashion statement. The use of tote bags has spread from the eco-savvy shopper to the style-conscious consumer. With this shift, totes have moved from being a purely utilitarian item to a medium for self-expression. The printed design on the tote bag sends a message about the owner's personality. The graphics, imagery and messages displayed on tote bags are becoming increasingly sophisticated, subtle and imaginative. This book showcases some of the most striking, inventive and subversive of current examples of the tote. The featured totes come from over 120 illustrators, graphic designers and design studios around the world, from the Netherlands to Nigeria. Designs include floral prints, typography, illustrations and characters.

Everyone, it seems, is a fan of Audrey's. She was Gigi, a princess, Holly Golightly, a nun, Maid Marian, even an angel. And we believed her in every role. But Audrey Hepburn was also one of the most admired and emulated women of the twentieth century, who encouraged women to discover and highlight their own strength. By example, she not only changed the way women dress--she forever altered the way they viewed themselves. But Audrey Hepburn's beauty was more than skin deep. "You know the Audrey you saw onscreen? Audrey was like that in real life, only a million times better," says designer Jeffrey Banks. For the first time, this style biography reveals the details--fashion and otherwise--that contributed so greatly to Audrey's appeal. Drawing on original interviews with Hubert de Givenchy, Gregory Peck, Nancy Reagan, Doris Brynner, and Audrey Wilder, as well as reminiscences of professional friends like Steven Spielberg, Ralph Lauren, noted Hollywood photographer Bob Willoughby, Steven Meisel, and Kev

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

"A cat book with class, this sumptuously produced, highlyliterate collection of felinity as represented in art, literature,and photography is sure to elicit purrs, " raved Publishers Weeklywhen this BOMC Selection was published in 1982. Long out of print,this cat-lovers dream book is now reissued in paperback. 70full-color reproductions. --Ce texte fait référence à uneédition épuisée ou non disponible de ce titre.

Unique and comprehensive, this collection features a tremendous variety of slow movements for keyboard players. Highlights include selections from the sonatas of Haydn and Mozart, Chopin preludes, and classics such as the opening movement of Beethoven's "Moonlight" Sonata, Bach's Sinfonia in F Minor, and Debussy's Claire de Lune.

The old certainties of the Cold War have been swept away by the new tide of detente that has washed over the superpowers. But even if international superpower relations have changed, human nature has not altered very much. The new powder keg is the Middle East where this adventure story is set. --This text refers to an out of print or unavailable edition of this title.

Whether Gould's subject is Boulez, Stokowski, Streisand, orhis own highly individual thoughts on performance and creation ofmusic, the reader will be caught up in his intensity, intelligence,passion and devotion.

When it was originally published in 1970, "How to Draw What YouSee" zoomed to the top of Watson-Guptill's best-seller list--and ithas remained there ever since. "I believe that you must be able todraw things as you see them--realistically," wrote Rudy de Reyna inhis introduction. Today, generations of artists have learned todraw what they see, to truly capture the world around them, usingde Reyna's methods. "How to Draw What You See" shows artists how torecognize the basic shape of an object--cube, cylinder, cone, orsphere--and use that shape to draw the object, no matter how muchdetail it contains.

随着移动通信技术的不断发展和普及，人们对移动对象管理的需求越来越迫切。移动对象管理成为数据库研究领域的一个热门方向，它在许多领域都展现了广阔的应用前景。《移动对象管理:模型、技术与应用》比较系统地介绍了移动对象管理的相关内容，即移动对象管理模型（包括移动对象建模、移动对象更新、移动对象索引等），移动对象管理技术（包括移动对象查询、移动对象预测、移动数据不确定性研究等），移动对象管理应用（包括动态交通导航、动态交通网络、移动对象聚类分析、位置隐私保护等）。 《移动对象管理:模型、技术与应用》总结了国内外有关移动数据管理的研究工作和具有代表性的关键技术，并较详细地介绍了作者近年来的一些研究成果，具有较大的参考价值。 《移动对象管理:模型、技术与应用》的读者对象为高等院校计算机专业

This illustratedsurvey of the work of Modigliani shows how he was regarded bycontemporaries as the very definition of a Parisian bohemian.Modigliani's style is seen as having roots in antiquity or Africa,and the text also brings to life the Parisian art scene of theearly 20th century.