Desde queen 1890 en Estados Unidos se utilizara el terminorascacielos para designar al edificio de oficinas en altura, esteha suscitado diversidad de reflexiones --entre el entornoarquitectonico y la opi-nion pOblica- acerca de sus limites ydisefio. El ras-cacielos es un producto genuinamenteestadouniden-se, fruto del siglo xx, cuya presencia y evoluci6n essin6nimo de progreso tecnologico, la sociedad de consumo y lapolftica liberal. Este volumen propone una revision de los rascacielos queinauguran el nuevo milenio, con la seleccion de edificios de laultima decada del siglo xx y principios del xxi de algunos de losarquitectos mas relevantes de la actualidad. Asf, se muestranedificios que forman parte del debate arquitect6nico actual y quemuestran como sus autores afrontan la arquitectura en relacion conla sociedad y la ciudad.

Paired together in a single, affordable volume, these disparate works reflect two different sides of Wagner's compositional mastery. Aside from his operatic works, Wagner wrote relatively little music--a single symphony, some overtures, and a few choral and piano works. Of these, the Siegfried Idyll is the most frequently performed. Although not part of the Ring cycle, the Idyll draws upon several of the Ring's motifs. Written for the birth- day of Wagner's wife, Cosima, it was never intended for public performance but financial difficulties forced the composer into publication. "The secret treasure is to become public property," Cosima noted in her diary, and audi-ences have been the happier for it. With Wagner's Faust Overture, the nineteenth century's preeminent German opera composer took on the most discussed and written-about work by Germany's most revered poet. Inspired by Wagner's attendance at a performance of Berlioz's Romeo and Juliet, the original composition dates from 1844 and depicts

The result of the second international photography competitionorganized by the distinguished Musee de lElysee, this book sets outto discover what young photographers are up to as the 21st centuryapproaches its second decade. How do they see the world? How muchdo they respect, build on or reject tradition? Are they busy in thedarkroom or the computer lab or both? Here, in more than 200 superbimages brimming with inspiring creativity and ingenuity, are theanswers to these questions. The variety of subjects and techniquesconfirms that photographers of extraordinary talent are well ontheir way to making their mark. Useful reference material includesbiographical details of each of the eighty featured photographersand a note on the selected winning photographers from the firstedition of the book, many of whom have gone on to forgeinternational careers. This is an unmissable opportunity to previewthe work of those up-and-coming photographers who may well emergeas the finest artists of their generation.

Mahler's third and fourth symphonies mark a turning point in his development as a composer. Symphony No. 3 （1896） predominantly follows the musical style of the earlier two symphonies, which tended to emphasize a single melodic line with subordinate harmonies. Symphony No. 4 （1900） embodies the more contrapuntal style that characterizes his later symphonic works. At the same time, these works bring Mahler to the end of his "Wunderhorn years," when his inspiration derived strongly from Des Knaben Wunderhorn （The Youth's Magic Horn）, an early 19th-century collection of folklike poetry that celebrated themes of nature. The Third Symphony, scored for a massive orchestra, was conceived as a vast nature cycle in six movements. These include the great opening march, the moving setting for alto of Nietzsche's "O Mensch！ Gib Acht！" and the scintillating bell song for women's and boys' choirs "Es sungen drei Engel." The Fourth Symphony, more restrained in expression yet filled with affecting melody,

This treasury of more than 50 classic guitar works features rarities such as the 13th-century Cantigas de Santa Maria by Spanish ruler Alfonso X, a modern tran*ion of the 16th-century Fantasy for lute by Francesco da Milano, and Bach's Prelude. Recent masterworks include Granados' Two Spanish Dances, Albéniz's Asturias (Leyenda), and much more.

Few artists have created as much controversy or survived itwith greater fame than Edouard Manet. In his day, the avant-gardewas not only a challenge to the traditions of art, but it was alsoa gunshot fired at society as a whole. With his painting Olympia(1869), Manet was to become, to quote Degas, as famous asGaribaldi. Yet how the urbane and diffident son of a bourgeoisfamily became the father of both Realism and Impressionism is acomplex and fascinating story that has too often been reduced totextbook clichés. As Manet has become recognized as a touchstonefor historical change but also for interpretations of how thatchange came about, his individual story has become all the morerelevant to the study of art history. Moreover, far from being anartists to shrink behind his work, one of Manets mostcharacteristic practices was to leave an indelible trace of his ownpersonal identity within his paintings, as illustrated throughoutthe volume by eminent scholar James H. Rubin. This lavishlyillustrated volume

Vincent van Gogh's paintings and his tempestuous life story continue to command enormous popular interest, inspiring numerous blockbuster exhibitions and biographies. This compact collection returns to what started it all--the paintings themselves. With a hand-held size, this volume manages to be affordable and comprehensive--a veritable dictionary of the artist's work. Included are all genres and periods of his work-from his gorgeous irises to his striking night skies and portraiture. Introducing the paintings is an intriguing essay by celebrated art critic Robert Hughes. This book provides an essential resource for students as well as for all art lovers. And it represents an extraordinary value. No other book on the artist offers as many images at this price.

The most personal account of the life and work of legendary designer Coco Chanel ever told. Coco Chanel’s life and work have been recounted often in print and film-everything except the details of her most private self: her fondness for symbolism and poetry, the men she loved, her family, and in particular her nephew Andre Palasse, whom she raised like a son. His daughter Gabrielle Palasse-Labrunie—goddaughter to both Chanel and the Duke of Westminster and Chanel’s only direct descendant—enjoyed a close-knit relationship with the designer for more than forty years. In this biography, she opens her doors and shares personal memories of her great-aunt. ...

This lavishly illustrated book chronicles the remarkablehistory of anatomical illustration from the Renaissance to thedigital Visible Human project of today. Its survey of five and ahalf centuries of meticulous visual de*ion by anatomists andartists will be a welcome addition to the libraries of artists, artstudents, doctors and anyone interested in the history ofscience.

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

Click on the Google Preview image above to read some pages of this book! Following the success of Ladur e: Sucre, here is the second volume of neverbefore- published recipes from the legendary Ladur e tearoom. One hundred elegant recipes from Ladur es Chef, beautifully photographed and packed into an eye-catching book reminiscent of the famous macaron boxes. From duck foie gras with rose macaroon to vegetable tagliatelle with Ladur e tea and cardamom, as well as the taramasalata clair with rose petals, the Chef presents us with an entire artists array of appetizers, main courses, fish, meat, salads and omelettesAll bearing the unmistakable Ladur e quality and creativity.

The proof is in the package No other book on the market explores global contemporary packaging to the extent and detail that Package Design Now! does. Practically everything you buy comes in some sort of package?some are just functional, while others strive to be as innovative, elegant, and eye-catching as possible. This encyclopedic resource, divided into chapters by type (such as cosmetics, household products, food, beverage, electronics, industrial, and clothing) explores the work of top design and branding offices from all around the world. Also included are chapters on material and processes, giving readers a peek at the way packaging is made and designed. This unique tome is indispensable for design and marketing professionals, as well as anyone who wants to know more about what makes a great package. The editor: Julius Wiedemann was born and raised in Brazil. After studying graphic design and marketing, he moved to Japan, where he worked in Tokyo as art editor for digital and design magazines. Si

Somewhere between jewelry and bodyadornment, the necklaceoffers perhaps the mostexciting decorative possibilities of anyarticle ofpersonal display. What is worn around the neckcannot beignored - unlike the more discreet charms of ear and fingerdecoration - and the necklace as an emblem of wealth, status andproclivity has been shaped and reshaped through the centuries bysuccessive fashions, techniques and materials, from the Egyptianbroad collar and the Celtic gold torc, to the diamond sautoirs ofthe I92OS and the exuberant creations of the liberatedsixties. The major part of this book is devoted to the necklace in the19th and 2oth centuries, as these are the most accessible to thepotential buyer and collector. There are, however, substantialsections on the earlier history of the necklace form: thefigurative pectorals of Egypt, Greek and Roman chains andmedallions, the ornamental inspiration of Renaissance art, theadvent of the pearl necklace in the 17th century. The I9th century then saw th

Richard Strauss (1864-1949) first wrote Ariadne auf Naxos as an interlude to be performed with Moli~re's play Le Bourgeois gentilhomme, and it was presented in Stuttgart in that form in 1912. Several years later, with his collaborator Hugo von Hoffmansthal, Strauss expanded the work into the full-length opera we know today. This glorious new Ariadne auf Naxos was first presented at the Vienna State Opera in October 1916. The story artfully intermingles backstage comedy, the lofty emotions of Greek mythology and the merry pranks of a troupe of commedia dell'arte players. Strauss endowed these antic proceedings with a luminous score that combines music of great satiric wit with breathtaking flights of lyricism. Today Ariadne auf Naxos is one of Richard Strauss's most highly regarded operas, and is frequently performed on the world's stages. It is reprinted here from the definitive full-score edition published in Berlin by Adolph Fiirstner following the opera's 1916 premiere.

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

Situated in the heart of Paris, the Musee d'Orsay boasts thegreatest collection of Impressionist and Post-Impressionist art inthe world, a collection unparalleled in its diversity and quality.Since its spectacular opening in 1986 in a renovated train station,the museum has welcomed more than 50 million visitors to view worksby Bouguereau, Courbet, Renoir, Cezanne, Van Gogh, Monet, Manet,Redon, Whistler, Gauguin and other artists of the mid-19th centuryto the early 20th century. In this deluxe, large-format volume, theMusee d'Orsay's director, Serge Lemoine, and his team of curatorsand specialists examine the museum's holdings and the historysurrounding them, ranging from the primacy of academic paintingthrough the shock of Impressionism to the rise of modern art.Included are many seminal works of the period, including Whistler'sMother, Manet's The Balcony, Cezanne's Apples and Oranges, Monet'sBlue Water Lilies and Van Gogh's Bedroom at Arles. With 830full-colour illustrations of masterpieces by some of

Tote bags are becoming more and more popular because they are reusable and eco-friendly. This affordable and stylish alternative to the ubiquitous plastic bag is now also a fashion statement. The use of tote bags has spread from the eco-savvy shopper to the style-conscious consumer. With this shift, totes have moved from being a purely utilitarian item to a medium for self-expression. The printed design on the tote bag sends a message about the owner's personality. The graphics, imagery and messages displayed on tote bags are becoming increasingly sophisticated, subtle and imaginative. This book showcases some of the most striking, inventive and subversive of current examples of the tote. The featured totes come from over 120 illustrators, graphic designers and design studios around the world, from the Netherlands to Nigeria. Designs include floral prints, typography, illustrations and characters.

Published in conjunction with an exhibition ofmasterworks from The Museum of Modern Art at the High Museum,Atlanta, this catalogue features artwork produced during six keyyears between 1913 and 2013. Concentrating on groundbreakingmoments when major modern movements and radical new strategiesemerged, the book provides an overview of the innovations andachievements of the last century, including the new visuallanguages of Cubism and Futurism (1913), the convergence ofSurrealism and New Vision photography between the wars (1929), thelarge-scale abstract painting of midcentury (1950), the merging ofart and life in the early 1960s (1961) and the embrace of identitypolitics and appropriation by artists in the late 1980s (1988). Aseries of new commissions by three contemporary artists representsthe art of the present moment. Each of the six richly illustratedsections features a close reading of one major work from theperiod, complemented by an exploration of that year's aestheticzeitgeist.

In 1931, Diego Rivera was the subject of The Museum of ModernArt s second monographic exhibition, which set new attendancerecords in its five-week run. The Museum brought Rivera to New Yorksix weeks before the show s opening and gave him on-site studiospace. There he produced five "portable murals" --large blocks offrescoed plaster, slaked lime and wood that feature bold imagesdrawn from Mexican subject matter and address themes of revolutionand class inequity. After the opening, to great publicity, Riveraadded three more murals, now taking on New York subjects throughmonumental images of the urban working class and the city duringthe Great Depression. Published in conjunction with an exhibitionthat brings together key works made for Rivera s 1931 show, thiscatalogue casts the artist as a highly cosmopolitan figure whotraveled between Russia, Mexico and the United States and examinesthe intersection of artmaking and radical politics in the 1930s.Illustrated with reproductions of each panel as well as r

This solo piano edition of Tchaikovsky's masterful Christmas ballet offers pianists a chance to enjoy favorites such as "The Dance of the Sugar-Plum Fairy" and "The Waltz of the Flowers." Entirely faithful to Tchaikovsky's brilliant orchestral score, this delightful arrangement by Sergey Taneyev and the com- poser himself renders the complete ballet in a style both idiomatic to the piano and specially designed to be relatively easy to play. Here are all the movements of the beloved Suite, along with the rest of this hol-iday favorite, in which a brave and loyal little girl's toy is transformed into aprince who accompanies her into a magical world. Suitable for performers,rehearsal pianists, and all admirers of Tchaikovsky's art, this inexpensive edi-tion of a perennial favorite will enchant players and listeners alike. Dover (2005) unabridged republication of the edition published byP. Jurgenson, Moscow, 1892. viii+168pp. 9×12. Paperbound.

Unique and comprehensive, this collection features a tremendous variety of slow movements for keyboard players. Highlights include selections from the sonatas of Haydn and Mozart, Chopin preludes, and classics such as the opening movement of Beethoven's "Moonlight" Sonata, Bach's Sinfonia in F Minor, and Debussy's Claire de Lune.