作品再现日军在侵华战争中，对中国进行的大规模领土侵略、文化侵略、烧杀抢掠和资源掠夺……本书图文并茂，力争退却偏激的感情色彩，理性挖掘从1931年到1945年14年间，日本轻而易举对中国900多座城市功城掠地的内因与外因。书中使用的图片均为作者个人藏品照片，有些购于境外。选材角度新鲜，独特，说服力强，是日本侵华史的有力物证和对“公共记忆”的丰富和补充。
Acupuncture and mobustion are indispensable parts of traditiona[Chinses medicine in the prevention and control of disease.Since the founding of the People's Republic of China these arts have beendeveloped and are highly regarded by the international, academic community. Based upon Essentials of Chinese Acupuncture, used as a textbook by the International. Acupuncture Training Centers in Beijng, Shanghai and Nanjing, Chinese Acupuncture and Mobustion incorporates the rich experience of class teaching and clinical, practice and the results of acupuncture research, retaining the characteristic features ofthe traditional theory of acupuncture and stressing the integration of theory and practice.The book consists of eighteen chapters and four appendices. Chinese Acupuncture and Mobustion was compiled by the International Acupuncture Training Centers and Acupuncture Institute of China, Academy of Traditional. Chinese Medicine, on commission of the Ministry of Public Health. It is published by Foreign Languages Pres
Acupuncture and mobustion are indispensable parts of traditiona[Chinses medicine in the prevention and control of disease.Since the founding of the People's Republic of China these arts have beendeveloped and are highly regarded by the international, academic community. Based upon Essentials of Chinese Acupuncture, used as a textbook by the International. Acupuncture Training Centers in Beijng, Shanghai and Nanjing, Chinese Acupuncture and Mobustion incorporates the rich experience of class teaching and clinical, practice and the results of acupuncture research, retaining the characteristic features ofthe traditional theory of acupuncture and stressing the integration of theory and practice.The book consists of eighteen chapters and four appendices. Chinese Acupuncture and Mobustion was compiled by the International Acupuncture Training Centers and Acupuncture Institute of China, Academy of Traditional. Chinese Medicine, on commission of the Ministry of Public Health. It is published by Foreign Languages Pres
Yuan Longping, the renowned and respected Chinese scientist often taken for a farmer, has found the world a way out of famine. Unde-terred by the prevailing ignorance of heterosis in rice and other self-pollinating plants, he has dedicated himself to research into hybrid rice since the 1960s, and his feats have won him the accolade "father of hybrid rice" and earned him the honor of being made foreign associate of the US National Academy of Sciences Why is Yuan so obsessed by hybrid rice research? How did he manage with such simple conditions, scarce aterials, backward technol-ogy and insufficient information? What global impacts will Yuan and his team have? This book may give the answers.
The Chinese nation evolevd between two rivers,the Yellow and Yangtze,basins of wheat and rice,giving Chinese people characterstics of thrift and persistence,sirvival and an innate understanding of the forces of change which e with teh revolving seasons and ever harmonious cycles of naure.
圆仁是日本入唐求法的高僧，在近十年间足迹遍及中国七省，用日记体裁写成的《入唐求法巡礼行记》，被称为世界三大旅行记之一。日本学者阿南史代女士旅居中国期间，沿着圆仁当年的足迹展开文化考察，以自己独特的“踏勘＋采访＋拍摄”的方式，记录了与高僧生活相关的佛教遗迹、奇妙的自然风光和民俗风情、当代中国人的生活。公元807年，日本次向中国派遣遣唐使，本画册的出版，也是为了纪念这一中外文化交流史上的标志性事件1400周年。
毛泽东诗词的广泛传播，与其诗词本身所具有的博大的思想内容、豪迈的气势和永恒的艺术魅力分不开。毛泽东诗词反映了中国革命和建设的历程，用艺术的手法反映了时代的最强音，具有史诗性，是毛泽东思想的组成部分；毛泽东诗词反映毛泽东豪迈、雄奇的精神世界，具有强烈的个性色彩，是毛泽东研究的一个重要组成部分，最有体现毛泽东的个性特点；毛泽东诗词是人生的教科书和座右铭。每一个中国人，除了唐诗宋词以外，恐怕都会背出几句毛泽东的诗词名句；毛泽东诗词不仅有丰富的哲理内涵，更有饱满的美学内涵，以其内容的博大精深和艺术的蕴藉，赢得了人们的广泛赞誉；毛泽东诗词用旧体诗歌的形式反映现代生活，改变了新旧体诗词对立的局面，在当代诗歌发展史上具有重要的地位。
TraditionalChinesepaintingwasfundamentallyanabstractartform.AlthoughtherewerenoabsoluteabstractChinesepaintingsinitsoriginalmeaning,objectsinapaintingwerenotadirectcopyofthenatureworldfollowingtheprincipleofperspective.Itwasratherabinationorharmonybetweenthenatureworldandhumanemotion,aproductof"heaven(nature)andhuman".TheeffectChinesepainterswouldliketoillustrateintheirpaintingswasnotavisualeffectofcolorsandpatternsastheirWesterncounterpartswouldliketoachieve.Thedescriptionofobjectsintheirpaintingswasnomeansaccurateandfewconcernedaboutsuchfactorsascolors,principleofperspective,anatomy,surfacefeel,andrelativesize.Whattheywouldliketoachievewasaworldintheirmindofnonmaterials.Thenatureworldwasnotanobjectforthemtomakeatruecopyanditwasratherelementsforthemtobuildtheirownworld.
