作品再现日军在侵华战争中，对中国进行的大规模领土侵略、文化侵略、烧杀抢掠和资源掠夺……本书图文并茂，力争退却偏激的感情色彩，理性挖掘从1931年到1945年14年间，日本轻而易举对中国900多座城市功城掠地的内因与外因。书中使用的图片均为作者个人藏品照片，有些购于境外。选材角度新鲜，独特，说服力强，是日本侵华史的有力物证和对“公共记忆”的丰富和补充。
Huang Hua just celebrated his 96th birthday. A graduate of Yenching University, he is a typical Chinese progressive intellectual of his time. In old China the suffering of the mon people and the pressing danger of losing the sovereignty of the entire nation led Huang Hua and millions of young people to join the struggle for China’s liberation. Huang Hua’s memoir is a book describing his more than 70 years of activities as a revolutionary and a diplomat. It reflects also many significant aspects of China’s modern political history. In his posts as ambassador and foreign minister he witnessed a great range of events in international relations and participated in the realization of the foreign policy of New China. As to the book’s style of writing, it is just like the character of the author-clear and straightforward, so it is easy to read and prehend.
桂林山水早已驰名于世。清澈明净的漓江，千姿百态的奇峰，构成如诗如画的山光水色。本画册介绍了从桂林到阳朔的一系列风光佳景和文物古迹，供读者神游胜境。
Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.
本社专事外文图书的编辑出版，几十年来用英文翻译出版了大量的中国文学作品和文化典籍，上自先秦，下迄现当代，力求全面而准确地反映中国文学及中国文化的基本面貌和灿烂成就。这些英译图书均取自相关领域的、的作品，英 译则出自外译界名家。每本图书的编选、翻译地程均极其审慎严肃，精雕细琢，中文作品及相应的英译版本均堪称经典。 我们总总值到，这些英译精品，不单有对外译介的意义，而且对英文学习者、爱好者及英译工作者，也是极有价值的读本。为此，作者对这此英译精品做了认真的遴选，编排成汉英对照的形式，陆续推出，以飨读者。
《中国（2012西班牙文）》以介绍中国的基本情况为主，向读者展示中国在政治、经济、文化等各领域的现状与发展变化。从中，我们可以看到中国的国际往来、经济增长、环境保护、科技与教育、文化交流和社会生活等各个方面的动态。
本书是以新闻采访、新闻纪录的形式，展现北京独持的公园文化，旨在向世界介绍北京百姓如何娱乐健身、享受生活、延年益寿。
Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.
“苏州老行当”画稿表现的是20世纪各个时期苏州市面上所见的诸业行当。随着经济的发展，人们生活方式的改变，有些已经消失，只能从图中得见，而其中大部分仍是家居生活中不可或缺的。这些画作既不像“北京民间生活彩图”那样，只给人物和器具，也不同于吴友如只用墨线勾勒的画作，而是将经营各种行当的特定场景都一一表现出来，如卖白兰花的姑娘行走在幽深的小巷中，剃头摊、小吃店没在跨河的拱桥畔，油漆匠在富家花园内劳作，渔夫、菜贩摇着般儿穿行于水巷叫志，采菱女泛舟于绿荷田田的湖上……画家采用了表现江南烟雨蒙蒙景色的彩墨渲染技法，使得画中的小桥、流水、粉墙黛瓦、街巷、人物似乎都被浸得湿漉漉的，尽显水乡屡动、婉丽的情境，令人想起8世纪诗人白居易咏呤江南的词句：“江南好，风景旧曾谙。日出江花红胜火，春来江水绿
