ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum of Adams ' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams ' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams ' vision and lifetime of hard work that a book of this scale can be compiled.

《Where I Find Myself》是美国主要摄影师之一Joel Meyerowitz的首本主要作品回顾展。 正如标题所示，它以倒叙的方式进行介绍，涵盖了摄影师迄今为止的整个职业生涯。它包含了Meyerowitz的所有伟大项目：他的作品受到艺术家Morandi的启发，他对树木的研究，他对Ground Zero的特别报道，他在美国各地罗伯特弗兰克的脚步，他彩色与黑白图片的比较实验， 当然还有他标志性的街头摄影作品。该文全部由Joel Meyerowitz亲自撰写，这本书与柏林的一个大型回顾展同时展出。 Where I Find Myself is the first major single book retrospective of one of America's leading photographers. As the title indicates, it is organized in inverse chronological order and spans the photographer's whole career to date. It covers all of Meyerowitz's great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Rober

尼古拉斯 萨克（Nicholas Sack）的黑白照片把目光放在了办公室的白领人士上，捕捉了孤独的个体，并将他们与现代伦敦宏伟的建筑对立起来。这项工作既美丽又令人不安，它让我们想起了在城市中心可以感受到的疏离感，同时也间接地评论了城市中一些办公室工作人员的道德不确定性。这本书附有伊恩 辛克莱的介绍性文章。 Nicholas Sack's black and white photographs of office workers capture solitary individuals and set them against the imposing architecture of modern London. The work is beautiful but also unnerving and reminds us of the alienation that can be felt in the heart of a city as well as obliquely commenting on the moral uncertainty of some of the office workers in the City. The book is accompanied by an introductory essay by Ian Sinclair.

瑞士摄影师塞缪尔 泽勒（Samuel Zeller）展示了欧洲一些环保的人造角落所带来的宁静与安详。 Zeller在日内瓦的植物园开始了他的项目，他用半透明的玻璃拍摄植物，探索形状和折射如何创造出一种模糊的美，让人想起印象派绘画。摄影师在伦敦、巴黎、维也纳、柏林等地运用同样的技术，利用19世纪的经典植物插图，以一种现代而不同寻常的方式来描绘大自然。 Swiss photographer Samuel Zeller reveals the quietness and serenity found in some of Europe's greenest, manmade corners. Starting his project in Geneva's botanical gardens, Zeller shoots plants through translucent glass, exploring how the shapes and refractions create a blurred beauty reminiscent of impressionist paintings. Using the same technique across London, Paris, Vienna, Berlin and beyond, the photographer draws on classical botanical illustrations from the 19th century to illustrate nature in a contemporary and unusual way.

克里斯 多利 - 布朗记录了1986年和1987年期间东伦敦交通堵塞中的40多名司机。这些在各种无聊、沮丧或放松状态下展示的面孔照片既有趣又幽默，他巧妙地捕捉了一个非常特别的情绪和场景。克里斯 多利 布朗是一位英国摄影师，在伦敦东区生活和工作了30年。在他作为摄影师的职业生涯中，他记录了哈克尼及其多元社区生活的许多方面。 Chris Dorley-Brown has documented more than 40 drivers stuck in traffic jams in East London during 1986 and 1987. The images, showing faces in various states of boredom, frustration or relaxation are as fascinating as they are humorous and subtly capture the mood and fashion of a very distinct era. Chris Dorley-Brown is a British photographer who has lived and worked in the East End for the last 30 years. During his career as a photographer he has documented many aspects of life in Hackney and its diverse community.

Freya Najade captures the unexpected beauty and abstraction along the waterways that course through East London. Focussing mainly on detail and colour but drawing on a tradition of landscape photography her images remind us of the hidden poetry in the city and the richness of the waters that sometimes run darkly through the heart of the capital.

The perfect companion piece to an enthralling new exhibition on the visionary work and fervent imagination of director Guillermo del Toro. In 2016, a new exhibit on the work of visionary director Guillermo del Toro will begin at the Los Angeles County Museum of Art (LACMA), before moving on to the Art Gallery of Ontario (AGO) and the Minneapolis Museum of Art (MIA). This book will be the perfect accompaniment to the exhibition, which focuses on del Toro s creative process, including the well-defined themes that he obsessively returns to in all his films, the journals in which he logs his ideas, and the vast and inspiring collection of art and pop culture ephemera that he has amassed at his private man cave, Bleak House. Filled with imagery from the exhibit, including favorite pieces of art that del Toro has chosen for the exhibit, and pertinent journal pages, the book will further delve further into the director s world through exclusive in-depth interviews and commentary from notable figures in the art worl