铁托南斯拉夫共chan主义极简主义狂野世界指南 Spomenik-- Serbo-Croat /斯洛文尼亚语中的纪念碑 - 指的是20世纪60年代至80年代在铁托的南斯拉夫共和国建造的纪念碑，标志着第二次世界大战期间占领的恐怖和轴心国的失败。全国各地都有数百座建筑，从沿海度假胜地到偏远山区。通过这些富有想象力的混凝土和钢铁形式，设想了一个没有种族紧张局势的无阶级，前瞻性的社会主义社会。而不是寻求意识形态一致的苏联的艺术灵感，铁托转向西方和抽象表现主义和极简主义的作品。这使得南斯拉夫能够通过纪念碑发展自己独特的身份，将它们变成政治工具，阐明铁托对新明天的个人愿景。 今天，在该国解体和随后的1990年代南斯拉夫战争之后，一些人被摧毁或被遗弃。许多人遭受了种族紧张局势的后果：一旦被视为希望的象征，他们现在成为怨恨和愤怒的焦点。 本
ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum of Adams ' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams ' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams ' vision and lifetime of hard work that a book of this scale can be compiled.
