The moral of this book is that behind every great engineeringsuccess is a trail of often ignored (but frequently spectacular)engineering failures. Petroski covers many of the best knownexamples of well-intentioned but ultimately failed design in action-- the galloping Tacoma Narrows Bridge (which you've probably seentossing cars willy-nilly in the famous black-and-white footage),the collapse of the Kansas City Hyatt Regency Hotel walkways -- andmany lesser known but equally informative examples. The line ofreasoning Petroski develops in this book were later formalized intohis quasi-Darwinian model of technological evolution in TheEvolution of Useful Things , but this book is arguably the moreilluminating -- and defintely the more enjoyable -- of these twotitles. Highly recommended.

本书的照片都是从国家地理学会超凡的馆藏摄影档案中精心挑选出来的，时间跨越了一个多世纪，反映的题材遍及地球上的每一个角落，也涉及了摄影艺术的每一个层面。这些照片既反映了一些*摄影大师观察生活的独特视角，也代表了我们人类某些共同的情感追求和人性的张扬。 The Collectors Seriesedition of "In Focus" is simply the existing book at a smaller trimsize. This magnificent collection of 280 photographs by many of theworld's greatest photographers tells the tale of portraitphotography over time in page after page of arresting images. Eachphotograph stands proudly on its own, yet taken together, they tella much more complex and subtle story of the ever-evolving art formin constant creative response to new ideas, new eras, and newtechnologies.

Whether they listen to Mozart or Duke Ellington, Aaron Coplandinvites readers to ask two basic questions: Are they hearingeverything that is going on? Are they really being sensitive to it?With his provocative suggestions, Aaron Copland guides readersthrough a deeper appreciation of the most rewarding of all artforms. Show More Show Less

In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

Book De*ion "Nineteen forty-six was agood time — perhaps the best time — in the twentieth century. Thewar was over and there was a terrific sense of coming back, ofrepossessing life. Rents were cheap, restaurants were cheap, and itseemed to me that happiness itself might be cheaply had." Broyard made his first bid for happiness by moving in with a youngpainter, the difficult and challenging Sheri Donatti — a protegeeof Anais Nin — who never wore underpants and who "embodied the newtrends in art, sex, and psychosis." Broyard tells their story; byturns comic and poignant, while describing along the way hismeetings with Caitlan and Dylan Thomas, Delmore Schwartz, DwightMacDonald, Maya Deren, William Gaddis, and other writers andartists just beginning their careers. He opens a bookstore onCornelia Street ("If it hadn't been for books we would have beenentirely at the mercy of sex. Books steadied us, they gave usgravity."). He goes to the New School and listens to Eric Fromm,Karen Horney and Meyer Shap

From acclaimed filmmaker Guillermo del Toro comes Warner Bros.Pictures' and Legendary Pictures' epic sci-fi action adventurePacific Rim. When legions of monstrous creatures, known as Kaiju, startedrising from the sea, a war began that would take millions of livesand consume humanity's resources for years. To combat the giantKaiju, a special weapon was devised: massive robots, calledJaegers, which are piloted by an international crew of soldiers inthe Pan Pacific Defense Corps. But even the Jaegers are provingnearly defenseless in the face of the relentless Kaiju. On theverge of defeat, two unlikely heroes—a washed up former pilot andan untested trainee—team up to pilot a legendary but seeminglyobsolete Jaeger on a mission to halt the mounting apocalypse. Pacific Rim: Man, Machines Monsters chronicles theproduction of the film with stunning concept art, captivatingphotography, and cast and crew de*ions of the shoot.

Now in paperback, the fascinating, quirky, highly acclaimedbook about that indispensable object, the pencil. Petroski tracesits origins back to ancient Greece and Rome, writes factually andcharmingly about its development, and shows what the pencil canteach us about engineering and technology today.

“The standard of photography is absolutelyamazing.”— Practical Photography The third editionof Reuters: Our World Now captures the key events from2009 in more than 350 powerful photographs. Organized into foursections that represent the four quarters of the year, the imagescover the full range of global reporting: politics, commerce,conflict, the environment, natural disasters, faith andfestivities, entertainment, celebrity, and lifestyle. The photosoffer a fresh take on the year’s most memorable events as well asplenty of less-familiar stories. This completely new edition includes special “Witness” features:in-depth photo essays from around the world, many of them createdby local photographers with unique access and insight. The bookprovides an indispensable visual record of our times. 360 color and10 black-and-white photographs.

In 1958, the first edition of Robert Frank's TheAmericans was published in Paris. Les Américains contained Frank's 83 photographs in the same sequence as allsubsequent editions, with the image on the right hand page, butjuxtaposed with historical texts about American society andpolitics, gathered by Alain Bosquet. The following year, in thefirst American edition, the French texts were removed and anintroduction by Jack Kerouac was added. Over the subsequent 50years, The Americans has been republished in many editions,in numerous languages, with a variety of cover designs, and even ina range of sizes. It is the most famous photography book everpublished, and it changed the face of the medium forever. Robert Frank discussed with his publisher,Gerhard Steidl, the idea of producing a new edition using modernscanning and the finest tritone printing. The starting point was tobring original prints from New York to G?ttingen, Germany, whereSteidl is based. In July 2007, Frank visited G?ttingen. A new forma

A spotlight on French landscape painters of the first half of the 20th century which is a true hymn to nature Eight French painters born after 1870 are brought together for the first time in an exhibition that highlights their mutual affinities and charts their respective influences and evolutions. Aside from Gaston Balande (1880-1971), who is well known for his art deco wall murals designed for transatlantic ships, and Paul Deltombe (1878-1971), who benefited from a retrospective exhibition in 1970, the work of the other painters collected here has remained uncelebrated for far too long. The present exhibition and its catalogue aim to repair this oversight, as well as to reignite the study of this generation of French painters who, without turning their back on the avant-gardists, concentrated primarily on the traditional genre of landscape, and to a lesser degree on still-lifes. The 80 works of art, mainly painted between the wars, are at the crossroads of the many influences of this creative period,

Few music lovers realize that the arrangement of notes ontoday’s pianos was once regarded as a crime against God and nature,or that such legendary thinkers as Pythagoras, Plato, da Vinci,Galileo, Kepler, Descartes, Newton and Rousseau played a role inthe controversy. Indeed, from the time of the Ancient Greeksthrough the eras of Renaissance scientists and Enlightenmentphilosophers, the relationship between the notes of the musicalscale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads usthrough the battles over that scale, placing them in the context ofquarrels in the worlds of art, philosophy, religion, politics andscience. The contentious adoption of the modern tuning system knownas equal temperament called into question beliefs that hadlasted nearly two millenia–and also made possible the music ofBeethoven, Schubert, Chopin, Debussy, and all who followed. Filledwith original insights, fascinating anecdotes, and portraits ofsome of th

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

Antonio Stradivari (1644—1737) was a perfectionist whosesingle-minded pursuit of excellence changed the world of music. Inthe course of his long career in the northern Italian city ofCremona, he created more than a thousand stringed instruments;approximately six hundred survive, their quality unequalled by anysubsequent violin-maker. In this fascinating book, Toby Fabertraces the rich, multilayered stories of six of these peerlesscreations–five violins and a cello–and the one towering artist whobrought them into being. Blending history, biography, meticulousdetective work, and an abiding passion for music, Faber takes usfrom the salons of Vienna to the concert halls of New York, andfrom the breakthroughs of Beethoven’s last quartets to the firstphonographic recordings. This magnificent narrative invites us toshare the life, the intrigue, and the incomparable beauty of theworld’s most marvelous stringed instruments.

Asian Resorts is conceived to be the most comprehensivecollection on Asian resorts. Written and shot by the region'sbest known Asian architecture specialist, TanHock Beng, who has already put together five books on the designand aesthetics of tropical architecture, Asian Resorts promises toshow its readers the biggest variety of Asian resorts that no otherbook has ever shown. With its beautifully' shot images and relevantinformation, this book will certainly serve and entertain youbeyond just the coffee table. In fact, it is a must-have for everyarchitectural office and every home.

Just as its title indicates, "National Geographic SimplyBeautiful Photographs" plumbs the depth of National Geographic'srenowned Image Collection to highlight the loveliest and mostappealing photographs from this impressive archive. The result isan experience of visual delight, whether from stunning landscapes,magnificent wildlife, fascinating people, or quaint locales.Award-winning National Geographic photographer Annie Griffiths Belthas chosen remarkable images from all of the Society's core missionareas: exploration, wildlife, cultures, science, nature. Eachchapter showcases a specific aspect of what creates beauty in aphotograph, whether light or color, or motion, and illuminates thatquality in a splash of large-format images --most of which readerswill be able to purchase as prints. Musings on visual beauty fromscholars and poets enhance the experience, making this gorgeouscollection a pleasure to look at again and again.

A Tribe Called Quest - Beastie Boys - De La Soul - Eric B. andRakim - The Fugees - KRS-One - Pete Rock and CL Smooth - PublicEnemy - The Roots - Run-DMC - Wu-Tang Clan - and twenty-five morehip-hop immortals It's a sad fact: hip-hop album liners have alwaysbeen reduced to a list of producer and sample credits, a publicityphoto or two, and some hastily composed shout-outs. That's a damnshame, because few outside the game know about the true creativeforces behind influential masterpieces like PE's It Takes a Nationof Millions. . ., De La's 3 Feet High and Rising, and Wu-Tang'sEnter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hopnation, Brian Coleman fills this void, and delivers a thrilling,knockout oral history of the albums that define this dynamic andiconoclastic art form. The format: One chapter, one artist, onealbum, blow-by-blow and track-by-track, delivered straight from theoriginal sources. Performers, producers, DJs, and b-boys-includingBig Daddy Kane, Muggs and B-Real, Biz Markie, RZA, I

The classic art of enameling is experiencing a well-deservedrenaissance—and it’s stunningly captured in this lovingly curatedsurvey. More than 300 international contemporary artists havecontributed museum-worthy pieces, which range in scale from DavidC. Freda’s Green Slipper Brooch and Harlan W. Butt’s Maine Teapotto large sculptures and public art. Some of the creators take aminimalist approach, using only soft colors and matte finishes,while others exploit the material’s vibrant palette and glass-likesurface. The broad technical applications include everything fromsimple sifting and torch firing to complex cloisonné andplique-à-jour.

The bumpin' book for hip-hop disciples (a.k.a. fiends),songwriters, all other writers, pop culture fans, linguists, andparents who are just trying to figure out what their kids aresaying. The inventive sounds of hip-hop (which became America'snumber two music genre in 2001, outselling country) have echoed farfrom their Bronx beginnings of twenty years ago. Making its wayfrom Compton sidewalks to suburban malls, garnering commentary from"The Wall Street Journal "alongside "Vibe," hip-hop by definitiondelivers its messages in the most creative language possible.Celebrating hip-hop's boon to the realm of self-expression, "HipHoptionary"(TM)" "translates dozens of phrases like "marinating inthe rizzi with your road dawg" (relaxing in your car with yourfriend), including: - Big bodies: SUVs or luxury vehicles-Government handle: registered birth name- 411: the latest scoop orinformation- Bling-bling: diamonds, big money, flash and cash-Brick City: Newark, New Jersey- 1812: war, fight (as in War of1812) In ad

In 1931, Diego Rivera was the subject of The Museum of ModernArt s second monographic exhibition, which set new attendancerecords in its five-week run. The Museum brought Rivera to New Yorksix weeks before the show s opening and gave him on-site studiospace. There he produced five "portable murals" --large blocks offrescoed plaster, slaked lime and wood that feature bold imagesdrawn from Mexican subject matter and address themes of revolutionand class inequity. After the opening, to great publicity, Riveraadded three more murals, now taking on New York subjects throughmonumental images of the urban working class and the city duringthe Great Depression. Published in conjunction with an exhibitionthat brings together key works made for Rivera s 1931 show, thiscatalogue casts the artist as a highly cosmopolitan figure whotraveled between Russia, Mexico and the United States and examinesthe intersection of artmaking and radical politics in the 1930s.Illustrated with reproductions of each panel as well as r

The heart of Painters Wild Workshop is the presentation oftwelve gifted artists who take an unusual approach to their art.Readers are invited to workshop demonstrations, lecture sessions,and private lessons that encourage creative experimentation.Whether you are an accomplished artist, an aspiring artist, or anundiscovered artist, you will profit from the wealth of diverseexperiences, materials, and inspirations offered through thesewonderfully wild and creative methods. This is a book for painters,artists, and creative people of all types; its goal is to helpworking painters open up creativity, eliminate self-consciousness,and encourage true artistryeither in their current, chosen medium,or a completely new art medium.