The world of the fashionista is brought to vivid life with 101introductory lessons on such topics as how a designer anticipatescultural trends and "sees" the fashion consumer, the workings ofthe fashion calendar, the ways a designer collection is conceived,the manufacture of fabric, fashion illustration, and more. Illustrated in the distinctly unique packaged style of thebestselling101 THINGS I LEARNED IN ARCHITECTURE SCHOOL, this newbook on fashion design will be a perfect book for any fashionschool wannabe, a recent graduate, or even a seasonedprofessional.

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

"This book charts my relationship with some of the mosttalented people in fashion throughout my career. It makes me veryproud to see gathered together all the great designers and housesI've worked with over the years. Looking through my personalarchives has been a real trip down memory lane and it is thefashion that brings back moments and memories of the lasttwenty-five years. I can't wait to share this book with the world."(Kylie Minogue). Published as part of the K25 celebrations thisyear, "Kylie / Fashion" is the official book celebratingtwenty-five years since Kylie burst onto the music scene with TheLocomotion and I Should Be So Lucky. From the very beginning, thefashion she has worn has been key to Kylie's persona andperformances: her status as style icon is unassailable. Thisdazzling book celebrates her numerous and ground-breakingcollaborations with the world's great fashion designers. Producedby Kylie in close collaboration with Thames Hudson, anddrawing on her personal archives, it showcases Kyl

A spotlight on French landscape painters of the first half of the 20th century which is a true hymn to nature Eight French painters born after 1870 are brought together for the first time in an exhibition that highlights their mutual affinities and charts their respective influences and evolutions. Aside from Gaston Balande (1880-1971), who is well known for his art deco wall murals designed for transatlantic ships, and Paul Deltombe (1878-1971), who benefited from a retrospective exhibition in 1970, the work of the other painters collected here has remained uncelebrated for far too long. The present exhibition and its catalogue aim to repair this oversight, as well as to reignite the study of this generation of French painters who, without turning their back on the avant-gardists, concentrated primarily on the traditional genre of landscape, and to a lesser degree on still-lifes. The 80 works of art, mainly painted between the wars, are at the crossroads of the many influences of this creative period,

Few artists have created as much controversy or survived itwith greater fame than Edouard Manet. In his day, the avant-gardewas not only a challenge to the traditions of art, but it was alsoa gunshot fired at society as a whole. With his painting Olympia(1869), Manet was to become, to quote Degas, as famous asGaribaldi. Yet how the urbane and diffident son of a bourgeoisfamily became the father of both Realism and Impressionism is acomplex and fascinating story that has too often been reduced totextbook clichés. As Manet has become recognized as a touchstonefor historical change but also for interpretations of how thatchange came about, his individual story has become all the morerelevant to the study of art history. Moreover, far from being anartists to shrink behind his work, one of Manets mostcharacteristic practices was to leave an indelible trace of his ownpersonal identity within his paintings, as illustrated throughoutthe volume by eminent scholar James H. Rubin. This lavishlyillustrated volume

In 1931, Diego Rivera was the subject of The Museum of ModernArt s second monographic exhibition, which set new attendancerecords in its five-week run. The Museum brought Rivera to New Yorksix weeks before the show s opening and gave him on-site studiospace. There he produced five "portable murals" --large blocks offrescoed plaster, slaked lime and wood that feature bold imagesdrawn from Mexican subject matter and address themes of revolutionand class inequity. After the opening, to great publicity, Riveraadded three more murals, now taking on New York subjects throughmonumental images of the urban working class and the city duringthe Great Depression. Published in conjunction with an exhibitionthat brings together key works made for Rivera s 1931 show, thiscatalogue casts the artist as a highly cosmopolitan figure whotraveled between Russia, Mexico and the United States and examinesthe intersection of artmaking and radical politics in the 1930s.Illustrated with reproductions of each panel as well as r

The moral of this book is that behind every great engineeringsuccess is a trail of often ignored (but frequently spectacular)engineering failures. Petroski covers many of the best knownexamples of well-intentioned but ultimately failed design in action-- the galloping Tacoma Narrows Bridge (which you've probably seentossing cars willy-nilly in the famous black-and-white footage),the collapse of the Kansas City Hyatt Regency Hotel walkways -- andmany lesser known but equally informative examples. The line ofreasoning Petroski develops in this book were later formalized intohis quasi-Darwinian model of technological evolution in TheEvolution of Useful Things , but this book is arguably the moreilluminating -- and defintely the more enjoyable -- of these twotitles. Highly recommended.

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

The Renaissance holds an undying place in our imagination, itsgreat heroes still our own, from Michelangelo and Leonardo to Danteand Chaucer. This period of profound evolution in European thoughtis credited with transforming the West from medieval to modern andproducing the most astonishing outpouring of artistic creation theworld has ever known. But what was it? In this masterly work, theincomparable Paul Johnson tells us. He explains the economic,technological, and social developments that provide a backdrop tothe age’s achievements and focuses closely on the lives and worksof its most important figures. A commanding short narrative of thisvital period, The Renaissance is also a universally profoundmeditation on the wellsprings of innovation.

FROM COMIC-BOOK LEGENDS TO SILVER-SCREEN SUPER HEROES! Marvel presents an insider's look into the making of its cinematic universe - assembling three Avengers in one stylish slipcase. Featuring exclusive production artwork, behind-the-scenes photography, and in-depth cast-and-crew interviews, this four-book collection is a must have for any fan of Mighty Marvel movies! Includes IRON MAN: THE ART OF IRON MAN THE MOVIE HC, IRON MAN: THE ART OF IRON MAN 2 HC, THOR: THE ART OF THOR THE MOVIE HC and CAPTAIN AMERICA: THE ART OF CAPTAIN AMERICA - THE FIRST AVENGER HC.

Japanese woodblock prints of the Edo period (16151868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published work

"A cat book with class, this sumptuously produced, highlyliterate collection of felinity as represented in art, literature,and photography is sure to elicit purrs, " raved Publishers Weeklywhen this BOMC Selection was published in 1982. Long out of print,this cat-lovers dream book is now reissued in paperback. 70full-color reproductions. --Ce texte fait référence à uneédition épuisée ou non disponible de ce titre.

Now in paperback, the fascinating, quirky, highly acclaimedbook about that indispensable object, the pencil. Petroski tracesits origins back to ancient Greece and Rome, writes factually andcharmingly about its development, and shows what the pencil canteach us about engineering and technology today.

“The standard of photography is absolutelyamazing.”— Practical Photography The third editionof Reuters: Our World Now captures the key events from2009 in more than 350 powerful photographs. Organized into foursections that represent the four quarters of the year, the imagescover the full range of global reporting: politics, commerce,conflict, the environment, natural disasters, faith andfestivities, entertainment, celebrity, and lifestyle. The photosoffer a fresh take on the year’s most memorable events as well asplenty of less-familiar stories. This completely new edition includes special “Witness” features:in-depth photo essays from around the world, many of them createdby local photographers with unique access and insight. The bookprovides an indispensable visual record of our times. 360 color and10 black-and-white photographs.

In 1958, the first edition of Robert Frank's TheAmericans was published in Paris. Les Américains contained Frank's 83 photographs in the same sequence as allsubsequent editions, with the image on the right hand page, butjuxtaposed with historical texts about American society andpolitics, gathered by Alain Bosquet. The following year, in thefirst American edition, the French texts were removed and anintroduction by Jack Kerouac was added. Over the subsequent 50years, The Americans has been republished in many editions,in numerous languages, with a variety of cover designs, and even ina range of sizes. It is the most famous photography book everpublished, and it changed the face of the medium forever. Robert Frank discussed with his publisher,Gerhard Steidl, the idea of producing a new edition using modernscanning and the finest tritone printing. The starting point was tobring original prints from New York to G?ttingen, Germany, whereSteidl is based. In July 2007, Frank visited G?ttingen. A new forma

Desde queen 1890 en Estados Unidos se utilizara el terminorascacielos para designar al edificio de oficinas en altura, esteha suscitado diversidad de reflexiones --entre el entornoarquitectonico y la opi-nion pOblica- acerca de sus limites ydisefio. El ras-cacielos es un producto genuinamenteestadouniden-se, fruto del siglo xx, cuya presencia y evoluci6n essin6nimo de progreso tecnologico, la sociedad de consumo y lapolftica liberal. Este volumen propone una revision de los rascacielos queinauguran el nuevo milenio, con la seleccion de edificios de laultima decada del siglo xx y principios del xxi de algunos de losarquitectos mas relevantes de la actualidad. Asf, se muestranedificios que forman parte del debate arquitect6nico actual y quemuestran como sus autores afrontan la arquitectura en relacion conla sociedad y la ciudad.

Whether Gould's subject is Boulez, Stokowski, Streisand, orhis own highly individual thoughts on performance and creation ofmusic, the reader will be caught up in his intensity, intelligence,passion and devotion.