The Renaissance holds an undying place in our imagination, itsgreat heroes still our own, from Michelangelo and Leonardo to Danteand Chaucer. This period of profound evolution in European thoughtis credited with transforming the West from medieval to modern andproducing the most astonishing outpouring of artistic creation theworld has ever known. But what was it? In this masterly work, theincomparable Paul Johnson tells us. He explains the economic,technological, and social developments that provide a backdrop tothe age’s achievements and focuses closely on the lives and worksof its most important figures. A commanding short narrative of thisvital period, The Renaissance is also a universally profoundmeditation on the wellsprings of innovation.
The world of the fashionista is brought to vivid life with 101introductory lessons on such topics as how a designer anticipatescultural trends and "sees" the fashion consumer, the workings ofthe fashion calendar, the ways a designer collection is conceived,the manufacture of fabric, fashion illustration, and more. Illustrated in the distinctly unique packaged style of thebestselling101 THINGS I LEARNED IN ARCHITECTURE SCHOOL, this newbook on fashion design will be a perfect book for any fashionschool wannabe, a recent graduate, or even a seasonedprofessional.
Back on the job after an involuntary leave of absence, LAPDhomicide detective Harry Bosch is ready for a challenge. But hisfirst case is a little more than he bargained for. It starts with the body of a Hollywood producer in the trunk of aRolls-Royce, shot twice in the head at close range - what lookslike "trunk music," a Mafia hit. But the LAPD's organized crimeunit is curiously uninterested, and when Harry follows a trail ofgambling debts to Las Vegas, the case suddenly becomes more complex- and much more personal. A rekindled romance with an old girlfriend opens new perspectiveson the murder, and he begins to glimpse a shocking triangle ofcorruption and collusion. Yanked off the case, Harry himself issoon the one being investigated. But only a bullet can stop Harrywhen he's searching for the truth . . .
本书的照片都是从国家地理学会超凡的馆藏摄影档案中精心挑选出来的，时间跨越了一个多世纪，反映的题材遍及地球上的每一个角落，也涉及了摄影艺术的每一个层面。这些照片既反映了一些*摄影大师观察生活的独特视角，也代表了我们人类某些共同的情感追求和人性的张扬。 The Collectors Seriesedition of "In Focus" is simply the existing book at a smaller trimsize. This magnificent collection of 280 photographs by many of theworld's greatest photographers tells the tale of portraitphotography over time in page after page of arresting images. Eachphotograph stands proudly on its own, yet taken together, they tella much more complex and subtle story of the ever-evolving art formin constant creative response to new ideas, new eras, and newtechnologies.
FROM COMIC-BOOK LEGENDS TO SILVER-SCREEN SUPER HEROES! Marvel presents an insider's look into the making of its cinematic universe - assembling three Avengers in one stylish slipcase. Featuring exclusive production artwork, behind-the-scenes photography, and in-depth cast-and-crew interviews, this four-book collection is a must have for any fan of Mighty Marvel movies! Includes IRON MAN: THE ART OF IRON MAN THE MOVIE HC, IRON MAN: THE ART OF IRON MAN 2 HC, THOR: THE ART OF THOR THE MOVIE HC and CAPTAIN AMERICA: THE ART OF CAPTAIN AMERICA - THE FIRST AVENGER HC.
The moral of this book is that behind every great engineeringsuccess is a trail of often ignored (but frequently spectacular)engineering failures. Petroski covers many of the best knownexamples of well-intentioned but ultimately failed design in action-- the galloping Tacoma Narrows Bridge (which you've probably seentossing cars willy-nilly in the famous black-and-white footage),the collapse of the Kansas City Hyatt Regency Hotel walkways -- andmany lesser known but equally informative examples. The line ofreasoning Petroski develops in this book were later formalized intohis quasi-Darwinian model of technological evolution in TheEvolution of Useful Things , but this book is arguably the moreilluminating -- and defintely the more enjoyable -- of these twotitles. Highly recommended.
Desde queen 1890 en Estados Unidos se utilizara el terminorascacielos para designar al edificio de oficinas en altura, esteha suscitado diversidad de reflexiones --entre el entornoarquitectonico y la opi-nion pOblica- acerca de sus limites ydisefio. El ras-cacielos es un producto genuinamenteestadouniden-se, fruto del siglo xx, cuya presencia y evoluci6n essin6nimo de progreso tecnologico, la sociedad de consumo y lapolftica liberal. Este volumen propone una revision de los rascacielos queinauguran el nuevo milenio, con la seleccion de edificios de laultima decada del siglo xx y principios del xxi de algunos de losarquitectos mas relevantes de la actualidad. Asf, se muestranedificios que forman parte del debate arquitect6nico actual y quemuestran como sus autores afrontan la arquitectura en relacion conla sociedad y la ciudad.
These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.
The most spectacular building raised in Hanover in the last fewyears, the new headquarters of the Norddeutsche Landesbank standsas a landmark high-rise, gleaming with transparence, courageousconstruction, and an innovative energy concept--a pioneer amongGerman office complexes. Designed by the internationally renownedStuttgart-based firm of Behnisch, Behnisch Partner, thestructure provides an attractive workplace for the bank's 1,500employees, while simultaneously infusing the city space with newimpulses, a pleasant public inner courtyard, and an attractiveannex housing shops and restaurants. This publication presents thecomplex in all its aspects, from the initial design competition tothe building phase to completion.
Now in paperback, the fascinating, quirky, highly acclaimedbook about that indispensable object, the pencil. Petroski tracesits origins back to ancient Greece and Rome, writes factually andcharmingly about its development, and shows what the pencil canteach us about engineering and technology today.
Asian Resorts is conceived to be the most comprehensivecollection on Asian resorts. Written and shot by the region'sbest known Asian architecture specialist, TanHock Beng, who has already put together five books on the designand aesthetics of tropical architecture, Asian Resorts promises toshow its readers the biggest variety of Asian resorts that no otherbook has ever shown. With its beautifully' shot images and relevantinformation, this book will certainly serve and entertain youbeyond just the coffee table. In fact, it is a must-have for everyarchitectural office and every home.
Whether Gould's subject is Boulez, Stokowski, Streisand, orhis own highly individual thoughts on performance and creation ofmusic, the reader will be caught up in his intensity, intelligence,passion and devotion.
Packaging can be seen everywhere in our daily life. Here we present not common but the most creative packaging designs all over the world and covers different types including drink,food,beauty care,book,CD,luxury goods and other goods. It will be an informative source for professionals.
When it was originally published in 1970, "How to Draw What YouSee" zoomed to the top of Watson-Guptill's best-seller list--and ithas remained there ever since. "I believe that you must be able todraw things as you see them--realistically," wrote Rudy de Reyna inhis introduction. Today, generations of artists have learned todraw what they see, to truly capture the world around them, usingde Reyna's methods. "How to Draw What You See" shows artists how torecognize the basic shape of an object--cube, cylinder, cone, orsphere--and use that shape to draw the object, no matter how muchdetail it contains.
