Andrew Pitcairn-Knowles is one of the pioneers in Britishphotography. Compiled by his grandson from previously unpublishedglass negatives, this collection is a beautiful portrayal ofEdwardian life in England in the early 1900s.

This volume examines the sculptures and drawings of Auguste Rodin (1840-1917). --This text refers to an out of print or unavailable edition of this title.

Music defines us. To return the favor, we’ll stick up withzealous passion for the performers and bands that we love . . . andheap aspersions and ridicule upon people who dare to place theirallegiances above our own. In Rock and Roll Cage Match, today’sleading cultural critics, humorists, music journalists, andmusicians themselves take sides in thirty of the all-time juiciest“who’s better” musical disputes. Marc Spitz on the Smiths vs. the Cure: “If the Smiths are its JamesDean, the Cure are the Marlon Brando of modern rock.” Gideon Yago on Nirvana vs. Metallica: “Here is why Nirvana willalways be a better band than Metallica. It’s not because they hitharder (they do). It’s not because they are tighter (they’redefinitely not). . . . It’s because Metallica is fundamentallyabout respecting rules—of metal, of production, of technicality—andNirvana is about breaking those rules down in the pursuit ofinnovation. Metallica was metal. Nirvana was something else.” Touré on Michael Ja

The Renaissance holds an undying place in our imagination, itsgreat heroes still our own, from Michelangelo and Leonardo to Danteand Chaucer. This period of profound evolution in European thoughtis credited with transforming the West from medieval to modern andproducing the most astonishing outpouring of artistic creation theworld has ever known. But what was it? In this masterly work, theincomparable Paul Johnson tells us. He explains the economic,technological, and social developments that provide a backdrop tothe age’s achievements and focuses closely on the lives and worksof its most important figures. A commanding short narrative of thisvital period, The Renaissance is also a universally profoundmeditation on the wellsprings of innovation.

《不朽的小提琴家》再现了历史上不朽小提琴家的魅力，简要而有趣地叙述其生活、个性与事业。作者就他们对作曲者、公众品味的影响以及演奏技巧的贡献等各个方面，讲述了这些小提琴家的特殊成就。作者玛格丽特·坎贝尔参阅了大量的书信和私人文件，并且访问许多著名音乐家，很多人为《不朽的小提琴家》提供了从未发表过的回忆录和珍贵照片。《不朽的小提琴家》是一本献给音乐会听众、唱片收藏者（有“唱片目录”）、弦乐演奏者和学生等所有爱好小提琴演奏艺术者的书。

The world of the fashionista is brought to vivid life with 101introductory lessons on such topics as how a designer anticipatescultural trends and "sees" the fashion consumer, the workings ofthe fashion calendar, the ways a designer collection is conceived,the manufacture of fabric, fashion illustration, and more. Illustrated in the distinctly unique packaged style of thebestselling101 THINGS I LEARNED IN ARCHITECTURE SCHOOL, this newbook on fashion design will be a perfect book for any fashionschool wannabe, a recent graduate, or even a seasonedprofessional.

These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

An informative introduction to one of Spain's most renowned artists. Goya (1746-1828) was the most original artist of his time and this work touches upon his versatility in differing media and portayal of emotions.

Book De*ion "Nineteen forty-six was agood time — perhaps the best time — in the twentieth century. Thewar was over and there was a terrific sense of coming back, ofrepossessing life. Rents were cheap, restaurants were cheap, and itseemed to me that happiness itself might be cheaply had." Broyard made his first bid for happiness by moving in with a youngpainter, the difficult and challenging Sheri Donatti — a protegeeof Anais Nin — who never wore underpants and who "embodied the newtrends in art, sex, and psychosis." Broyard tells their story; byturns comic and poignant, while describing along the way hismeetings with Caitlan and Dylan Thomas, Delmore Schwartz, DwightMacDonald, Maya Deren, William Gaddis, and other writers andartists just beginning their careers. He opens a bookstore onCornelia Street ("If it hadn't been for books we would have beenentirely at the mercy of sex. Books steadied us, they gave usgravity."). He goes to the New School and listens to Eric Fromm,Karen Horney and Meyer Shap

In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio

The moral of this book is that behind every great engineeringsuccess is a trail of often ignored (but frequently spectacular)engineering failures. Petroski covers many of the best knownexamples of well-intentioned but ultimately failed design in action-- the galloping Tacoma Narrows Bridge (which you've probably seentossing cars willy-nilly in the famous black-and-white footage),the collapse of the Kansas City Hyatt Regency Hotel walkways -- andmany lesser known but equally informative examples. The line ofreasoning Petroski develops in this book were later formalized intohis quasi-Darwinian model of technological evolution in TheEvolution of Useful Things , but this book is arguably the moreilluminating -- and defintely the more enjoyable -- of these twotitles. Highly recommended.

Henri Rousseau (1844-1910) emerged from humble circumstances - reflected in his nickname, "the customs official". An employee in the Paris customs bureau, Rousseau was an autodidact who incrementally worked his way into a position among the artists who were renewing the art world at the turn of the century. It was a difficult journey - for years the art world laughed at the layman's flat, icon-like figures, simple landscapes and, in his late phase, exotic jungle scenes. However his "naive" compositions in fact became an emblem that piqued the interest of the avant-garde. Rousseau's jungle paintings consisted of ornamental variations of plant leaves, among which he set brilliantly coloured predators, natives and naked beauties. In so doing, the artist evinced intuitive principles of design and compositions, which subsequent avant-garde artists had to work out for themselves with great effort. Ultimately winning recognition as an uncompromising modernist, Rousseau inspired comparison with Derain, Cezanne, Matis

Tattoos and tattoo artwork have become part of mainstream culture, and more so over the last few years with popular TV shows taking the viewer inside the tattoo studio for the first time. Many tattooists are also highly skilled artists in their own right, and have moved beyond the artwork they tattoo onto skin to creating bodies of personal artwork more likely to be viewed in a gallery than a tattoo studio. Art by Tattooists is the first book to showcase this art. The book features twenty-six international artists who use a variety of media, from ink, watercolour, acrylic paint and oil to lino printing, painting on wood and board, and even examples of tattoo-style skateboard graphics. Many of the artists are heavily influenced by the imagery they use as tattooists roses, hearts, skulls, scrolls, birds, pin-ups, etc. and carry this into their personal work. Other work features colours, themes or subject matter that is more subtly related to tattooing.