The photographic act is an event that occurs in real timewith irrevocable consequences.The end result can be modified thoughpost-production,but it is necessarily dependent upon,and influencedby,the image that was recorded in the camera.

From the basics of choosing the right camera to complex imagemanipulation techniques, John Freeman's Photography is the compteteguide for all. aspiring photographers. Featuring atmost 120 diverse subjects - from still Life,action and architecture to digital, capture, beauty retouchingandHDR Incl.uding the tatest digital, deveLopments atong sidetraditionat firm Over 750 cotour and btack and white professional photographs

It's simple question,but there's no simple answer-indeed,each of the 280 photographs in this wonderful book offers its own,unique answer,distilling subject,setting,and cerative skill into a single arresting moment that cap-tures the viewer's imagination.And though we may find this elusive quality hard to define,we recognze is imme-diately and instinctively. William Albert Allard,one of the essayists in the book,writes,A fine portrait has the potential to tell something about the spirit of the subject that can be sensed by someone half a world and a different language away.something universal and simple:This is another person in our world and I'd like you to meet him or her. Culled from National Geographic's extraordinary archive,this collection spans more than a century and explores every cornetr of the globe and every aspect of the portraitist's art.The pictures here represent both the special visions of some of the world's finest photographers and the universal appeal of our shared humanity in all i

Although Wegman's artistic output includes photography and video work that doesn't feature canines, by the mid-Seventies, he wryly notes, I had become the guy with the dog. The dog was Man Ray, a weimaraner with a movie star's instinct for the spotlight. Using a 1978 20x24 Polaroid camera, Wegman captured his beloved dog on film; for more than 20 years now, Wegman has continued to experiment with the camera, immortalizing his next weimaraner, Fay Ray, and a long line of her progeny. Though the collection contains a few portraits of people, next to the expressive and enigmatic canine tableaux, Wegman's human compositions are pale and unengaging-less human, in fact, than the dog photographs. In Rouge (1982), one of the last portraits of Man Ray, the ailing dog's eyes shine with wisdom and melancholy. In contrast, 1982's Eau II, a portrait of a glammed-up woman with a bloody nose and a Chanel bottle, seems cold and dated (or in the vein of a knock-off Cindy Sherman). It is when Wegman, refraining from indulging

Sidestepping the tragic figure presented in other books,"Marilyn Monroe: Platinum Fox" provides a light-hearted andhumorous look at a legend like no other! Sixty years after herimage first flickered on the screen, Marilyn Monroe remains theultimate Hollywood star, a face and name more recognizable thancurrent performers. What remains to be explored about 'Marilyn'?Here we celebrate what first made her a star. Profusely illustratedwith colour and black and white stills from the 20th Century Foxarchives - some of which will be seen for the first time in thisbook - "Marilyn Monroe: Platinum Fox" focuses on quintessentialMarilyn in classics like "Gentleman Prefer Blondes", "The SevenYear Itch" and her other Fox films. The text is filled withbehind-the-scenes stories, memorable movie quotes, film facts,trivia, plotlines, character profiles and highlights of the mostMarilyn moments.

The secret to taking great “people pictures” is to observe your subjects, connect with them, and use your camera to its best advantage. Here’s how to work with lighting, location, angle, composition, physical characteristics, environment, and countless other variables, including the unique challenges of photographing babies, group activities, and action. Learn to capture facial expressions, tell a story with a series of candids, add interest to large-group shots, and more. Apply these techniques and watch your subjects come to life.

The Great LIFE Photographers is the most comprehensive anthology of LIFE photography ever published, featuring the best work of every staff photographer who worked for the famous magazine, and that of a handful of others who shot for LIFE. It was always the photographers who made LIFE great, and this is the most vivid and exciting portrait of those men and women that has ever been produced. The book offers more than 100 portfolios including those of Alfred Eisenstaedt, Margaret Bourke-White, Carl Mydans, Gordon Parks, W. Eugene Smith, Robert Capa, Ralph Morse, Nina Leen, Harry Benson, Philippe Halsman, and Joe McNally, whose work for LIFE in the aftermath of September 11 was in the finest tradition of the magazine. Each portfolio includes a short biography, offering an intimate look at the people behind the lens. Here are the defining moments of the 20th century, including MacArthur wading ashore by Mydans, Capa's D-Day landing at Omaha Beach and, of course, Eisenstaedt's sailor kissing th

Adult/High School–The enormous variety of things that people do for survival and sustenance is impressively represented in this book. Neither doctor nor lawyer is included, and only a small number of white-collar jobs make the cut. Instead, readers see clover collectors in Yemen, bootblacks in Portugal, ice fishermen in Russia, coal miners in West Virginia, and salt miners in Ukraine. The volume is arranged in geographic sections: Europe, Asia, Africa, Middle East, Americas, and Islands. Interspersed among them are three thematic portfolios: agriculture, extraction (mining), and manufacturing. Protzman contributes engaging and helpful introductions to each geographic section, as well as brief notes introducing the thematic portfolios. With few exceptions the photos are captivating and of high technical quality. Most were taken within the past 20 years, although some are historical, including a few early-20th-century images by Lewis Hine. Many of the images display poverty, hardship, and oppression (especial

In 1950, Robert Frank left his job as a photographer in NewYork to travel through Europe with his family. That summer hearrived in Valencia, Spain, which was at the time a humble, bleakplace enduring the austere conditions of the postwar period likethe rest of the country. The pictures Frank took of Valencia depictthe daily life of a fishing village. His portrayal is so naturaland clear that further verbal explanation seems superfluous; theysimply reflect, in the photo graphers words, the humanity of themoment. The photographs in this book, many of which have never beenpublished before, allow dignity to override poverty. Robert Frank,a key figure in photographic history, was born in Zurich in 1924and immigrated to the United States in 1947. He is best known forhis seminal book The Americans, first published in 1959, which gaverise to a distinct new form in the photobook, and his experimentalfilm Pull My Daisy (1959). Franks other projects include the booksBlack White and Things (1954) and The Lines of

Digital photography has revolutionized the way people take, print, and share photos. But if you're wondering why your digital photos don't measure up to the terrific shots that some people take of sunsets, people, pets, and everything else, you probably need a little help from Digital Photography Workbook for Dummies. With great, easy-to-follow instruction and lots of practice tasks, this roll-up-your sleeves workbook is packed with exercises to help you become a better digital photographer and photo editor. You'll learn the basics of classic photocomposition, find out how to capture and accentuate movement in action photos, and get comfortable adding even more pizzazz to your pics using Photoshop Elements. More than 100 step-by-step procedures, illustrated in full color, help you discover how to: Get familiar with your camera's features and tools Control depth of field Minimize reflections Photograph children and pets Calibrate your monitor Notice and remove s

Revised and updated, the new edition of the best-selling classic: over 500,000 copies of previous editions in print worldwide Every new generation of digital cameras offers more photographic possibilities, and the options can be baffling. This completely updated edition of Michael Freemans best-selling Complete Guide to Digital Photography introduces all the knowledge youll need to cut to the chase and create perfect photographs every time. You'll gain a thorough understanding of how today's cameras work, an introduction to digital editing techniques that make the most of the technology's capabilities, and a grounding in photography's all the expertise that Michael Freeman has gained in his successful career as a professional assignment photographer. With over 600 examples, a no-nonsense, jargon-busting glossary of terms and a full index for easy reference, it is an indispensable onestop source of photographic information and expertise.

ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum ofAdams' work in a single volume for the first time, offering thelargest available compilation from his legendary photographiccareer. Beautifully produced and presented in an attractivelandscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to ageneral gift-book audience as well as Adams' legions of dedicatedfans and students. The photographs are arranged chronologically into five majorperiods, from his first photographs made in Yosemite and the HighSierra in 1916 to his work in the National Parks in the 1940s up tohis last important photographs from the 1960s. An introduction andbrief essays on selected images provide information aboutAdams'life, document the evolution of his technique, and give voice tohis artistic vision. Few artists of any era can claim to have produced four hundredimages of lasting beauty and significance. It is a testament toAdams' vision and lifetime of hard work that a book of this scalecan be compiled. ANSEL

Published on the occasion of Aperture magazine’s sixtieth anniversary, this is the first anthology of Aperture magazine ever published. This long-awaited volume will provide a selection of the best critical writing from the first twenty-five years of the magazine—the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan, and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in spirituality in diverse forms, and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. The texts and visuals in this anthology will be selected by Peter C. Bunnel

Whether they are of Abu Dhabi, California, Egypt or Emilia, all of the images he produces are lit with a constant physical light and elements that this photographer seems to always have with him the way he does with his camera bag, and through which all he wants to do is observe the world. I find such an aesthetic to be more that of a painter than a photographer somehow. Better yet, that of a post-documentary or neo-pictorialist photographer, who experiences and conceives his work to be the exprssive gesture of an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.

This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl

‘The Bitter Years’ was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 1935–41 as part of Roosevelt’s New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography – testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. The Bitter Years celebrates some of the m