A writer renowned for his insight into the mysteries of the bodynow gives us a lambent and profoundly moving book about themysteries of family. At its center lies Sherwin Nuland’sRembrandtesque portrait of his father, Meyer Nudelman, a Jewishgarment worker who came to America in the early years of the lastcentury but remained an eternal outsider. Awkward in speech andmovement, broken by the premature deaths of a wife and child, Meyerruled his youngest son with a regime of rage, dependency, andhelpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmthand claustrophobia of a vanished immigrant New York, a world thatimpelled its children toward success yet made them feel liketraitors for leaving it behind. Full of feeling and unwaveringobservation, Lost in America deserves a place alongside suchclassics as Patrimony and Call It Sleep .

Here is the most important autobiography from RenaissanceItaly and one of the most spirited and colorful from any time orplace, in a translation widely recognized as the most faithful tothe energy and spirit of the original. Benvenuto Cellini was both a beloved artist in sixteenth-centuryFlorence and a passionate and temperamental man of action who wascapable of brawling, theft, and murder. He counted popes,cardinals, kings, and dukes among his patrons and was the adoringfriend of—as he described them—the “divine” Michelangelo and the“marvelous” Titian, but was as well known for his violent feuds. Atage twenty-seven he helped defend the Castel Sant’Angelo in Rome,and his account of his imprisonment there (under a mad castellanwho thought he was a bat), his escape, recapture, and confinementin “a cell of tarantulas and venomous worms” is an adventure equalto any other in fact or fiction. But it is only one in a long lifelived on a grand scale. Cellini’s autobiography is n

Who are the pivotal figures in American history, the men andwomen who have helped shape us as a people and have influenced howwe perceive ourselves as Americans? In this companion to hispopular 1001 Events That Made America, Alan Axelrod looks into allareas of our collective past and highlights the famous as well asthe infamous, the virtuous as well as the notorious, from thenation’s earliest days to the present. Serving up history in lively, accessible bites, the book presentsa Who’s Who in American politics, arts, science, business,religion, and pop culture, along with concise explanations of eachfigure’s historical significance. Featured personalities range fromJesse James to Al Capone, Harriet Beecher Stowe to Betty Friedan,George Washington to George W. Bush, Harriet Tubman to MartinLuther King, Jr., Stephen Foster to Elvis, John L. Sullivan toMuhammad Ali, Edwin Booth to Marlon Brando, Washington Irving toThomas Pynchon, and John Jacob Astor to Bill Gates. Packed with informatio

An enraged man abducts his estranged wife and child, holes upin a secluded mountain cabin, threatening to kill them both. Aright wing survivalist amasses a cache of weapons and resists callsto surrender. A drug trafficker barricades himself and his familyin a railroad car, and begins shooting. A cult leader in Waco,Texas faces the FBI in an armed stand-off that leaves many dead ina fiery blaze. A sniper, claiming to be God, terrorizes the DCmetropolitan area. For most of us, these are events we hear abouton the news. For Gary Noesner, head of the FBI’s groundbreakingCrisis Negotiation Unit, it was just another day on the job. In Stalling for Time, Noesner takes readers on a heart-poundingtour through many of the most famous hostage crises of the pastthirty years. Specially trained in non-violent confrontation andcommunication techniques, Noesner’s unit successfully defused manypotentially volatile standoffs, but perhaps their most hard-wonvictory was earning the recognition and respect of the

Prize-winning biographer Robert D. Richardson has written thedefinitive biography of the fascinating William James, whose lifeand writing put an indelible stamp on psychology, philosophy,teaching, and religion—and on modernism itself. A pivotal member ofthe Metaphysical Club, author of The Varieties of ReligiousExperience, and older brother of extraordinary siblings Henry andAlice, William emerges here as an immensely complex man.Richardson’s thought-provoking and utterly moving work, ten yearsin the making, draws on a vast number of unpublished letters,journals, and family records. Through impassioned scholarship,Richardson illuminates James’s hugely influential works: TheVarieties, Principles of Psychology, Talks to Teachers, andPragmatism. Finally, brought richly to life through Richardson’sbrilliant insights, James is given his due as a man whose influenceresonates in innumerable areas of modern life.

From October to December of 1888, Paul Gauguin shared a yellowhouse in the south of France with Vincent van Gogh. They were theodd couple of the art world -- one calm, the other volatile -- andthe denouement of their living arrangement was explosive. Makinguse of new evidence and Van Goghs voluminous correspondence, MartinGayford describes not only how these two hallowed artists paintedand exchanged ideas, but also the texture of their everyday lives.Gayford also makes a persuasive analysis of Van Goghs mentalillness -- the probable bipolar affliction that led him to commitsuicide at the age of thirty-seven. The Yellow House is a singularbiographical work, as dramatic and vibrant as the work of thesebrilliant artists.

Extraordinary. A brilliant, painful, and important book. THE NEW YORK TIMES If there was any one man who articulated the anger, the struggle,and the beliefs of African Americans in the 1960s, that man wasMalcolm X. His AUTOBIOGRAPHY is the result of a uniquecollaboration between Alex Haley and Malcolm X, whose voice andphilosophy resonate from every page, just as his experience and hisintelligence continue to speak to millions.

Although his popularity is eclipsed by Rembrandt today, PeterPaul Rubens was revered by his contemporaries as the greatestpainter of his era, if not of all history. His undeniableartistic genius, bolstered by a modest disposition and a reputationas a man of tact and discretion, made him a favorite among monarchsand political leaders across Europe—and gave him the perfect coverfor the clandestine activities that shaped the landscape ofseventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates theculture, religious conflicts, and political intrigues of Rubens’stime, following the painter from Antwerp to London, Madrid, Paris,and Rome and providing an insightful exploration of Rubens’s art aswell as the private passions that influenced it.

“I have been incredibly fortunate over the course of mycareer to have been associated with some extraordinary dramatic andmusical productions, and also some rather spectacular disasters.Looking back, I can find gifts and life lessons in everyone.” The legendary Patti LuPone is one of the theatre’s most belovedleading ladies. Now she lays it all bare, sharing the intimatestory of her life both onstage and off--through the dizzying highsand darkest lows--with the humor and outspokenness that have becomeher trademarks. With nearly 100 photographs, including an 8-page four-color insert,and illuminating details about the life of a working actor, frominspired costars and demanding directors to her distinctperspective on how she developed and honed her Tony Award–winningperformances, Patti LuPone: A Memoir is as inspirational asit is entertaining. And though the title might say “a memoir,” thisis ultimately a love letter to the theatre by a unique Americanartist. Raised on Long Island’s North Shor

The first dual biography of two of the world’s most remarkablewomen—Elizabeth I of England and Mary Queen of Scots—by one ofBritain’s “best biographers” ( The Sunday Times ). In a rich and riveting narrative, Jane Dunn reveals theextraordinary rivalry between the regal cousins. It is the story oftwo queens ruling on one island, each with a claim to the throne ofEngland, each embodying dramatically opposing qualities ofcharacter, ideals of womanliness (and views of sexuality) anddivinely ordained kingship. As regnant queens in an overwhelmingly masculine world, they weredeplored for their femaleness, compared unfavorably with each otherand courted by the same men. By placing their dynamic andever-changing relationship at the center of the book, Dunnilluminates their differences. Elizabeth, inheriting a weak,divided country coveted by all the Catholic monarchs of Europe, isrevolutionary in her insistence on ruling alone and inspired in heruse of celibacy as a political tool—yet also possessed of

Meredith Hall's moving but unsentimental memoir begins in1965, when she becomes pregnant at sixteen. Shunned by her insularNew Hampshire community, she is then kicked out of the house by hermother. Her father and stepmother reluctantly take her in, hidingher before they finally banish her altogether. After giving herbaby up for adoption, Hall wanders recklessly through the MiddleEast, where she survives by selling her possessions and finally herblood. She returns to New England and stitches together a life thatencircles her silenced and invisible grief. When he is twenty-one,her lost son finds her. Hall learns that he grew up in grittypoverty with an abusive father—in her own father's hometown. Theirreunion is tender, turbulent, and ultimately redemptive. Hall'sparents never ask for her forgiveness, yet as they age, she offersthem her love. What sets Without a Map apart is the way in whichloss and betrayal evolve into compassion, and compassion intowisdom.

One climbed to the very top of the social ladder, the otherchose to live among tramps. One was a celebrity at twenty-three,the other virtually unknown until his dying days. One wasright-wing and religious, the other a socialist and an atheist.Yet, as this ingenious and important new book reveals, at the heartof their lives and writing, Evelyn Waugh and George Orwell wereessentially the same man. Orwell is best known for "Animal Farm"and "1984," Waugh for "Brideshead Revisited" and comic novels like"Scoop" and "Vile Bodies." How ever different they may seem, thesetwo towering figures of twentieth-century literature are linked forthe first time in this engaging and unconventional biography, whichgoes beyond the story of their amazing lives to reach the core oftheir beliefs-a shared vision that was startlingly prescient aboutour own troubled times. Both Waugh and Orwell were born in 1903,into the same comfortable stratum of England's class-obsessedsociety. But at first glance they seem to have lived

In 1955, Garcia Marquez was working for El Espectador, a newspaper in Bogota, when in February of that year eight crew members of the Caldas, a Colombian destroyer, were washed overboard and disappeared. Ten days later one of them turned up, barely alive, on a deserted beach in northern Colombia. This book, which originally appeared as a series of newspaper articles, is Garcia Marquez's account of that sailor's ordeal. Translated by Randolf Hogan.

Universally known and admired as a peacemaker, DagHammarskj?ld concealed a remarkable intense inner life which herecorded over several decades in this journal of poems andspiritual meditations, left to be published after his death. Adramatic account of spiritual struggle, Markings has inspiredhundreds of thousands of readers since it was first published in1964. Markings is distinctive, as W.H. Auden remarks in hisforeword, as a record of "the attempt by a professional man ofaction to unite in one life the via activa and the viacontemplativa." It reflects its author's efforts to live his creed,his belief that all men are equally the children of God and thatfaith and love require of him a life of selfless service to others.For Hammarskj?ld, "the road to holiness necessarily passes throughthe world of action." Markings is not only a fascinating glimpse ofthe mind of a great man, but also a moving spiritual classic thathas left its mark on generations of readers.

Based on ten years' astonishing new research, here is thethrilling story of how a charismatic, dangerous boy became astudent priest, romantic poet, gangster mastermind, prolific lover,murderous revolutionary, and the merciless politician who shapedthe Soviet Empire in his own brutal image: How Stalin becameStalin.

Paul Newman, the Oscar-winning actor with the legendary blueeyes, achieved superstar status by playing charismatic renegades,broken heroes, and winsome antiheroes in such revered films as TheHustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, TheVerdict, The Color of Money, and Nobody’s Fool. But Newman was alsoan oddity in Hollywood: the rare box-office titan who cared aboutthe craft of acting, the sexy leading man known for the stayingpower of his marriage, and the humble celebrity who madephilanthropy his calling card long before it was cool. The son of a successful entrepreneur, Newman grew up in aprosperous Cleveland suburb. Despite fears that he would fail tolive up to his father’s expectations, Newman bypassed the familysporting goods business to pursue an acting career. Afterstruggling as a theater and television actor, Newman saw his starrise in a tragic twist of fate, landing the role of boxer RockyGraziano in Somebody Up There Likes Me when James Dean was killedin a car a

“Number One” was a phrase my father—and, for that matter, mymother—repeated time and time again. It was a phrase spoken by myparents’ friends and by their friends’ children. Whenever adultsdiscussed the great Chinese painters and sculptors from the ancientdynasties, there was always a single artist named as Number One.There was the Number One leader of a manufacturing plant, theNumber One worker, the Number One scientist, the Number One carmechanic. In the culture of my childhood, being best waseverything. It was the goal that drove us, the motivation that gavelife meaning. And if, by chance or fate or the blessings of thegenerous universe, you were a child in whom talent was evident,Number One became your mantra. It became mine. I never begged myparents to take off the pressure. I accepted it; I even enjoyed it.It was a game, this contest among aspiring pianists, and although Imay have been shy, I was bold, even at age five, when faced with afield of rivals. Born in China to parents whose mu

The extraordinary story of Andrew Jackson—the colorful,dynamic, and forceful president who ushered in the Age of Democracyand set a still young America on its path to greatness—told by thebestselling author of The First American. The most famous American of his time, Andrew Jackson is a seminalfigure in American history. The first “common man” to rise to thepresidency, Jackson embodied the spirit and the vision of theemerging American nation; the term “Jacksonian democracy” isembedded in our national lexicon. With the sweep, passion, and attention to detail that made TheFirst American a Pulitzer Prize finalist and a national bestseller,historian H.W. Brands shapes a historical narrative that’s asfast-paced and compelling as the best fiction. He follows AndrewJackson from his days as rebellious youth, risking execution tofree the Carolinas of the British during the Revolutionary War, tohis years as a young lawyer and congressman from the newly settledfrontier state of Tennessee

Barbara Leaming's Marilyn Monroe is a complex, sympatheticportrait that will forever change the way we view the most enduringicon of America sexuality. To those who think they have heard allthere is to hear about Marilyn Monroe, think again. Leaming's booktells a brand-new tale of sexual, psychological, and politicalintrigue of the highest order. Told for the first time in all itscomplexity, this is a compelling portrait of a woman at the centerof a drama with immensely high stakes, a drama in which the otherplayers are some of the most fascinating characters from the worldsof movies, theater, and politics. It is a book that shines a brightlight on one of the most tumultuous, frightening, and excitingperiods in American culture. Basing her research on new interviews and on thousands of primarydocuments--including revealing letters by Arthur Miller, EliaKazan, John Huston, Laurence Olivier, Tennessee Williams, DarrylZanuck, Marilyn's psychiatrist Dr. Ralph Greenson, and manyothers--Leaming has rec

“Powerful. . . . A challenging, disturbing portrait of ademocratic hero, and an equally challenging case study of thedemocratic system.” —The New York Times “Rich in insight into Jackson’s personality. . . . Burstein makesfair on his promise to look dispassionately at this most passionateof presidents. . . . A very readable, insightful analysis into thecharacter and evolution of the American republic.” —PlainDealer “Excellent. . . . A must-read for anyone interested in thepresidency or early American history.” –Flint Journal “A useful, persuasively critical account of the development ofJackson’s self-image as an honorable patriarch and champion ofrighteous government..” —The Washington Post Book World “Impressive. . . . Persuasive. . . . Argues that the times shapedJackson and thrust him into the White House as the first ‘commoner’elected president because he so personified the young nation’sbold, brash spirit and s

Plutarch's Lives, written at the beginning of the secondcentury A.D., is a brilliant social history of the ancient world byone of the greatest biographers and moralists of all time. In whatis by far his most famous and influential work, Plutarch revealsthe character and personality of his subjects and how they ledultimately to tragedy or victory. Richly anecdotal and full ofdetail, Volume I contains profiles and comparisons of Romulus andTheseus, Numa and Lycurgus, Fabius and Pericles, and many morepowerful figures of ancient Greece and Rome. The present translation, originally published in 1683 inconjunction with a life of Plutarch by John Dryden, was revised in1864 by the poet and scholar Arthur Hugh Clough, whose notes andpreface are also included in this edition.

Norman Rockwell ’s hundreds of memorable covers for The Saturday Evening Post made him a twentieth-centuryAmerican icon. However, because of the very popularity of hisidealized depictions of middle-class life, his more seriouspaintings have been largely ignored, and he has often been deemed amere illustrator, not a “real” artist. In this, the first comprehensive biography of America’s mostpopular artist, Laura Claridge breaks new ground with herappreciative but clear-eyed view of Rockwell’s work—and his life.Based upon previously unpublished family archives and hundreds ofinterviews, this account reveals for the first time the deepdisparity between the artist’s public image and his privatelife.

He squared off against Caesar and was friends with youngBrutus. He advised the legendary Pompey on his somewhat botchedtransition from military hero to politician. He lambasted MarkAntony and was master of the smear campaign, as feared for his witas he was for exposing his opponents? sexual peccadilloes.Brilliant, voluble, cranky, a genius of political manipulation butalso a true patriot and idealist, Cicero was Rome?s most fearedpolitician, one of the greatest lawyers and statesmen of all times.Machiavelli, Queen Elizabeth, John Adams and Winston Churchill allstudied his example. No man has loomed larger in the politicalhistory of mankind. In this dynamic and engaging biography, Anthony Everittplunges us into the fascinating, scandal-ridden world of ancientRome in its most glorious heyday. Accessible to us through hislegendary speeches but also through an unrivaled collection ofunguarded letters to his close friend Atticus, Cicero comes to lifein these pages as a witty and cunning political ope