随着移动通信技术的不断发展和普及，人们对移动对象管理的需求越来越迫切。移动对象管理成为数据库研究领域的一个热门方向，它在许多领域都展现了广阔的应用前景。《移动对象管理:模型、技术与应用》比较系统地介绍了移动对象管理的相关内容，即移动对象管理模型（包括移动对象建模、移动对象更新、移动对象索引等），移动对象管理技术（包括移动对象查询、移动对象预测、移动数据不确定性研究等），移动对象管理应用（包括动态交通导航、动态交通网络、移动对象聚类分析、位置隐私保护等）。 《移动对象管理:模型、技术与应用》总结了国内外有关移动数据管理的研究工作和具有代表性的关键技术，并较详细地介绍了作者近年来的一些研究成果，具有较大的参考价值。 《移动对象管理:模型、技术与应用》的读者对象为高等院校计算机专业

"As a chronicler of natural history today, Frans Lanting is a singular extraordinary talent. He has the mind of a scientist, the heart of a hunter, and the eyes of a poet." National Geographic, Washington "This book is a personal interpretation of the penguins I met, rather than a natural history of all penguins," Frans Lanting writes. "I wanted to create an impression of who these penguins are and what they go through. I hope my work will be seen as an homage to the individual within them all." More bang for your buck! "...a fast-food, high-energy fix on the topic at hand." The New York Times Book Review"

The rigid, straight line is fundamentally alien to humanity,life and the whole of creation". Hundertwasser applied thisphilosophy not only to the famous Viennese buildings for which hewas renowned, but all the media and art-forms he has experimentedwith during his wild career. Whether it be painting, sculpture,performance art or designing a kindergarten, Hundertwasser's worksare multi-coloured, organic, and shot through with a sense of themagical or fantastic. However, Hundertwasser's art has alwayscontained a political shade. He has consistently rebelled againstrationalist or determinist ideas, promoted ecological awareness,and mantained a passionate belief in the anarchy of theimagination. In this retrospective, Pierre Restany covers all thebases of Hundertwasser's eclectic development as an artist, fromthe tenant revolt and nude lecture of the early 70s, through thehousing projects in Vienna, right up to his designs for analternative society.

Renowned for such masterworks as the opera The Bartered Bride and Ma Vlast (My Fatherland), a cycle of symphonic poems, Czech composer Bedrich Smetana (1824-1884) was also a composer of important chamber music. The two quartets in this volumeboth autobiographical in nature--are among his finest works in the genre. The String Quartet No. 1 in E Minor, a musical recollection of the composer's life, paints a picture of yearning ambition, a happy social life, and the delights of love; but the end brings hints of future difficulties that darken the quarter's sunny mood. The String Quartet No. 2 in D Minor, written in 1882 after deafness had overtaken Smetana, is less sanguine in tone. Its somber themes, suggesting the difficuhies of the composer's life with the handicap of hearing loss, exert a powerful, emotional pull on the listener. Remarkable for their quasi-programmatic realism in recalling Smetana's life, both works are frequently heard and performed today. Reproduced here from authoritative earl

Pierre Auguste Renoir (1841-1919) is now universallyacclaimed: museums pride themselves on his paintings, crowds flockto his retrospectives. His work shows art at its mostlight-hearted, sensual and luminous. Renoir never wanted anythingugly in his paintings, nor any dramatic action. "I like pictureswhich make me want to wander through them when it's a landscape,"he said, "or pass my hand over breast or back if it's a woman."Renoir's entire oeuvre is dominated by the depiction of women.Again and again he painted "these faunesses with their poutinglips" (Mallarme) and invented a new image of feminity.

Totally cute outfits and cool designs! Bring out the fashion girl in you and show off new funky Styles to your friendS. Create thecoolest outfit; in town with the iO StencilS,5 Sticker Sheets and Sketch pad inside. Be it beach babe, rock chick, celebrity chic ordisco diva, your deSignS will totally impreSSyou know. So get designing!

Coulmissioned via an anonymous letter delivered by anunknown messenger,Mozart's Requiem has haunted audiences and fueled myths for centuries. Legendsrecount the composer's premonitions of his untimely death amid his feverish attempts to complete the Requiem. A work of emotional power and dark fury, it evokes the pathos and injustice of dying young. The sublime beauty of its form, an elevated and exalted style of sacred music, provides the ultimate voice to the composer's genius. This affordable piano-vocal version of the Requiem is ideal for rehearsals and perform-ances as well as following along with recordings. It is reproduced from an authoritative edition.

Internotionol Arts Crofts is o celebrotion of the designmovement thor storted in Britoin ond spreod around the world ot theend of the nineteenth centurg, Oepicting both well-known ond unusuo oft ondortefocts from this most foscinoting of eros, this book provides oweolth of informotion obout the ,lives ond times of the designers,orchitects nnd nrtists whn fronted them.

A complete guide to the art of collecting，pictures and using them to decorate the home，informative and inspiring, with advice from。 Ieading art experts and collectors around the world，practical tips on framing and displaying every type，of image, from photography to paintings。

He was the founding father of modern art, the grand master who pointed painting forward on its way from Impressionism to the 20th century: Paul Cezanne (1839-1906). In Paris, but above all in Provence, he quested tirelessly for "a harmony parallel to nature" - discovering it in still lifes of apples, in bathers, or in the renowned landscapes of his beloved Montagne Sainte-Victoire. This book discusses this extraordinary artist's major works and his theories of painting and colour.

"I maintain," stated Gustave Courbet (1819-1877), "that painting is clearly a concrete art whose existence lies only in the representation of real and existing objects...." Courbet, who influenced and advised the fledgling Impressionists, was an outstanding representative of a naturalistic realism that highlights the contradictions and inequities in society. Revolutionary were Courbet’s style, with dark hues and heavy brushstrokes, and choice of subject—depictions the life of plain people treated in an unsentimental, down to earth manner. His influence was enormous during his lifetime; he was offered the cross of the Legion of Honor in 1872 but he refused it. A man always at odds with authority, be it artistic or political, Courbet became a member of the Paris Commune and was briefly imprisoned and forced to flee to Switzerland for the final years of his life.

The most authoritative book of its kind, now with more entries than ever before, updated and revised for 2009. There’s just no competition for a book that has “essentially cornered the market” (New York Times Book Review).

Egon Schiele (1890-1918) - along with Oskar Kokoschka - is the painter who had the most long-lasting influence on the Vienna art scene after the great era of Klimt came to a close. After a short flirtation with Klimt's style, Schiele soon questioned the aesthetic orientation to the beautiful surface of the Viennese Art Nouveau with his rough and not easily accessible paintings. Many contemporaries found his expressive nudes and self-portraits, with their strange movements and morbid colours, to be ugly and even morally objectionable - criticism which culminated in criminalizing the painter as "obscene" and resulted in 1912 in an indictment and short jail sentence. However, not even his harshest critics could dispute however the artist's extraordinary drawing talent.

Claude Monet (1840-1926) was the most typical and the most individual Impressionist painter. His long life he dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. But while Monet the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered plein-air painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement, with Monet as its creative leader. In his endeavor to capture the ever-changing face of reality, Monet went beyond Impressionism and thereby beyond the confines of self-contained panel painting: in Giverny he painted the Poplars, Grain Stacks and Rouen Cathedral series in which he addressed one motif in constantly new variations. Here, too, Monet laid out the famous garden with its water-lily pond which he was to paint on huge canv

A central figure of the Early Renaissance According to legend, he was discovered by Cimabue as a boy, sketching his father’s sheep. Giotto di Bodone (1266-1337) was the most famous and influential painter of his generation in Italy. As the pioneer of modern painting, his impact was so enormous that his artist colleagues in Florence, however capable, were left struggling to keep up. His services were engaged by numerous high officials and princes, including the Pope and his cardinals, King Robert of Anjou, and the Scaligeri and Visconti. All these works, including the large secular cycles, are lost. Amongst his surviving works, his masterpieces are undoubtedly his decoration, from 1303 to 1305, of the private chapel built by the financier Enrico Scrovegni for his family in a former Roman amphitheatre in Padua, the fresco cycle in the Upper Church of Assisi, and the frescos in side chapels of Santa Croce in Florence. The simplicity and strength of his forms, as well as the humanism he infused in his works, s