Fumihiko Maki's many buildings are characterized by a commitment to the ongoing project of Modernism as well as a humanist concern for the experience of the people who inhabit them. Both a thoughtful writer and a prolific builder, Maki was a founding member of the Metabolists, a highly influential group of Japanese architects in the 1960s who redefined how designers thought about large-scale urban planning. His own work, while sometimes vast in scale, is consistently responsive to the individual user. His 50-year exploration and expansion of the Modernist vocabulary has resulted in buildings that are technologically inventive, deceptively simple, and which carefully balance lightness and dignity. This book contains over 40 projects, extensively illustrated with drawings, photos, models, sketches, diagrams and computer renderings. These include the Spiral Building in Tokyo, the Fujisawa Municipal Gymnasium, the Kaze-No-Oka Crematorium in Nakatsu, and a tower currently under construction for the World Trade Cen

Avant-garde graphics from around the globe Covering a vast range of cutting-edge graphic design, with politically charged anti-commercial work placed side by side with Nike’s latest ads, this book presents a sweeping look at today’s most progressive graphic trends-from signage and packaging to branding and web-design. 52 designers and firms listed alphabetically Entries include: - examples of recent work - biographical and contact information - the answer to the question "What is your vision for the future of graphic design?"

The most famous and popular book on art ever published, this quintessential "introduction to art" has been a worldwide bestseller for over four decades. In this completely redesigned 16th edition, Gombrich, a true master, combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. 440 illustrations, 376 in color.

This treasury of more than 50 classic guitar works features rarities such as the 13th-century Cantigas de Santa Maria by Spanish ruler Alfonso X, a modern tran*ion of the 16th-century Fantasy for lute by Francesco da Milano, and Bach's Prelude. Recent masterworks include Granados' Two Spanish Dances, Albéniz's Asturias (Leyenda), and much more.

A fascinating look at ESPN and its success as a brand ESPN The Company reveals the inside scoop on the biggestbusiness story in sports, detailing the creative and innovativespirit and practices that drove the programming, products, andservices of the most powerful and prominent name in sports media.The authors provide a behind-the-scenes perspective on how ESPNdealt with their many partners and how they handled mistakes andmissteps along the way-from the humble beginnings of ESPN as anunderrated startup to the pinnacle of their success as a majorindustry player. ESPN and other great organizations invest in their people. Theytrain them. They believe that if you spend the time and resourcesturning talented performers into leaders, you're going to getbetter organizational performance and engender higher levels ofcommitment and sweat. ESPN The Company Explores the dedication to excellence that makes ESPN the"Worldwide Leader in Sports" Reveals how the steps ESPN has taken to excel can be applied

Life is life, and art is art. ""It is my wish to come very close, strikinglyclose, to the times in which we live, without submitting toartistic dogma...I need the connection to the world of senses, thecourage to portray ugliness, life as it comes."" - Otto Dix In the 1920s, Otto Dix was the artist ofNeue Sachlichkeit, the New Objectivity, par excellence. Painting ina very realistic, almost photographic style, he chose as subjectsthe poverty, violence, death, and war that he experienced as asoldier in World War I. After this terrible experience, he paintedthe famous triptych "The War." Dix staged the world as a play, a grotesquefarce. But the form he chose to do so was based on the classicalcanon of beauty. Dix lived his life and served art, for he adheredto the age-old rule that the American painter Ad Reinhardt put in anutshell: "Life is life, and art is art."

This book gives a new analysis of the intersections betweengraffiti art and the work of Basquiat. Not only are there fewexistent writings on the subject, but the book will also appeal toa very large public.

In the autumn of 1819, refreshed from a three-month stay in the Austrian countryside, Franz Schubert returned to Vienna to begin one of his major choral works, the great Mass in A-fiat Major. Completed three years later, this work has been praised as a grand harmonic adventure with deeply affecting moments of rare poignance. Along with the Mass No. 6 in E-flat Maior, it is the most performed of Schubert's masses. The latter work--composed in 1828, the year of his death was among the final musical achievements of Schubert's brief life. It is especially memorable for its touching commemoration of the birth of Christ in a haunting lullaby, and its powerful evocation of the cruel spectacle of the crucifixion. Both masterworks of church music have been reprinted from the definitive Breitkopf & Hartel Critical Edition of 1884-1897. Separate English translations of the Latin texts are provided.

Beethoven said of Handel that he of all composers knew best how to achieve grand effects with simple means. Those magnificent moments are nowhere more evident than in Handel's great oratorios, perennial favorites with audiences and musicians alike. Grove's Diictionary of Music and Musicians says of Handel: "... in oratorio he brought the level of artistry to a higher plane than his contemporaries." Judas Maccabaeus was first performed in London at Covent Garden in 1747 and was an instant success. The subject of the oratorio--the triumph of the Jewish warrior-hero Judas Maccabaeus over the invading enemies of the Israelites--was deliberately chosen to appeal to the patriotic sympathies of 18th-century Londoners immediately after the crushing of the Jacobite rebellion in April of 1746. Although political overtones had some role in the oratorio's initial success, it is the beauty, dramatic power and brilliant originality of the arias, duets and choruses that have kept this work constantly in th

Mahler's third and fourth symphonies mark a turning point in his development as a composer. Symphony No. 3 （1896） predominantly follows the musical style of the earlier two symphonies, which tended to emphasize a single melodic line with subordinate harmonies. Symphony No. 4 （1900） embodies the more contrapuntal style that characterizes his later symphonic works. At the same time, these works bring Mahler to the end of his "Wunderhorn years," when his inspiration derived strongly from Des Knaben Wunderhorn （The Youth's Magic Horn）, an early 19th-century collection of folklike poetry that celebrated themes of nature. The Third Symphony, scored for a massive orchestra, was conceived as a vast nature cycle in six movements. These include the great opening march, the moving setting for alto of Nietzsche's "O Mensch！ Gib Acht！" and the scintillating bell song for women's and boys' choirs "Es sungen drei Engel." The Fourth Symphony, more restrained in expression yet filled with affecting melody,

Richard Strauss (1864-1949) first wrote Ariadne auf Naxos as an interlude to be performed with Moli~re's play Le Bourgeois gentilhomme, and it was presented in Stuttgart in that form in 1912. Several years later, with his collaborator Hugo von Hoffmansthal, Strauss expanded the work into the full-length opera we know today. This glorious new Ariadne auf Naxos was first presented at the Vienna State Opera in October 1916. The story artfully intermingles backstage comedy, the lofty emotions of Greek mythology and the merry pranks of a troupe of commedia dell'arte players. Strauss endowed these antic proceedings with a luminous score that combines music of great satiric wit with breathtaking flights of lyricism. Today Ariadne auf Naxos is one of Richard Strauss's most highly regarded operas, and is frequently performed on the world's stages. It is reprinted here from the definitive full-score edition published in Berlin by Adolph Fiirstner following the opera's 1916 premiere.

The Artists Laboratory series presents the more experimental and less familiar work of contemporary artists, opening up the creative process to explore the conceptual, visual and practical issues with which they engage. For the painter Hughie ODonoghue RA (b. 1953), this process involves research into his familys past in particular his fathers experiences in the Second World War an ongoing project that he likens to a draughtsmans exploration of subject-matter. Seeking in his art to remember events that he did not witness himself, to put flesh on the bones of history, ODonoghue unites this immersive investigation in personal and public archives with his preoccupation with art history, artefacts and mythology, creating poetic and moving works of universal significance. In this book, the fifth in the Artists Laboratory series, ODonoghue and his fellow Royal Academician Grayson Perry discuss ideas of remembrance and the subjective re-telling of history, while ODonoghue himself reflects on the personal and

随着移动通信技术的不断发展和普及，人们对移动对象管理的需求越来越迫切。移动对象管理成为数据库研究领域的一个热门方向，它在许多领域都展现了广阔的应用前景。《移动对象管理:模型、技术与应用》比较系统地介绍了移动对象管理的相关内容，即移动对象管理模型（包括移动对象建模、移动对象更新、移动对象索引等），移动对象管理技术（包括移动对象查询、移动对象预测、移动数据不确定性研究等），移动对象管理应用（包括动态交通导航、动态交通网络、移动对象聚类分析、位置隐私保护等）。 《移动对象管理:模型、技术与应用》总结了国内外有关移动数据管理的研究工作和具有代表性的关键技术，并较详细地介绍了作者近年来的一些研究成果，具有较大的参考价值。 《移动对象管理:模型、技术与应用》的读者对象为高等院校计算机专业

This finely produced volume, reprinted from the authoritative edition published by Breitkopf & H/irtel of Leipzig, combines Chopin's two piano concertos in one full-score edition. Both the Piano Concerto No. 1 in E Minor, Op. 11, and the Piano Concerto No. 2 in F Minor, Op. 21, consummately reveal Chopin's profound understanding of the piano as a dynamic instrument of expression. Over the century and a half since their composition, they have enjoyed wide popularity with pianists,orchestras and their audiences. Chopin wrote both concerti as vehicles to launch his career as a concert artist.However, he soon abandoned the concert hall for the more intimate atmosphere of the salon, and turned his creative attentions to the brilliant shorter works on which his reputation would ultimately rest. These two luminous compositions remain among his few ventures into the longer and more comprehensive musical forms.They are filled with extended stretches of brilliant passagework and deeply affecting moments of tender a

Paired together in a single, affordable volume, these disparate works reflect two different sides of Wagner's compositional mastery. Aside from his operatic works, Wagner wrote relatively little music--a single symphony, some overtures, and a few choral and piano works. Of these, the Siegfried Idyll is the most frequently performed. Although not part of the Ring cycle, the Idyll draws upon several of the Ring's motifs. Written for the birth- day of Wagner's wife, Cosima, it was never intended for public performance but financial difficulties forced the composer into publication. "The secret treasure is to become public property," Cosima noted in her diary, and audi-ences have been the happier for it. With Wagner's Faust Overture, the nineteenth century's preeminent German opera composer took on the most discussed and written-about work by Germany's most revered poet. Inspired by Wagner's attendance at a performance of Berlioz's Romeo and Juliet, the original composition dates from 1844 and depicts

Japanese artist Yoshitaka Amano began his career with exceptional design work on fan-favorite anime such as Gatchaman/G-Force and Time Bokan and popular graphic novels Sandman: The Dream Hunters and Wolverine & Elektra: The Redeemer, but it wasn't until he turned his attention to the medium of printmaking that his artistic genius began to flower. Drawing from influences as diverse as Art Nouveau and Art Deco traditions, American comics, Japanese ukiyo-e, and traditional fantasy illustration, Amano's prints capture a breathtaking world -- sometimes whimsical, sometimes luxurious, and sometimes terrifying.

You'll be amazed by what's happened since "10x10_2". Green architecture has gone from novelty to necessity, walls have gone from necessary to optional, hula hoops have become a building material. Local is the new international. Architecture is the new art. The 100 architects featured in this volume, the latest in our successful "10x10" series, are pushing the boundaries of design and redefining the very meaning of architecture: a building sliced in half in order to design the space in between; a one-ton floating object of seeming weightlessness; a high-end shop in downtown Seoul covered entirely in vegetation; and, a skyscraper that seems to disappear on sunny days. This is architecture as you've never seen it before. "10x10_3" is a comprehensive and global view of new architecture, presenting the work of 100 up-and-coming architects from around the world, selected by 10 of the best-informed critics, curators, and architects. They include Joseph Grima (USA); Kengo Kuma (Japan); Peter Schmal (Germany); and Ai

"Girl before a Mirror" (1932), one of severalstandouts in MoMA's vast collection of Pablo Picasso's work, takesthe traditional artistic theme of a woman before her mirror andreinvents it in radically modern terms. The girl's profile andblonde hair identify her as Marie-Thérèse Walter, the artist'slover, muse and a profoundly transformative presence in both hislife and art, but the painting is far from a conventional portrait.Its dazzling jewel-like colors, boldly contoured shapes and surfacepatterning transform the girl and her shadowy reflection into adeeply mysterious image that is both captivating and strange. Inher essay, MoMA's Blanchette Hooker Rockefeller Curator of Paintingand Sculpture, Anne Umland, explores this work in depth anddescribes the circumstances of its creation: the artist's privatelife, his practice as a sculptor, his rivalry with other artistsboth living and dead and his concern, at the age of 51, about hiscontemporary relevance and artistic legacy.

Beethoven's symphonies are among his greatest works--in the opinion of many, the greatest orchestral compositions in the history of music. Perfect in their fusion of emotion and form, filled with drama and great beauty, they are among the best- known and best-loved works in all classical music. Now Dover makes available the full orchestral scores for all nine symphonies in three consecutive wolumes. This volume contains the scores for Symphony No. 8 in F Major, Op. 93 Symphony No. 9 in D Minor, Op. 19.5 The eighth is full of beauty and innocent merriment, while the ninth is Beethoven'slast and greatest symphony, a dazzling end to his symphonic works. Also includedhere is a translation of the passages from Sehiller's ode "To Joy" set in its lastmovement. The scores have been painstakingly reproduced from the authoritative Litolff edition. Printed with large dear noteheads and wide margins, and far less expensive than comparable full-score editions, this volume belongs in the library of any

The result of the second international photography competitionorganized by the distinguished Musee de lElysee, this book sets outto discover what young photographers are up to as the 21st centuryapproaches its second decade. How do they see the world? How muchdo they respect, build on or reject tradition? Are they busy in thedarkroom or the computer lab or both? Here, in more than 200 superbimages brimming with inspiring creativity and ingenuity, are theanswers to these questions. The variety of subjects and techniquesconfirms that photographers of extraordinary talent are well ontheir way to making their mark. Useful reference material includesbiographical details of each of the eighty featured photographersand a note on the selected winning photographers from the firstedition of the book, many of whom have gone on to forgeinternational careers. This is an unmissable opportunity to previewthe work of those up-and-coming photographers who may well emergeas the finest artists of their generation.

While better known for his great orchestral works, Tchaikovsky composed a large number of solo piano pieces that are loved and played by pianists the world over. This new collection, bringing together the best and most popular of these compositions, is the finest single-volume edition of Tchaikovsky's solo piano music now available. Featured in this volume are two particularly well-known works: The Seasons, Op. 37his, a suite of 12 pieces, each bearing the name--and capturing the spirit--of one of the months, and Album for the Young, Op. 39, a set of 24 easy pieces popular with pianists of all levels for their charm and lyric grace. Also included in this edition are five early pieces; Theme original et variations, Op. 19, No. 6; the famous "Chanson triste" and three other pieces from Op. 40; Valse sentimentale, Op. 51, No. 6; Doumka, Op. 59; and ten favorite excerpts from Eighteen Characteristic Pieces, Op. 72

Following the success of Seas, Cities and Dreams in 2000, the authors return with a second volume on the works of this remarkable 19th century master who raised European maritime painting to a new level. Gianni Caffiero and Ivan Samarine have gathered the material for this book from public and private collections worldwide. The large number paintings illustrated offer a significant addition to the published corpus of Aivazovsky?s oeuvre. Their chronological arrangement makes this volume an invaluable resource for scholars, collectors and Aivazovsky?s many admirers.

Guy Bourdin's fashion photography placed him at the vanguardof fashion photography in the second half of the twentieth century;today he is hailed as one of the finest fashion photographers ofthe twentieth century. From his first provocative editorial featurein 1955, which pictured haute couture alongside butchered cowheads, Bourdin pushed fashion photography into then-unchartedterritory with his volatile mixture of violence, sex andsurrealism. In Between delves into Bourdin's career,charting the course of his artistic development from the 1950s tothe 1980s via over 200 superbly printed black-and-white and colorimages. It also reassembles many original editorial layouts as theywere first published, in magazines such as French Vogue , British Vogue and Harper's Bazaar , offering a newcritical contexts for approaching his work-for Bourdin tailored hiscompositions to the constraints of the printed page, bothconceptually and graphically, and the mirror motif famously centralto his work finds its formal

The logo bible, this book provides graphic designers with an indispensable reference source for contemporary logo design. More than 1300 logos are grouped according to their focal form, symbol, and graphic associations into 75 categories such as crosses, stars, crowns, animals, people, handwritten, illustrative type, etc. To emphasize the visual form of the logos, they are shown predominantly in black and white. By sorting a vast, international array of current logotypes ranging from those of small, design-led businesses to global brands the book offers design consultancies a ready resource to draw on in the research phase of identity projects. Logos are also indexed alphabetically by name of company/designer and by industrial sector, making it easy to piece together a picture of the state of the identity art in any client's marketplace.