Charles I waged civil wars that cost one in ten Englishmentheir lives. But in 1649 Parliament was hard put to find a lawyerwith the skill and daring to prosecute a king who claimed to beabove the law. In the end, they chose the radical lawyer JohnCooke, whose Puritan conscience, political vision, and love ofcivil liberties gave him the courage to bring the king to trial. Asa result, Charles I was beheaded, but eleven years later Cookehimself was arrested, tried, and executed at the hands of CharlesII. Geoffrey Robertson, a renowned human rights lawyer, provides avivid new reading of the tumultuous Civil War years, exposinglong-hidden truths: that the king was guilty, that his executionwas necessary to establish the sovereignty of Parliament, that theregicide trials were rigged and their victims should be seen asnational heroes. Cooke’s trial of Charles I, the first trial of ahead of state for waging war on his own people, became a forerunnerof the trials of Augusto Pinochet, Slobodan Milosevic

Universally known and admired as a peacemaker, DagHammarskj?ld concealed a remarkable intense inner life which herecorded over several decades in this journal of poems andspiritual meditations, left to be published after his death. Adramatic account of spiritual struggle, Markings has inspiredhundreds of thousands of readers since it was first published in1964. Markings is distinctive, as W.H. Auden remarks in hisforeword, as a record of "the attempt by a professional man ofaction to unite in one life the via activa and the viacontemplativa." It reflects its author's efforts to live his creed,his belief that all men are equally the children of God and thatfaith and love require of him a life of selfless service to others.For Hammarskj?ld, "the road to holiness necessarily passes throughthe world of action." Markings is not only a fascinating glimpse ofthe mind of a great man, but also a moving spiritual classic thathas left its mark on generations of readers.

Historically acknowledged as one of America's most powerfulorators, Washington challenged racial prejudice when such behaviorfrom a black man was unheard of. Here is the dramatic,autobiographical account of how he stood fast against the socialand ideological bias prevalent in his day.

Helen Keller' striumph over her blindness and deafness hasbecome one of the most inspiring stories of our time. Here, in abook first published when she was young woman, is Helen Keller'sown story- complex, poignant, and filled with love.

Filled with keen observations,autobiographical notes, and the seeds of many of Maugham's greatestworks, A Writer's Notebook is a unique and exhilarating lookinto a great writer's mind at work. From nearly five decades, Somerset Maugham recorded anintimate journal. In it we see the budding of his incomparablevision and his remarkable career as a writer. Covering the yearsfrom his time as a youthful medical student in London to a seasonedworld traveler around the world, it is playful, sharp witted, andalways revealing. Undoubtedly one of his most significant works, A Writer's Notebook is a must for Maugham fans and anyoneinterested in the creative process.

THE LIBRARY OF CONTEMPORARY THOUGHT is a groundbreaking serieswhere America's finest writers and most brilliant minds tackletoday's most provocative, fascinating, and relevant issues.Striking and daring, creative and important, these original voiceson matters political, social, economic, and cultural, willenlighten, comfort, entertain, enrage, and ignite healthy debateacross the country.

In this extraordinary memoir, one of the best young writers inAmerica today transforms into a work of art the darkest passageimaginable in a young woman's life: an obsessive love affairbetween father and daughter that began when Kathryn Harrison,twenty years old, was reunited with a parent whose absence hadhaunted her youth. Exquisitely and hypnotically written, like a bold and terrifyingdream, The Kiss is breathtaking in its honesty and in the power andbeauty of its creation. A story both of taboo and of familycomplicity in breaking taboo, The Kiss is also about love -- aboutthe most primal of love triangles, the one that ensnares a childbetween mother and father. From the Hardcover edition.

Now in paperback: the third volume of John Richardson’smagisterial Life of Picasso. Here is Picasso at the height of his powers in Rome and Naples,producing the sets and costumes with Cocteau for Diaghilev’sBallets Russes, and visiting Pompei where the antique statuary fuelhis obsession with classicism; in Paris, creating some of his mostimportant sculpture and painting as part of a group that includedBraque, Apollinaire, Miró, and Breton; spending summers in theSouth of France in the company of Gerald and Sara Murphy,Hemingway, and Fitzgerald. These are the years of his marriage tothe Russian ballerina Olga Khokhlova—the mother of his onlylegitimate child, Paulo—and of his passionate affair withMarie-Thérèse Walter, who was, as well, his model and muse. A groundbreaking contribution to our understanding of one of thegreatest artists of the twentieth century.

A gathering ofbrilliant and viciously funny recollections from one of thetwentieth century’s most famous literary enfants terribles. Written in 1980 but published here for the first time, thesetexts tell the story of the various farces that developed aroundthe literary prizes Thomas Bernhard received in his lifetime.Whether it was the Bremen Literature Prize, the Grillparzer Prize,or the Austrian State Prize, his participation in the acceptanceceremony—always less than gracious, it must be said—resulted inscandal (only at the awarding of the prize from Austria’s FederalChamber of Commerce did Bernhard feel at home: he received thatone, he said, in recognition of the great example he set forshopkeeping apprentices). And the remuneration connected with theprizes presented him with opportunities for adventure—of thenew-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic,sardonic, and shaking his head with biting amusement at the w

The first account—prodigiously researched, richly detailed—ofthe last remarkable twenty-five years of the life and art of one ofAmerica’s greatest and most beloved musical icons. Much has been written about Louis Armstrong, but most of itfocuses on the early and middle stages of his long career. Now,Ricky Riccardi—jazz scholar and musician—takes an in-depth look atthe years in which Armstrong was often dismissed as a buffoon?ish,if popular, entertainer, and shows us instead the inventiveness anddepth of expression that his music evinced during this time. These are the years (from after World War II until his death in1971) when Armstrong entertained crowds around the world andrecorded his highest-charting hits, including “Mack the Knife” and“Hello, Dolly”; years when he collaborated with, among others, EllaFitzgerald, Duke Ellington, and Dave Brubeck; when he recorded withstrings and big bands, and, of course, with the All-Stars, hisprimary performing ensemble for more than

This comprehensive, original portrait of the life and work ofone of America's greatest poets--set in the social, cultural, andpolitical context of his time--considers the full range of writingsby and about Whitman, including his early poems and stories, hisconversations, letters, journals, newspaper writings, and daybooks. of photos.

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—

I tell of a time, a place, and a way of life long gone. For manyyears I have had the urge to describe that treasure trove, lest itvanish forever. So, partly in response to the basic human instinctto share feelings and experiences, and partly for the sheer joy andexcitement of it all, I report on my early life. It was quite aromp. So begins Mildred Kalish’s story of growing upon her grandparents’ Iowa farm during the depths of the GreatDepression. With her father banished from the household formysterious transgressions, five-year-old Mildred and her familycould easily have been overwhelmed by the challenge of simplytrying to survive. This, however, is not a tale of suffering. Kalish counts herself among the lucky of thatera. She had caring grandparents who possessed—and valiantly triedto impose—all the pioneer virtues of their forebears, teachers whoinspired and befriended her, and a barnyard full of animals readyto be tamed and loved. She and her siblings and their cousins fromthe farm across

Translated by Audie E. Bock. "A first rate book and a joy to read.... It's doubtful that acomplete understanding of the director's artistry can be obtainedwithout reading this book.... Also indispensable for buddingdirectors are the addenda, in which Kurosawa lays out his beliefson the primacy of a good *, on *writing as an essentialtool for directors, on directing actors, on camera placement, andon the value of steeping oneself in literature, from great novelsto detective fiction." -- Variety "For the lover of Kurosawa's movies...this is nothing short of mustreading...a fitting companion piece to his many dynamic andabsorbing screen entertainments." -- Washington Post Book World

Edith Kermit Carow grew up in New York City in the same circlesas did Theodore Roosevelt. But only after TR's first wife died atage twenty-two did the childhood friends forge one of the mostsuccessful romantic and political partnerships in American history.Sylvia Jukes Morris's access to previously unpublished letters anddiaries brings to full life her portrait of the Roosevelts andtheir times. During her years as First Lady (1901-09), Edith KermitRoosevelt dazzled social and political Washington as hostess,confidante, and mother of six, leading her husband to remark, "Mrs.Roosevelt comes a good deal nearer my ideal than I do myself."

First U.S. Publication A major literary event--the complete, uncensored journals of SylviaPlath, published in their entirety for the first time. Sylvia Plath's journals were originally published in 1982 in aheavily abridged version authorized by Plath's husband, Ted Hughes.This new edition is an exact and complete tran*ion of thediaries Plath kept during the last twelve years of her life. Sixtypercent of the book is material that has never before been madepublic, more fully revealing the intensity of the poet's personaland literary struggles, and providing fresh insight into both herfrequent desperation and the bravery with which she faced down herdemons. The complete Journals of Sylvia Plath is essentialreading for all who have been moved and fascinated by Plath's lifeand work. First U.S. Publication A major literary event--the complete, uncensored journals of SylviaPlath, published in their entirety for the first time. Sylvia Plath's journals were originally published in 1982 in aheavily abridged ve

Anna Quindlen first visited London from a chair in hersuburban Philadelphia home—in one of her beloved childhood mysterynovels. She has been back to London countless times since, throughthe pages of books and in person, and now, in Imagined London, shetakes her own readers on a tour of this greatest of literarycities. While New York, Paris, and Dublin are also vividly portrayed infiction, it is London, Quindlen argues, that has always been thestar, both because of the primacy of English literature and thespecificity of city de*ions. She bases her view of the city onher own detailed literary map, tracking the footsteps of herfavorite characters: the places where Evelyn Waugh's bright youngthings danced until dawn, or where Lydia Bennett eloped with thedastardly Wickham. In Imagined London, Quindlen walks through the city, movingwithin blocks from the great books of the 19th century to thedetective novels of the 20th to the new modernist tradition of the21st. With wit and cha

Of all our great presidents, Theodore Roosevelt is the only onewhose greatness increased out of office. When he toured Europe in1910 as plain “Colonel Roosevelt,” he was hailed as the most famousman in the world. Crowned heads vied to put him up in theirpalaces. “If I see another king,” he joked, “I think I shall bitehim.” Had TR won his historic “Bull Moose” campaign in1912 (when he outpolled the sitting president, William HowardTaft), he might have averted World War I, so great was hisinternational influence. Had he not died in 1919, at the early ageof sixty, he would unquestionably have been reelected to a thirdterm in the White House and completed the work he began in 1901 ofestablishing the United States as a model democracy, militarilystrong and socially just. This biography by Edmund Morris, the PulitzerPrize and National Book Award–winning author of The Rise ofTheodore Roosevelt and Theodore Rex, is itself the completion of atrilogy sure to stand as definitive. Packed with m

In this extraordinary memoir, Nobel Prizewinning author GnterGrass remembers his early life, from his boyhood in a crampedtwo-room apartment in Danzig through the late 1950s, when The TinDrum was published. During the Second World War, Grass volunteeredfor the submarine corps at the age of fifteen but was rejected; twoyears later, in 1944, he was instead drafted into the Waffen-SS.Taken prisoner by American forces as he was recovering fromshrapnel wounds, he spent the final weeks of the war in an AmericanPOW camp. After the war, Grass resolved to become an artist andmoved with his first wife to Paris, where he began to write thenovel that would make him famous. Full of the bravado of youth, therubble of postwar Germany, the thrill of wild love affairs, and theexhilaration of Paris in the early fifties, Peeling the Onionwhichcaused great controversy when it was published in GermanyrevealsGrass at his most intimate.

As he magnificently combines meticulous scholarship withirresistible narrative appeal, Richardson draws on his closefriendship with Picasso, his own diaries, the collaboration ofPicasso's widow Jacqueline, and unprecedented access to Picasso'sstudio and papers to arrive at a profound understanding of theartist and his work. 800 photos.

In 1773, the great Samuel Johnson–then 63–and his young friendand future biographer, James Boswell, traveled together around thecoast of Scotland, each writing his own account of the 83-dayjourney. Published in one volume, the very different travelogues ofthis unlikely duo provide a fascinating picture not only of theScottish Highlands but also of the relationship between two menwhose fame would be forever entwined. Johnson's account contains elegant de*ions and analysesof what was then a remote and rugged land. In contrast, theScottish-born Boswell's journal of the trip focuses on thepsychological landscape of his famously gruff and witty companion,and is part of the material he was already collecting for hisfuture Life of Samuel Johnson, the masterly biography that wouldmake his name. Read together, the two accounts form both a unique classic oftravel writing and a revelation of one of the most famous literaryfriendships.